Minimalissimo


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I have long been a reader of Thisispaper Magazine, and when in late 2012 they decided to expand to the analogue world, selling a range of stunning and simplistic products, I for one, was thrilled to explore the designs. Initially launching a series of bags and rucksacks, Thisispaper Shop also recently introduced a beautiful range of kitchenware. It is however, one of their bag designs that I find to be something our Minimalissimo readers will appreciate most. The Natural Irma Bag is incredibly basic with a light linen material. Measuring 25 x 42cm, the bottom is made of nubuck leather. Other leather elements are made of vegetable-tanned natural leather. The lining is 100% cotton and features two small interior pockets and a thick cotton string. Beauty, we believe, lies in the simple objects we use everyday, without even acknowledging it.


The Australian Pavilion for the Venice Biennale is complete, just in time for the opening of the 56th Biennale in May of this year. The International Art Exhibit, taking place once every two years, has been held in Venice’s Giardini della Biennale, or the Biennale Gardens, since 1895. It is traditional for architects to design their home country’s pavilion as a unique identifier for their nation. The gardens include works by architecture greats such as Carlo Scarpa, Gerrit Rietveld, and Alvar Aalto. Australia’s Pavilion was in major need of an update: the country had been using the same temporary structure since 1988. Designed by Melbourne-based firm Denton Corker Marshall, the new pavilion’s dark square mass looms powerfully over its bordering canal. The facade is made from large slabs of black granite which protrude at points, allowing natural light to enter the windowless interior. The entrance floats on a concrete terrace, accessed by a dark steel ramp. On the canal side, the structure cantilevers slightly; this subtle gesture both embraces and respects the distinct environment. The interior is a clean, white box: the perfect canvas for various art exhibits. Australia’s sculpture-like pavilion is sure to be a hit at this Biennale and many...


This unassuming family home in Finland is designed by OOPEAA, or Office for Peripheral Architecture. OOPEAA strives for an architecture that finds its inspiration in the state of being in-between – between urban and rural, but always in relationship to both; between a deep respect for tradition and an appreciation of the contemporary. House Riihi is the perfect example of OOPEAA’s mission. House Riihi is reminiscent of a traditional Finnish cottage, stationed alone in an often snowy field in the small village of Alajärvi. The home is comprised of three buildings: the main house, a garage, and a lofted studio. The pale wood structure sits low to the ground and is arranged around an inner garden. This arrangement is inspired by Finnish farms, where cottages were positioned around a central courtyard. With this composition, the garden is protected from the harsh climate and becomes a peaceful refuge all year long. The interior is clad from floor to ceiling in natural and white-painted spruce. The light colors allow House Riihi to feel airy and bright, as well as warm and cozy. Minimal furnishings, some matching the spruce of the walls, create an atmosphere of openness where the home’s architecture can really shine. House Riihi is...


It is only the second collection of Warsaw based fashion brand THISISNON, but an international audience for their designs is already well established. The new summer collection, RAW SILK consolidates THISISNON’s concept of presenting only a few essential pieces — in this case six pieces made of 100% silk — to encourage respect for the world’s resources and professional craftsmanship. The collection’s use of raw, undyed fabric reveals the natural structure of silk, while the chosen shade of white evokes the rawness of sandstone and clay. The immaculate way THISISNON translates the above aspiration into a self-contained style, imagery and communication is simply captivating. Their pieces are the perfect example of high-end garments not conflicting with everyday life, but reminding their wearer of why certain materials — like merino wool or silk — became so loved in the first place. Wearing anything less suddenly seems quite pointless.


Ando Corporation’s Rooms project is a submerged Japanese house set into hillside, peaking out over the ocean. This minimalist series of volumes that all seem to play cooperatively together in the landscape, are a stark and beautiful contrast to the coastal terrain. At nearing 290 sqm, Rooms is a modest nod to the Japanese lifestyle; discreet, contained and respectful. Each volume of white plaster seems to come together seamlessly through a series of walkways and terraces, to create this unassuming sanctuary, nestled in the sloping elevation. The site’s location is optimally primed to maximize on the incredible Pacific Oceanic aspect. Fenestration is purposely restrained to not be full-height, to frame views and to leave some of the unknown, unknown. Set in Wakayama, Japan the clean white plastered forms contrast the natural site, while playful formal landscape geometry engages in nuances and details throughout. Rooms is the epitome of what residential dwellings should aspire to be, a sanctuary; a closing of the door to the chaos, and an opening to the beyond (in this case, the limitlessness of the ocean beyond). Ando Corporation has created an incredible example of reflective architecture, celebrating minimalism. Photography courtesy of Kimikazu Tomizawa.


Swedish designer Malin Henningsson brings a minimal curation of brass lines, marble and perspex. Founded in 2013, Henningsson’s jewelry collection brings together a curiosity in form, through materiality and line work. The combination of the natural, untamed and unaltered marble pieces with the smooth lines of the gold-plated brass elements, sees a collection of necklaces, bracelets and rings that adorn with an inquisitiveness. Described as wearable sculpture, the basis of this Collection is to express a devotion to craftsmanship with a renewal as key. The basis of the design is shaped around utilizing and pushing boundaries with regard to shape and the way in which materials are incorporated and combined. Hand-crafted in Stockholm, this collection is an ode to traditional formwork, but contrasts with the composition of its elements. Henningsson is one to watch. Photography courtesy of Malin Henningsson.


Located in Texugueira, a village in the north of Leiria, Portugal, this house is a 233 square-metre minimalist residence designed by portuguese studio Contaminar Arquitectos. Texugueira House is made up of three volumes of different shapes and sizes, with narrow terraces slotted in between. It features a retaining wall that extends north to south along the eastern boundary of the site. A corridor follows this wall and forms the house’s main axis. The three blocks all sit in front of this corridor. The first volume is empty at the ground level, providing a covered area for leisure or parking. A studio is located at the upper level, with a small terrace that opens over the landscape, allowing natural light to enter the space. The central volume features the main entrance and the social area including the living room, with a large window over the green surroundings, and the kitchen connecting with the garden. The third volume contains a more secluded and private area, with two bedrooms on the ground floor, which are directly connected with the contiguous garden spaces, and with a balcony suite on the upper floor. This is a remarkable house that includes beautiful details throughout, particularly the use of cork — the typical...


Index Ventures is a creative capital venture company based in San Francisco. When the office needed a major expansion, Garcia Tamjidi Architecture Design stepped in with a straightforward design focused on natural light. Incorporating natural light into the workplace is a desire for any creative team, however most office designs allow for very few windows. Garcia Tamjidi solved this problem by introducing new skylights in key areas of the office. The entry, cafe, and boardroom are located in the center of the office and designed to make the most out of the sunlight. The rest of the office seamlessly flows from the entrance, with large sheets of glass and gray walls forming barriers as needed. Exposed brick walls and wood beams add a touch of charm from the original structure. The furnishings are simple, functional, and white. A gorgeous sculpture hangs from one of the skylights, bringing a bit of the surreal into the office. Index Ventures is certainly not your typical workspace: it is a space for true inspiration and collaboration. Photography by Joe Fletcher.


Israeli architecture studio Pitsou Kedem continue to impress with this 700mq family home completed in 2014. The White Gallery House is a private residence situated in a white box with large windows as decorative elements and a large open space that seems a lot like an art gallery. Vertical lines open like geometric slashes connecting the house to its surroundings, to the garden and to the long and narrow swimming pool that stems from inside the house. The openings make it possible to look out into the surrounding environment if you are inside, or look into the house if you are outside. They allow natural light to penetrate the structure or artificial lighting to seep out into the surroundings during the hours of darkness. These vertical openings also serve as a reminder of a modern stilt house when you see them from the outside through the surrounding trees. Photography courtesy of Pitsou Kedem.


Kristalia, an Italian furniture design studio, has designed a new version of the stunning Thin-K table, introducing the minimalistic Thin-K Longo Outdoor table. It features a top that is not only very thin but also considerably long: almost 3 metres. Kristalia wanted to create an extremely long top reaching a truly impressive length while maintaining perfect linearity and sturdiness. To achieve this result, the legs and the under-top frame have been strengthened, but these details have been concealed. In order to perfectly finish tops of 120cm x 295cm dimensions, an ad hoc procedure has been developed, in which the under-top frame acts as a support during the lacquering stage — this is carried out using epoxy powders that are UV-ray resistant and weatherproof. The aluminium top is available in a choice of coloured lacquers, or in European oak or black oak wood veneer with a brushed finish that highlights its natural grain. Thin-K Longo is almost entirely made of aluminium, with the addition of a few steel components. Remarkable work.


Enthusiastically handcrafted in southern Germany, VOR‘s A1 Reinweiß shoes are the epitome of the company’s timeless, minimalist ethos – going through incredible effort to eliminate details and be identified more by its refined appearance than any impactful presentation. Passionate about perfectionism, premium substance and the finest possible execution, VOR believe that handcrafted items are an expression of the modern consumer’s demands regarding a product’s origins and are solely made of best genuine full grain leathers and premium leather linings, proudly creating pieces that are unique and have their own individual characteristics and natural beauty.


New House is situated on a street of traditional row homes in Hampstead, London. Designed by London based firm Guard Tillman Pollock, this modern white home focuses on privacy and clean lines. The front façade projects slightly out towards the street and is wrapped with sheer white fabric. This fabric conceals the home from the busy street while flooding the interior with filtered natural light. The boxy composition of the exterior continues inside. Monotone walls and beams are stitched together to form the various rooms. The floor plan has an open, airy quality due to double height spaces and a plethora of large windows and skylights. The white and gray palette is the perfect backdrop for the simple mid-century furnishings. I love how this unique home both stands out and blends in with its Victorian neighbors. The size and scale of New House is consistent with the other structures on its street, yet within these boundaries a truly creative and beautiful home emerged.