Minimalist design has been highly influenced by Japanese traditional design and architecture. British minimalist architect John Pawson has designed a ribbon to support the disaster relief effort, following the earthquake and tsunami, earlier this month. Electronic version of the design is available to download for attachment to websites and emails. A donation can be made online. I would like to express my love, respect and admiration to the Japanese population. Stay strong!
Search results for “Japan”
The Sa, currently being funded through Kickstarter, is an innovative, minimalist, geometric umbrella that reimagines structure, form, and aesthetics, with improved efficiency. I love the modern appearance of the canopy design. Like origami the Sa uses planar tension to generate its form. The inner and outer canopies, made of highly recyclable waterproof plastic, expand and contract in unison to open and close the umbrella. As a result the Sa is lighter than a traditional umbrella since there is no need for an inner, metal, skeleton. The canopy design is great, but also have a look at the internalized mechanism to open and close the umbrella. One simply needs to rotate the bottom of the handle to open the Sa. The spring-loaded mechanism will open the umbrella. To close just pull on the handle. Magnets are embedded along the perimeter of the panels allowing an effortless tight closure of the umbrella after use. Since the umbrella finds its roots in origami the creators Justin Nagelberg and Matthew Waldman created the name “Sa” from a combination of Japanese words: “kasa”(umbrella), “same” (rain) and “sasu” (the verb used to describe holding an umbrella). The Sa is offered in cyan, yellow, magenta, black, grey and...
Fusionner 3.0: Air House is a new installation developed by the Japanese designer Kotaro Horiuchi — embedded into the gallery of Aichi Shukutoku University. The installation inserts visitors into a house of air, using paper as an architectural material. The white layers are suspended from the ceiling throughout the space as a repetition of the silhouette of a house, progressively changing its size and form, until you reach a small window. Horiuchi explains: When you went inside by making your body smaller, you could slowly notice a silhouette of a house, which seemed to change its size continuously. You were able to experience the air spreading in it and discover models hidden between the papers. You could gather, discuss, enjoy the moment and even lie down for a different perspective.
Sushi Azuma is a Japanese restaurant designed by the Osaka-based architecture practice Stile led by Ietsugu Ohara. The concept for the architecture is conceived with the traditional Japanese Tea Ceremony in mind, where the activity revolves around the preparation and presentation of the tea. The interior spaces and the materials are kept to a strict minimalist architecture, allowing the colors and lighting to present and highlight the preparation and dining of sushi. Everything has been meticulously designed in this space, from the proportion of the furniture to the sizes of the paneling, to a visual play on the architecture such as on the inside of the private dining niches where the cantilevered table appears to subtly ‘lift’ itself from the bench seating, which is such a clever, minimalist detail. Accent walls are dipped in a contrasting darker wood while curved walls are only highlighted by the cove lighting, allowing the public and private spaces to coexist as an integral part of the architectural procession. While Ohara’s intention was to focus on the food, one cannot help but appreciate the calm and peaceful aesthetic of Sushi Azuma’s minimalism. Construction: Ida Home. / Jiro Ida Lighting: MAXRAY. / Hiroyuki Nagatomi Decorative lighting: flame. / Kenichi...
Japanese designer Tokujin Yoshioka continues to fascinate us with his simplicity in design and in particular his remarkably minimalistic work with glass furniture. His latest creation is the Prism glass chair for Glasitalia. Prism glass chair is a chair made from thick (19mm) high-transparency glass. With the cutting technique on the glass surface, it produces a clear sparkling effect like a prism. The glass is embellished with special bevelling which reflects and refracts the light, lending the object a rare preciousness. Despite its extreme lightness of form, the seat has considerable weight bearing capacity. Yoshioka writes: This creation is a chair like a shimmering sculpture in a space that miraculous expression is brought by the refraction of light. This chair may not exude comfort, but I’m full of admiration for Yoshioka’s work. Not only do his designs often have a beautiful minimalist aesthetic, but there is something wonderfully poetic about his work with glass.
We recently caught up with Håndværk to discuss the brand, its designs, fabrics, and future. Describe your path to creating the brand, Håndværk. We felt there was a void in the market for a label that was solely dedicated to high-end essentials — crafting each piece from the finest fabrics, and focused on the details as the foundation to function. From the start, the ultimate goal was to create a label that we would love as customers, something that would make us proud. Our passion for fine fabrics was the main force driving Håndværk’s creation. Håndværk is an interesting & unusual brand name. Can you explain why you choose it? It is a Danish word that stands for artisanal, a trade, or handy-work. We felt it represents the soul of the label. At the core, we want to highlight that pride achieved by the craftsman with his honest work. We want to convey that making quality garments is a humble and tedious endeavour, miles away from the hype of the fashion world. We have always been huge fans of Danish design, specifically mid-century modern furniture — with the focus on simplicity, honest materials and function. These values influence how we go...
Tokyo-based design office id created a charming wooden garden, for coffee appreciation in its simplest form, for Café Ki. The ambient is a case study for tiny shops, affirming its visual identity through a strong concept and leaving unnecessary embellishments behind. The café consists of a large white canvas in which tables are organically supported by black branches; mimicking a patch of woods. It is worth noting that Ki means Tree in Japanese — the pictogram-like simplification is quite elegant and straightforward — no gimmicks here. The brand identity of Café Ki keeps it functional and affordable with smart stickers and simple print materials as tools for serving each customer’s coffee needs. Not only does the café offer a sharp visual distinctiveness, but I reckon, would make for a great brand to import as a franchise. An increasingly rare and satisfying equation: affordability + style.
From one of Japan’s luminaries of simplicity, Tokyo-based design studio Nendo, comes a delightfully ethereal furniture collection created for Italian company Desalto, known for their metal furniture. The wonder of the collection lies precisely in the fluid, light way the hard steel is worked, bent as naturally as if it were paper, as described by Nendo. By adding flipped, bent and wrapped details to metal sheets and rods, the ordinarily hard material gains new functionality and a light, flexible feel, as though the metal has become paper or cloth. The collection comprises three benches, a chair, a family of small tables, a coat rack and a family of wall shelves. Imagery courtesy of Desalto.
Let me present you the minimalist Classic watch by Melbourne based AÃRK Collective. What I like about the Classic watch are the little geometric details. The first hand, outlined by a dodecagon representing the hours, is simple but the minute hand, in which a small hexagon is integrated, stands out. The hexagon is also used as an outline for the independent second representing the seconds. The crown is triangle shaped. Perfectly balanced in design and function, this watch is a true representation of AÃRK. The band and outershell is made from durable plastic while an internal case made of stainless steel protects the Japanse Quartz movement. The finish on both the case and the band is matte satin which makes the Classic soft to touch and comfortable to wear. The Classic is available in multiple colours. Pick one that suits your taste, mood and outfit.
Koya No Sumika is an extension to a traditional home in Yaizu, Japan. The extension was designed for a young couple by mA-style Architects. The Japanese firm came up with a modern design with space saving solutions. The result is a refreshing juxtaposition to the traditional architecture of the original home. The exterior is a balance between white cement board and natural wood. The mix of crisp white and warm wood continues on the interior. The lofted ceiling features triangles of unfinished wood. White walls frame the lower portion of the home, sprinkled on both sides with built-in furniture. The decor is bare, just a few plants and lightbulbs strung from the ceilings. A simple courtyard garden adds a touch of green and connects the expansion with the original building. Koya No Sumika is a gorgeous structure inside and out. The materials are arranged so as to add character to the space, without losing its minimal appeal. Overall, this is a charming home expansion that the residents will enjoy for years to come.
Dedicated, disciplined and ridiculously handsome menswear label, SCTT BNDCTN is being released for order September 2014. The label has existed as an enigma in the fashion world since 2012 and had existed purely as a brand. Through various social media outlets to the tune of Tumblr, Facebook and Soundcloud; SCTT BNDCTN has been an encompassment of sensory intrigue. That is until now. The intensely strong brand and clear dedication to adorning men is the work of its inceptionist and Master Tailor, Warren Harrison. Based in Melbourne, the pieces are a result of tireless precision. The influence of Japanese patternmaking, traditional tailoring and experimental design is obvious and fiercely beautiful. SCTT BNDCTN celebrates the male form through a methodical use of linen, wool, leather and cotton. The designer’s passion is clear. Although a rarity, this handcrafted menswear line for discerning, stoic types, is undoubtedly one to watch. And listen to. And be inspired by the mood it instills. There is a clarity and stillness to SCTT BNDCTN that should be celebrated. Photography by Jem Taylor and make-up by Nadja Mott.
This florist’s home in Japan’s Mie prefecture was designed to inspire the resident’s craft. The dwelling was completed by Japanese firm Shinichi Ogawa & Associates in May of this year. Florist Studio utilizes a refreshing simple design to offer seamless views for a creative live/work space. The most stunning feature of the home is the glass walls that span the entire length of the building. The glass is held in place by the floor and roof slabs; this structure eliminates the need for view-impeding columns. The long stretch of windows is reminiscent of a painting in a gallery. The gallery aesthetic continues throughout the home. A cantilevered counter runs the full length of the structure, forming a bed headboard and bathroom vanity on one end, and an office desk on the other. Carefully chosen furniture is placed in the other rooms. The attention paid to each detail makes the whole home feel like a work of art. Florist Studio a perfect dwelling for its resident and its environment.