The design challenge for BRR was to capture the essence of Antarctica – ‘The Earth’s White Box’ whilst retaining both the integrity of the scientific research and capturing the visual beauty of this majestic continent. The BRR team realised that information on this continent was like an iceberg floating in the ocean. As icebergs reveal a small section of themselves above the horizon whilst concealing a greater part underwater, there is a large percentage of information that still requires investigating for the betterment of our planet’s future. This way the studio BRR explains the rebranding made for the New Zealand Antarctic Research Institute, an entity responsible for developing, managing and executing New Zealand Government activities in Antarctica and the Southern Ocean, in particular the Ross Dependency. The result is a clean and plain, but at the same time very effective graphic design work, made with a simple combination of geometric shapes to appear as icebergs in the sea, as well as using a monochrome code and sans-serif typography. Just perfect!
Search results for “ANTA”
Antago is a new luminaire series introduced by the Hamburg based manufacturer Viocero. Antago comes in a range of colours. The lamp’s base is made of multiple processed and refined aluminum. The lamp shade is a self-supporting, double-walled structure of matalloid woven fabric. Interestingly, apart from the regular range, Viocero also offers the Antago ID, a fully customizable version. You can individualize colors and materials of each component – all the way down to the dimmer unit and the power cord. I like the great finishing with attention to each detail and the use of the different materials.
IKEA has recently launched Sinnerlig, a collaboration with London designer Ilse Crawford from Studioilse, on a range of cork and natural-fibre homeware products prominently featuring neutral colours that were chosen to fit into any home. In Crawford’s words: It’s supposed to work in a bathroom in Mumbai as well as a kitchen in Neasden, it has to fit into people’s lives. It is quite low key but we deliberately designed it like that, we see it as background, it’s not trying to compete with these fantastic icons of design — it’s a different thing. Set against the beautiful backdrop of Ett Hem hotel, also designed by Studioilse, the collection contains a range of around 30 products, from larger furniture pieces such as cork-covered tables and a daybed down to hand-blown glass bottles. The collection was unveiled during Stockholm Design Week and will be available in stores in August.
An identity, stationery and promotional materials design for the architectural photographer Luka Žanić, realised by Studio8585 — a Croatian design studio which provides simple and elegant brand solutions. The project takes advantage of a typographically challenging set of characters in the form of a monogram, cleverly framing Luka Žanić’s beautiful photography within the context of cues associated with modern architectural identities. The logotype is based on a monogram in which a characteristic and potentially awkward second initial “Ž” is used as a device which brings the two initials together, juxtaposing them through a diacritic. The designers make use of simple forms to create a bold monogram, producing a sculptural quality in its asymmetry and vertical balance. Outstanding.
We are now halfway through winter in the Northern Hemisphere and one needs quality apparel to face the elements. The Styrman is a waterproof topcoat by San Francisco based Mission Workshop. Their aim is to help you cover the most ground possible. The Styrman, made in Vancouver, British Columbia, is their take on the classic topcoat improved with all the advantages of modern technical outerwear. The jacket is constructed of c_change fabric developed by Schoeller from Switzerland. This membrane reacts to different prevailing conditions. It does not only take temperature into account but also humidity and body moisture. The waterproof-breathable membrane, with taped seams, gives full protection against rain, wind and snow. The storm hood is removable if you prefer. The wool exterior of this smart jacket gives a tailored appearance. The Styrman is available in charcoal or grey. A great jacket for daily commute and outdoor use!
When great creativity is followed by perfect technical work, the result can be something as astonishing as this campaign for the Dutch company Friesland Campina Kievit — promotion of their powdered milk creamers. The fully integrated marketing campaign was created by Norvell Jefferson agency, where the Belgian photographer Jeffrey Vanhoutte developed a lovely photo shoot, capturing the acrobatic dancer Noi Pakon moving with fine particles of powdered milk. Without doubt, a remarkable and complicated collaboration that investigates many of aspects such as motion, still and light, to create a plain and pure result. You can also the watch the fantastic making-of video.
The D3 traveller is an ultralight, strong and discreet duffel whittled down to its barest of components. The duffel was commisioned for field work in diverse and challenging environment. The creators know what they are talking about. One of them, Jan Chipchase, is a well respected design researcher who helps organisations gather insights to inform, inspire and affect change. The D3 is a 42L volume bag for the global traveller who is looking for a strong, versatile and simple luggage solution. The D3 is made of two layers of Cuben Fiber (four times stronger than Kevlar at almost half its weight) with one layer suspended inside the other. Cuben Fiber is a cool material: it can be crinkled, or rolled up without losing structural integrity. The D3 has an “oil black” finish and nicely wears over time. Like the shell the zips are water resistant. The strap and tri glide, created from a solid block of aircraft grade aluminium, and Petzl Ange S carabiners make that various carrying styles are possible. There is no exterior branding but the outer zip pulls include a pebble from Kyi Chu, a river that starts in the Chenthangula Mountains in Tibet. A fantastic bag I...
Felipe Hess is a young architect based in Sao Paulo, Brazil. He create his own studio in 2012 with projects ranging from residential to commercial to interior design. He has been involved in many incredible projects, located in the city of Sao Paulo, all adopting minimalist design. One such project is Sergipe, a spacious and bright apartment located in a 1960 modernist building. The project involved the demolition of almost all the walls to unify the space. The private areas of the apartment, consisting of a double bedroom with bathroom, are separated by a large white wall. A rigorous and elegant apartment, simple and contemporary lines give way to the illusion in the main entrance set inside a cube building, completely covered with yellow tiles from floor to ceiling. To create a seamless tile surface, Hess decided not to include handle in the design. Instead, the door opens by entering a PIN on a keypad hidden behind one of the tiles. The cube entrance is covered with shelves from the outside, and it creates the illusion, once inside, exiting from a magic door through the library. Fantastic.
We recently caught up with Håndværk to discuss the brand, its designs, fabrics, and future. Describe your path to creating the brand, Håndværk. We felt there was a void in the market for a label that was solely dedicated to high-end essentials — crafting each piece from the finest fabrics, and focused on the details as the foundation to function. From the start, the ultimate goal was to create a label that we would love as customers, something that would make us proud. Our passion for fine fabrics was the main force driving Håndværk’s creation. Håndværk is an interesting & unusual brand name. Can you explain why you choose it? It is a Danish word that stands for artisanal, a trade, or handy-work. We felt it represents the soul of the label. At the core, we want to highlight that pride achieved by the craftsman with his honest work. We want to convey that making quality garments is a humble and tedious endeavour, miles away from the hype of the fashion world. We have always been huge fans of Danish design, specifically mid-century modern furniture — with the focus on simplicity, honest materials and function. These values influence how we go...
The Mist Cabinet by Rachel Harding is a display cabinet that curates your view. The cabinet uses a minimalist construction to create a series of clear cast acrylic boxes that react to various viewing angles. Thanks to a special coating the opacity of each box flutters between transparent and translucent as you pass by, “creating an intriguing choreography of hidden and seen” as Harding describes. I wanted to re-invent the idea of the traditional display cabinet. Instead of simply falling into the background, this cabinet interacts with the objects inside, and encourages the user to take a second look. The advantages of acrylic glass is its capacity to refract and filter light and being light weight. Acrylic glass however can have a ‘cold’ appearance and will not fit in every interior. Rachel Harding works, in addition to her studio work as an in-house designer for Droog Design, creating in-house collections and design concepts. Harding seeks to surprise with her work drawing inspiration from unexpected materials and contexts.
When one thinks of incorporating nature into one’s home, that thought often involves trees. However, Amsterdam-based studio Formafantasma by Andrea Trimarchi and Simone Farresin has a different direction for that thought. Specializing in designs that fuse tradition and local culture, while regarding sustainability and the objects’ significance, their products incorporate the most unusual materials—such as the Fossilium series. Made from cooled lava rocks from the eruption of Mount Etna in November 2013, these volumetric sculptures are the work of a collaborative effort that involves special processes. While minimal in form, the porosity and grain of these products propose a complexity in material execution. The elegance of simple geometric silhouettes is highlighted with accents of brass against the monochromic base of the basalt colors. These tables and tools are a part of a greater collection that includes clocks, bowls, and mirrors that are available at Gallery Libby Sellers in London. I find a fascination in the loyalty of Formafantasma to their philosophy of locality. Not only they were able to produce an amazing array of minimal sculptural furnitures, the sustainability aspect of material transportation also speaks about the work ethics that created Fossilium.
Last year, the successful Spanish studio Lavernia & Cienfuegos designed the Etnia Shops, including the furniture and the image, for the brand Etnia Cosmetics, resulting in a remarkable project. The main goal was focused on establishing great efficieny, functionality and image, so the main characteristics of the shops are the modularity, the product presentation and the general appeal of the product. I love the combination of the white and the clear wood tones, giving the interior a feeling of warmth along with the carefully considered lighting. And all of these characteristics emphasise the products with their powerful colours. Fantastic work without doubt.