Jeroen van Leur’s Woodstock Wardrobe is a lightweight and mobile furniture collection. The robe system is designed and inspired by the construction apparatus and mechanisms of traditional tent poles. The system comes disassembled in a tent-like travel bag, with each component separated and articulated for an interior purposed aesthetic. Essentially this is a modular system, which can further be customized with a variety of colours and finishes available. The system combines wooden sticks and copper connection parts and is available in three differing sizes. The primary idea of the Woodstock Wardrobe is to exhibit your favoured pieces, instead of hiding them in the traditional robe scenario. Woodstock is about pieces for the urban nomad. Only requiring a wall to lean on, the lines and minimal everything about this piece, make it an easy, and easily transportable addition to any collection. Photography courtesy of Jeroen van Leur.
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On my last post of this year, I would like to wish you a Merry Chistmas and a Happy New Year 2012 with this Wood Christmas Tree. It is a design by the Finnish studio Verso Design, specialised in interior products of personal design and high quality. The design is a great example of simple Scandinavian design with the ornaments made in felt and a candle on the top. It has been edited and produced by A+R.
Donald Judd (1928-1994) was a minimalist sculptor that we admire here at Minimalissimo. Whilst he is perhaps best known for his strictly geometrical sculptures and installations, he also worked as a printmaker, a side of his career which seems to be lesser-known. Working mainly with woodblock prints, these works share the same keen eye for composition, form and color as his sculptural works, except that they are, of course, reduced to 2D. I think the relationship between these works and his three-dimensional works is interesting. Side by side they seem like sketches or mockups for his sculpture, but on their own they can definitely be appreciated as fully formed, beautiful graphics.
“A square bath? That can’t be comfortable.” That’s what I thought when I saw this bath in pictures of John Pawson’s 1994 Pawson House in London. How wrong was I! The bathtub, Woodline model VAS900, is designed by Benedini Associati for Agape. The inside of the bath is shaped like a chaise longue, so quite ergonomic. And it’s made from plywood – how stylish! Oh, and there is also a double bath (model VAS902) for those romantic couples who prefer to relax together ;-)
Rainha House is designed by the Belgium based studio Atelier d’Architecture Bruno Erpicum, or ABBE for short. The small, rectangular structure is home to a family in Portugal. Glass and concrete are the primary materials used in this residence. Polished concrete can feel cold and sterile, but this is not the case with Rainha House. Hardwood floors and well-placed lighting add warmth to the space and balance the coolness of the concrete. The full length glass windows bring in sunlight and connect the home with the natural environment. I love the use of concrete in Rainha House. Exposed concrete is a pure and beautiful material; it elevates this home from a basic structure to a fine work of art. Rainha House is an elegant dwelling perfectly suited to its inhabitants and environment.
Fusion are two wonderful wooden knives developed by the Italian designer Andrea Ponti. They are available in two sizes and colors, and also two types of blade for different uses: serrated and non-serrated. They have been made as a limited edition by Issei Hanaoka, an artist and craftsman from Japan. The combination of industrial design, craftsmanship and cultures has certainly proved to be a successful one, as Ponti explains: Two cultures and two design languages usually far apart from one another blend in the common language of design and tell the story of a project that spans from research to the creation of innovative products for markets around the world. This design and cultural blend produced Fusion. Both knives feature ergonomic grips and the packaging is a re-design of the traditional Japanese boxes called kiribako, that enclose and protect them form humidity.
This tranquil space is an assisted reproduction clinic, completed by Barcelona based designer Susanna Cots. The owners wanted to avoid sterile coldness of a hospital and put their clients at ease with a warm, welcoming atmosphere. At the same time, the interior had to look and feel professional and trustworthy. Here is how designer explains her concept: We have designed a space aimed to creating connections through sensitivity and emotions. In the project, the materialization of this bond to life is very visual. On one hand, the reception-waiting room has been created as one piece so that clients feel accompanied all the time. On the other, the corridor that connects this area with the consulting rooms has been projected as a great wooden cube slightly illuminated –again, looking for the roots in nature- that symbolizes the transition to life. The corridor is not the only feature that bears a double meaning. Nearly every element of this interior is symbolic. Two large oak trees, greeting customers at the entrance, represent strength and family values. And the minimalist whiteness of the place symbolizes purity and new beginnings.
Japanese designer Issey Miyake’s collaborations with the architects behind his spaces are always incredibly compatible with his distinctive creative direction. His most recent boutique is an extension by Tokujin Yoshioka who is also designed the original store. Known as a Reality Lab, this new retail project is supposed to emulate the shopping experience in a laboratory, which I suppose could be interpreted as the way things are organized in this clean, minimalist space. Designated areas have color blocks of blue and green, leaving the rest of the interiors mostly white with exposed, unfinished wooden joists and raw concrete walls. Products are organized according to color and sectioned by category (garments vs Bao Bao bags vs IN-EI lamps) while they are located in areas designed specifically for them. The details that caught my eye were how the functions of the store have been deliberately concealed. The hangers are hidden behind a deep cove so the clothes appear floating beneath a long color band; the cashier’s desk is devoid of any information and direction; mirrors are frameless and nondescript so they pretend to be an extension of the space. This retail project has a lot more depth and layers than it appears to be,...
It is rare to see a modern home with a conventional A-frame roof and wooden facade. Boreraig House, on the Scottish Isle of Skye, proves that chic and modern living can take many forms. Designed by Dualchas Architects, this home aims to connect with the landscape and local heritage. Boreraig House sits low on the skyline so as not to interrupt the stunning mountain views. Instead of adding space in height, Dualchas Architects created the structure in three connected bodies. The main block holds the kitchen, dining room, and lounge. The second space is for the bedrooms; and the third is a private study. The structure’s materials are derived from its surroundings: metal from the farm’s gates, lumber from the fence, and stone from the traditional property walls. I love the combination of modern and rustic in this humble home. The flush paneling and gray color of the wood modernize the facade. The corrugated metal does the same for the sleek roof. Overall, Boreraig House is a lovely, peaceful country dwelling.
P.A.C.O. is a minimalist bluetooth speaker created by Italian studio Digital Habit(s). This is a stand-alone piece, it can be placed on a desk, shelf or any other surface. Here is how designers describe it: P.A.C.O. is a digital loudspeaker manufactured in concrete and Fir Harmonic Board. The body, heavy and amorphous, enhances the deepness of bass and the harmonic wood gives warmth to the treble. Aside from the bluetooth controls, the speaker can be operated via hand gestures. For example you can place and hold your hand over one side of the sensor to change volume. And to stop the music, you can just cover the sensor with your hand. Simple and intuitive.
House in Shimamoto is located in a busy residential neighborhood in Osaka, Japan. Container Design, based in Kobe, Japan, designed the simple home with the goal of connecting the residents with nature while maintaining privacy from near-by neighbors. The home is comprised of three basic materials: steel, glass, and timber. White galvanized steel plates cover the facade, protecting the retreat from the crowded street. On the north side of the home, large glass windows bring in natural light and offer a peak at the mountainous landscape. Timber is used throughout the interior: the ceiling and wall beams are exposed and the floor alternates between a solid and slatted wood pattern. I love the restricted use of materials in this home. The steel, glass, and wood feel complimentary yet still maintain an interesting contrast. House in Shimamoto is a no-fuss home that is sure to please anyone lucky enough to reside there.
Swedish architecture practice Tham & Videgård has taken the traditional gabled house for a modern, minimalist interpretation. Summerhouse Lagnö is constructed with a series of pitched roofs that run the length the site with a rectilinear plan. The more public living space faces the Baltic sea while the private and service areas occupy the area closer to the forest behind it. It is the uninterrupted design language that I find so appealing in this project. The eaves of the roof weave seamlessly into the walls of the exterior concrete finish. At the same time, the interiors receive the continuity of the shape of the roofs. The use of natural cast concrete makes it possible to create the expansive volumes of the interiors, double height rooms and skylights. A pitched frame with a glass canopy provides cover, connects a separate living space and enables a view from the woods to the water which may have inspired the architects to begin with. Summerhouse Lagnö recently won the World Architecture News House of the Year for 2013. Photography by Åke E:son Lindman.