The beauty that is so obvious in this Parisian apartment is in the stark contrast of the use and proportion of the stone designed within a space that uses minimal details. P Apartment by Claudio Silvestrin Architects while resembling a monastery at first glance, is more like an art gallery when taken for a closer look. Every piece of furniture is custom designed by Claudio Silvestrin except for a Wegner Chair. From the 13m long cast bronze kitchen bar to the flushed mounted wall television, these architectural details have been beautifully positioned and installed. And every view from the penthouse apartment is intentionally designed to frame the amazing Paris skyline. Its contrast from the usual highly decorative Parisian architecture and from the busy city is perhaps a much welcomed escape. Photos by James Morris.
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The San Paolo Parish by Fuksas Architetto, completed in 2009, is a carefully articulated play with volumes. In concept, the main space is a box suspended within a box. It’s a play of intersecting regulated shapes, strategically placed, with emphasis on the void. The relief between volumes is therefore where the natural light enters the structure, allowing for shards of light to move through the spaces over time. Light enters both horizontally and vertically through the space. Emphasising the play with nature and built elements. Located in Foligno, Italy, the San Paolo Parish was initially conceived for a competition, which was won in 2001. The jury cited that the design was a sign of innovation that met the latest international research, becoming a symbol of rebirth for the city after the earthquake. Also therefore capturing the essence of what the spiritual and meditative space is intended to embody. This project features the use of pure geometries and natural day-lighting that create a spiritual connection with the heaven. Comprised predominantly of concrete, glass and metal, the series of regulated shapes that comprise the San Paolo Parish complex is beautiful. The lines are consistent, beautifully executed and each element is carefully curated....
French architects Emmanuel Combarel and Dominique Marrec Architects (ECDM) completed a sanctuary for children within this beautifully constructed building located in the busy city of Paris. The designers address the social needs of the users of a day care especially as well as the constraints of the small site being shadowed by a much taller adjacent building. Interior and exterior access for the users are carefully thought out within the site through a series of paths and terraces so children can get to and play safely with convenient supervision. The outdoor space is oriented to get the most amount of sunlight while it inhabits a site with much taller buildings nearby. Windows of varying heights provide views from the clean, minimal interiors. The undulating exterior pre-fabricated concrete curtain wall, being the most interesting feature of the building, evokes a protective layer in the program, both for the children and the architecture itself against the weather and elements of urban life. What I respect most about this project is the relationship the architects have given it with regards to the other buildings. The windows are of similar sizes, the panels are in proportion to the facades of its neighbors and the 2-storied...
This beautiful piece of modern architecture was recently finished by Vicens + Ramos architect bureau. The church graces a new and largely undeveloped residential area in Cordoba, Spain. The building’s innovative structure is comprised of a single prism and a tall short facade. The facade is combined with the bell-tower and skylight – the components that are usually separated in historical church architecture. The prism, made from white concrete, has a fluted base able to let in horizontal light. The interior of the church is minimal and unembelished. It is designed to accentuate the focal points of the composition, namely the altar area and the roof paintings. The light, coming from the skylight and skillfully directed by the curved shape of the ceiling, completes and unifies the space. Photography courtesy of Vicens + Ramos
Though not the most minimalist posters out there, the reduction of the two cities into one poster series, Paris versus New York, by Vahram Muratyan, cofounder of ViiiZ, really hits the spot. Muratyan puts it most elegantly: A visual but friendly match between those two cities seen by a lover of Paris wandering through New York’s infinite details, clichés and contradictions : this way, please. Something that I know I’d love to receive for a Christmas gift this year!
The French branch of the Italian company Marchesini, a leader in packaging applications, was built in 2008 by architects Benoit Jallon and Umberto Napolitano of LAN Architecture in Saint Mesmes — a small town about 40 kilometers east of Paris. Aseptic yet elegant, formal yet cozy, flexible yet defined, are only apparent contradictions that define the ispirational principles that guided LAN Architecture to achieve the design of this 1,000 square meter building, which extends over 6,000 square meters of land. Its face is oriented with the wide glass wall in the direction of Paris, the marketplace of the office. The main interest of the site lies in its morphology and in its orientation. The level of the soil follows a slope of 3 feet above sea level, and the west side provides an exceptional view of the surrounding hills. In the planning phase we examined the relation between the building and the landscape, and between users of the building and the landscape. Strong, iconic and hotly black.
This collaboration between French lingerie line Maison Lejaby and Belgian designer Lea Peckre has bred an Autumn Winter 2014 collection focusing on a sophisticated use of light toned neutrals in see-through bodysuits, with sheer fabrics in asymmetrical drapes and geometric volumes. The figure-hugging shapes emphasize the female curves in a feminine, ethereal and seductive way. Paris-based creative studio Twice were responsible for the art direction and graphic design of the lookbook, framed in simple and elegant graphics that highlight the collection’s power. Photography by Harley Weir.
Shot by Flemish photographer Frederik Vercruysse, this temple of modernism was built in the 1950s by Andre Wogenscky, a renowned architect who worked with Le Corbusier for a long time. Although it was built about 60 years ago, it seems to belong to a current concept. All the furniture is custom-made in a clever contrast between materials and forms, while remaining in absolute rigour. The modernist spirit plays with the position in the middle of the countryside and the view from the interior give a timeless touch to the house. Located just outside of Paris, House Saint-Forget was designed according to the golden section of Le Corbusier and the measure of a man, known as modular. A staircase leads to an exquisite black and white living and dining room, which is open to the outside, and features a corner fireplace in the original steel roof. Remarkable.
Villa E is a luxury Moroccan home designed by Studio KO. Studio KO is formed of architects Karl Fournier and Olivier Marty, and the firm is based in both Paris and Morocco. Their architectural style expertly blends eastern and western design. Villa E is a lodge located at the base of the Atlas Mountains in Morocco. Viewed from below, the home appears to be a castle or fortress looming above the rugged countryside. But step closer and you’ll find a warm and comforting home with a distinct style. The facade is of Villa E is covered in Ouriko stone, a red, brick-like stone which is locally sourced and characteristic to the architecture of the region. The windows are carefully placed to create the most airflow and eliminate direct sunlight. In a hot climate such as Morocco’s architects must tailor their designs around the powerful desert sun. The interior features high quality materials such as marble and slate, as well as traditional Moroccan furnishings and artwork. And of course, every room with an oversize window is arranged to maximize the stunning view of the mountains. Villa E is perfectly suited to its harsh environment. I love how the design can be traditional and contemporary, luxurious and minimal. Every element pairs together effortlessly for...
Amelie Riech’s Uncommon Matters series is a striking collection of idealistic future lines. The pieces are based on simplified geometric forms that supplement the users own style, using subtlety and an understated design philosophy. There is also a strong connection to the enduring craft techniques of the past with the construction of the pieces being well considered and constructed with exemplarily quality. Reich is based between both Berlin and Paris and her work is said to reflect a luminous energy that is reflected by the sleek, fluid surfaces of the pieces. There is also a timeless and sensuous manner to the way in which light interacts with the elements through movement. See list of stockists for all available pieces. Photography courtesy of Matthias Wingartner
This minimalist Piggy Bank is created by Selma Durand during her Master thesis of Industrial Design in ENSCI-Les Ateliers, Paris. Durand wanted to focus on the everyday situation where people collect pocket change without being aware of its value. In fact they usually put it in a pin tray where it stays untouched. Especially the cent coins are undervalued and one can use Piggy Bank to collect those. Piggy Bank, made of a ceramic outer container and a brass inner container, uses a clever hidden mechanism to weigh the pocket change as coins are stacking. Both containers level when the value of the coins is approximately 1 euro. I chose to focus on 1 euro because it is a standard unit which also corresponds to the price of a baguette, a coffee or a stamp. Being one stashing my pocket change in an old box, where it stays untouched, I really like the thought behind this minimalist piggy bank. Love the combination of materials too.
Adelaide-based collaborative duo Daniel Emma have partnered with Field to bring Magnifier onto the stage. Essentially it is a magnifier, beautifully crafted from brass with a brushed seamless finish. This piece also acts as a handsome paperweight and serious desk accompaniment. Daniel Emma is comprised of Daniel To and Emma Aiston who established their practice in 2008 after graduating in 2007. They studied concurrently in the industrial design discipline in Adelaide. Their work has been shown in Paris, Tokyo, New York, and Berlin and throughout Australia after first showing in London in 2008, early on. Their list of current exhibitions is endless and recognition within the design field also through their design work and installations is commendable. Available through Field, Magnifier is an extension of the duo’s ethos to create the unexpected from simple objects using simple forms. Photography courtesy of Leonhard Hilzensauer.