French artist Nathalie Dérouet lives and works in Douarnenez, north-western France. From her ceramics workshop, she creates a range of exceptional porcelain pieces, including unique bowls, vases, pots and various containers, all of which embrace open space. Highlighting a few favourites from Dérouet’s many ceramic creations, it’s clear the inspiration behind these pieces are taken from Chinese and Japanese ceramics, countries where refinement and sophistication are present in many everyday objects, reflecting tradition and modernity. It’s the purity and simplicity of these extremely thin designs that appeal to me most. The smooth surfaces and uniqueness of each piece makes for certain wish-listing.
Search results for “Ceramic”
Taizo Kuroda’s pure white Ceramics collection is an inspired by-product of his close relationship with fellow Japanese artisans; architect Tadao Ando, designer Issay Miyake and photographer Hiroshi Sugimoto. They share the same sure discipline and taste in editing out all that is unnecessary. I am in awe, and filled with jealousy, of this association with such a collective muse. Ando describes Taizo Kuroda’s aesthetic, and dedication to pure white, to reflect the colour of his spirit in the unceasing pursuit of truth. I have an immense appreciation for the subtlety of this truth, and the beauty in the un-ornate. I find this bare-ness creates a sense of illumination in the materiality of the ceramic itself. The colour is described as a warm, milky white – something akin to that of Greek island houses seen in the Cycladic light of late afternoon – a magical colour that makes his ceramic wares seem to softly glow. I couldn’t agree more. The Ceramics collection is a fusion of forms that depart radically from the cold, technically perfect, moulded porcelains associated with Arita, Kakiemon and Nadeshima; the result being an almost accident of perfectly fused shapes and sharp considered lines. These embody the beauty...
Today I would like to highlight the work of Pigeon Toe ceramics studio based in Industrial North Portland, Oregon. Founded four years ago by Lisa Jones, the studio has already gained a following of enthusiasts, who appreciate beauty of a craft and embrace not only the finished product but the story of a maker behind the product as well. Calling themselves a “creative evolution” Pigeon Toe’s refined selection, hand-touch within each piece and genuine passion for the making is obvious by first glance at their site. To see more of the process, watch this video. Pigeon Toeʼs aspiration is simple: to provide mankind with everyday beauty. Highly curated and refined, each piece is culled from skilled hands, trained minds and inspired hearts. Our designs are naturally imperfect, casually irreverent and playfully charming. Each piece is treasured. Beautiful. Authentically hand-crafted. I’m drawn to the simple lines of their collections and appreciate the playful approach to incorporate colors within some. Minimal design with lots of passion and love.
This week, Japanese design studio Plus Minus Zero (±0) who produce household electrical goods and household items, released their latest product – the Mini Ceramic Fan Heater. Last year Minimalissimo featured their original fan heater, however the mini version is of course smaller, thinner (H210 x W105 x D148mm), lighter (1.2kg) and less expensive. Available in three colours – red, brown and blue, the Mini Ceramic Fan Heater appears to offer an undeniable simplicity and subtlety, even more so than its predecessor. How functionally effective this heater is though, I’d like to experience.
It’s been getting a little bit colder in Sydney lately, so I decided it was time to get myself a new heater. In my research, I discovered a few heaters designed by Japanese designer Naoto Fukasawa for his brand Plus Minus Zero. Although I opted for the infrared electric heater, I particularly like the cermaic fan heater he designed, which comes in three colours: red, blue and an almost-black dark green (my favorite). I’m not sure how functional these heaters are, but as objects or sculptures I think it would be hard to deny how beautiful, simple and modest they are.
The Ceramic Art Kettle, designed by Eliumstudio for Rowenta, is an appliance that combines an immaculate aesthetic with innovative sensibility. The French-based design firm, Eliumstudio, has repeatedly refined the elegance of household objects with a number of high-caliber creations; this kettle is no different. The minimal beauty of this piece is unmistakable. However, its true identity lies within the object itself. Don Norman would even agree with the intelligent utilization of constraints on the elastomer lid. Acting as a safety, the lid retains the scalding liquid within the kettle even if knocked over. The contrasts on this piece only add value to its style. The juxtaposition of the kettle’s glossy white and matte silver allows the piece to preserve its sleek nature while remaining relatively inconspicuous.
Simple, great material usage and good performance these Ceramic Speakers by Joey Roth are perfect for pairing with an aluminum laptop, iMac, or similarly minimalist turntable. Made from porcelain, wood and cork, Roth chose the materials not only for the aesthetic appeal they add to desktops, but also because porcelain’s density and “acoustical deadness” rivals that of wood or plastic enabling the cone shape. The upshot contrasts the thoroughly contemporary mix of textures and colors with a four-inch silhouette that conjures gramophones of the past. San Francisco based designer Joey Roth blew our collective minds way back in 2007 with his conceptual Felt mouse. We hope to see some more beautiful work from this great designer.
Heart of Gold is a new edition of the stunning concrete kitchen line we featured in one of our previous posts. Designed by Martin Steininger and Michael Paar, Heart of Gold adheres to the same minimalist principles as its predecessor. The seamless look is reinforced by several new elements – hidden water outlet in the sink, magnetic drawer partitions, ceramic hobs visible or hidden by an automatic panel. I love that in spite of its technological sophistication, the piece looks austere and uncluttered. All elements are modular and can fit together in various combinations. The kitchen can be made from three materials – grey or brown concrete, ceramic and natural stone.
Cathérine Lovatt is a Belgian freelance ceramicist who’s portfolio of ceramic works has found me hugely impressed, particularly because of their minimalist aesthetic. Lovatt has designed for the likes of Serax, Domani and Belgoflor, and it is this beautiful collection of ceramic crockery for the Belgian company Serax, that I would like to share with you. Family Set, which includes plates, bowls, beakers, carafe and teapot, are made in stoneware clay consisting of six different basic forms based on the cylinder. Each piece from the collection is available for purchase through the Gosto online store. The teapot would make for a particularly good Christmas gift, in my opinion. Superb.
Urban Oasis’ Still House Collection is a new take on the traditional drinking vessel and serving accompaniment. The beautifying of the everyday through materiality and finish, offer an element of occasion through form. Designed in New York City, the collection is distributed both locally and internationally and has a growing consumer base. The pieces are a combination of glazed and raw ceramic elements that are intended to bring a sense of calm and simplicity. Exhibited and sold through Still House in New York, Urban Oasis has created a collection that is both accessible, considered and embedded with deliberate minimalist detail. There is an organic quality to the forms also, playing with light and illumination through the materiality. Open since May 2011, Still House is a vehicle for emerging designers across New York, Japan, Scandinavia and Europe and is a blend between shop and gallery where they pride themselves on being a place to find new art and design talent. Nestled in East Village, I applaud the launching pad they offer for local artists and the quality and accessibility to designed pieces they offer the end user. Photography courtesy of Still House.
Created by Portuguese and Milan-based product designer Tania da Cruz, this white flower-crowned head is actually an exuberantly fun and surprisingly simple ceramic vase. Tania’s work is influenced by a communicative approach aimed at uncovering the poetic aspects of a project, a philosophy that is very noticeable with the WIG vase. The WIG prototype has been exhibited at the Milan design week in the 2012 & 2013 editions. Objects and designs influenced by the concept of “play” often have such a strong, positive reaction from the audience – I’d love one of these in my home!
London based team Studio Vit most recently exhibited their collection Globe Lights at the Milan Furniture Fair 2013. It consists of matt ceramic sphere reflectors and small globe pendants that can serve independently or together to cast light. The designers note: The collection explores how geometric volumes relate to each other and the juxtaposition of materials and light. I love the fact that with these Globe Lights, light can be adjusted and manipulated in however the user chooses to illuminate the space in a rather unique method. Its design and form is almost poetic in the contrast and the relationship, and the experience of it as revealed in these images really makes me wish I had the chance to see them in person. Images via Studio Vit.