WayPoint’s Libra Lights are a beautiful symphony of converging illuminated lines. Designed by Sara Ferarri Design, and based in Italy, these lights combine for a sculptural feature and seamless lighting element. Each piece is not constrained by another, and as such, there is a fragility to their configuration; a feeling of movement. Each piece, if hung in a collaboration, hangs independently, therefore creating its own dialogue with the other pieces. Available in a brass, gold and polished silver finish, these Libra Lights are a handsome play on lines. Each module stays in balance thanks to weight forces hidden in their own shape and create interesting shapes in space. As part of the WayPoint Atelier collection, these lights result in sculptures of light in midair. Their minimal and lighted-ness add considerable value to any space. Photography courtesy of Federico Marin.
Undo one thing.
The Boyscouts’ Parallel Circuit collection is one of curated lines and geometries. Based in the Netherlands, the label is founded on the philosophy of survival of the finest with an emphasis on quality; overtly obvious. Parallel Circuit is a line of varied neck, hand and finger adornments, varying in finish. Featured are the silver pieces, but each is also available in both a yellow and rose gold finish. The naming of the label The Boyscouts, has also been served the same level of level of discipline; where a nod to contemporary fashion meets the aesthetics and tradition of scouting is key. Extending to bags and accessories, the label is one that embodies minimalism through creating small subtle and considered gestures in design. Photography courtesy of Floor Knaapen.
Michael Anastassiades’ Mobile Chandelier 6 is a series of light-weight floating and balancing geometries. Each chandelier piece is comprised of black patinated brass, with mouth-blown opaline spheres for illumination and varying pendant rod lengths to order. The resulting forms are effortless and seem to engage in space with a unique lightness. Based in London, Anastassiades has collaborated and designed for FLOS, Lobmeyr and Svenskt Tenn, along with concentrating on the curation of his own signature pieces; a collection of lighting, furniture, jewellery, and tabletop objects. His philosophy of a continuous search for eclecticism, individuality, and timeless qualities in design is clear through his work, with an emphasis on the minimal and utilitarian. The Mobile Chandelier 6 series is a clear extension of this philosophy. Photography courtesy of Michael Anastassiades.
Outofstock’s By The Edge is a playful collective to animate the mundane desktop. Inspired, literally, from a family of the ultimate polarity of what an office is, the African landscape; the series comes as a family of three — an elephant, a buffalo and a rhinoceros. Manufactured by Designerbox and made from milled ash wood, these three characters can be utilized as penholders, card holders, paper weights and elastic band holders. From an encounter of sorts in Stockholm, the name and creative curation group Outofstock, came into being. Hence the name. Headed by Gabriel Tan, Wendy Chua, Gustavo Maggio and Sebatian Alberti of Singapore, Argentina and Spain respectively, the team started as a creative experiment and soon grew into an integral studio offering furniture, lighting, interior design and art direction. By The Edge is a curious and playful anecdote that in a well-crafted way, adds an element of life to our otherwise quite serious adult lives. I like this. Photography courtesy of Outofstock.
Beller’s Equal seating ensemble personifies minimalism, emphasizing a sense of delicate sensibility. The collection is a set of chairs and stools all made from retracting wood in a tight grip of a single, seamless piece of cast metal. The philosophy of the strength between the relationships between objects, and people, is the basis for material selection and composition. The ash wood and the cast aluminum stand as these opposites, united in the Equal chair. Norway-based Lars Beller Fjetland studied at the Bergen National Academy of the Arts focusing on furniture, interiors and lighting, and his Norwegian coastal roots are clearly overt in his work. It is typical of the beautiful Scandinavian tone of combined considered tradition, restrained form and impeccable and seamless detailing. Equal is the spawn of this fascination with detail and a timeless aesthetic. Photography courtesy of Magne Sandnes.
AÃRK Collective’s timepiece range is a fusion of tradition and precision. Each piece uses Swiss and Japanese Quartz movements and hand-dipped casings and soft Horween leather straps. The Eclipse is the epitome of this balance and discipline. Inspired by time and the duality of night and day through the dual-tones of materiality and formal placement. The simple, contrasting dial evokes the moon’s movement in relation to the earth and the sun. Based in Melbourne, Australia, AÃRK Collective sees a collaboration of four creative aligned by family and a love of design. Emphasizing the need for quality and considered pieces has meant the resulting design is the uncomplicated and imbues minimalism. There is a simplicity in the undoing, and the careful placement of elements coming together. AÃRK Collective put as much thought into the parts that most people won’t see, and the result is beautiful. Photography courtesy AÃRK Collective.
Mifune Design Studio’s Y-Hangers piece sits as a light-weight functional sculpture. The single-framed metal arm bends to create multiple hanging locations vertically. The hangers themselves are also designed, specifically, for loading the coat rack with numerous items, seamlessly, and consistently. And when not in use, the hangers sit flat, aligned with the metal, painted base. The overall result is one of clear thin lines that quietly add to a space, without dominating it. Which is beautiful. Mifune is headed by Yasutoshi Mifune, who was born in Tattori and now resides in Osaka where the studio is located. He acquired knowledge about design through self-education while working at a few architectural design offices and interior design companies. Following this, he set up his own studio that encompasses design that is true to Japanese design with regard to beauty and spirituality. Photography courtesy of Mifune Design Studio.
Ando Corporation’s Rooms project is a submerged Japanese house set into hillside, peaking out over the ocean. This minimalist series of volumes that all seem to play cooperatively together in the landscape, are a stark and beautiful contrast to the coastal terrain. At nearing 290 sqm, Rooms is a modest nod to the Japanese lifestyle; discreet, contained and respectful. Each volume of white plaster seems to come together seamlessly through a series of walkways and terraces, to create this unassuming sanctuary, nestled in the sloping elevation. The site’s location is optimally primed to maximize on the incredible Pacific Oceanic aspect. Fenestration is purposely restrained to not be full-height, to frame views and to leave some of the unknown, unknown. Set in Wakayama, Japan the clean white plastered forms contrast the natural site, while playful formal landscape geometry engages in nuances and details throughout. Rooms is the epitome of what residential dwellings should aspire to be, a sanctuary; a closing of the door to the chaos, and an opening to the beyond (in this case, the limitlessness of the ocean beyond). Ando Corporation has created an incredible example of reflective architecture, celebrating minimalism. Photography courtesy of Kimikazu Tomizawa.
Swedish designer Malin Henningsson brings a minimal curation of brass lines, marble and perspex. Founded in 2013, Henningsson’s jewelry collection brings together a curiosity in form, through materiality and line work. The combination of the natural, untamed and unaltered marble pieces with the smooth lines of the gold-plated brass elements, sees a collection of necklaces, bracelets and rings that adorn with an inquisitiveness. Described as wearable sculpture, the basis of this Collection is to express a devotion to craftsmanship with a renewal as key. The basis of the design is shaped around utilizing and pushing boundaries with regard to shape and the way in which materials are incorporated and combined. Hand-crafted in Stockholm, this collection is an ode to traditional formwork, but contrasts with the composition of its elements. Henningsson is one to watch. Photography courtesy of Malin Henningsson.
Josh Goot’s AW 2015 Collection is a synchronized follow on from his minimalist aesthetic. The collection is mused by his trademark clean, crisp lines, bold color blocking and overall accessibility. There is a timelessness that he exudes through his work, through his pieces that make them classic, fused with edgy tailoring. This collection is the epitome of this, playing with texture, tailored shapes, cutouts and silhouettes. Based in Sydney, with boutiques in both Melbourne and Sydney, Goot is known for this contemporary fresh aesthetic, minimal palette and as someone who is pushing boundaries with shapes, in subtle ways. Heavily influenced by his upbringing surrounded by film, music and fashion, his work as a designer became his way to talk to people. He has won numerous awards, nationally and internationally and is growing in exposure as a result. His work is on the rise, and rightly so. Photography courtesy of Josh Goot.
Elise Rijnberg’s Piattona sees a seamless curated culinary assemblage brought to life. Originally designed as a prototype, this beautifully minimalist set is a response to the hurried thoughtless consumption of our frazzled times and seeks to get people to relax and take time to enjoy their food. The streamlined silverware set has a series of strong lines that simplify and force the user to engage in another way, to the act of using the items; and consequently to the act of eating itself. Based in Eindhoven in the Netherlands, Rijnberg is a freelance photographer, food stylist and designer. Her work is inspired out of her travels and engagement with culinary diversity. The name Piattona was originally introduced by Pellegrino referring to cutting the food without haste and chewing it slowly. This prototype collection challenges the user and changes the experience. Photography courtesy of Elise Rijnberg.
Dish 60 by Minimalux is a seductive and sophisticated gesture to the professional desktop. Amid the gadgets of interconnectedness, this piece sits as a sculptural nuance. Made with a stainless steel base and from solid brass, mirror polished by hand and electroplated in black nickel, this bowl is beautifully crafted. Also available in a plain, non-plated brass finish, this 60mm x 30mm piece is available through Leibal. The Liebal Store is a place of curated items focused on quality, minimalism and functionality. Dish 60 is no exception. Photography courtesy of Liebal Store.