Stevan Djurovic’s Luna Lamp is a bold and beautiful statement in lighting. Standing, literally, as a beacon of illumination, it also has its own sculptural presence. This piece sees a minimal powder-coated matte finish metal frame, supporting an almost floating bulb-type piece. The bulb itself is also moveable, and its movement is the method by which the light is switched on (demonstrated here). There is an almost weightless quality to the lamp, creating the illusion of it floating. The resulting form is gallant but somehow subtle. Born in Kraljevo, Serbia, Djurovic’s has seen a number of creative collaborations, international design awards and publications. He is currently studying Interior Architecture at the Faculty of Philosophy and Arts in Kragujevac. The Luna Lamp is available through Monoqi.
Undo one thing.
Filippo Protasoni’s Platone wall light perfectly combines illumination void of distraction. The piece is comprised of a thermoplastic moulded shell which is painted and then attached with aluminium metal wall supports. The slow arcing bend of the mould seems to create a sweeping affect, while indirectly lighting the vertical surface. Protasoni, having studied in both Italy and Norway, and now based on Milan, Italy, has a background in a combination of product and interior design. He has exhibited and won appraise in a number of international design forums, and continues to develop his strong design philosophy. The Platone is a curated piece of form and function intertwining effortlessly. The resulting addition it adds to the space, is secondary, leaving room, space and noise for the life to occur. Photography courtesy of Filippo Protasoni.
Caoimhe Mac Neice’s Warp collection is born on the idea of designing in a different way. The designer emphasizes that that the whole point of the collection was to get out of my comfort zone. And that she did. The resulting collection is one of challenged forms, tailoring and going beyond the conventional. Conceptually, when each of the pieces is not worn, the shapes that they envelope are plain rectangles and squares, and they don’t look like garments at all. This idea is quite fascinating. The emphasis on reduction is reduced as the construction of the elements becomes the point of focus. Warp is a collection of forms that seem to live and interact with the wearer in their own organic way. The palette is minimal, and formally, from a pattern perspective, the pieces are clear of clutter. The resulting forms however, seem to take on a life of their own, as they engage with the wearer. This is an interesting concept; to assume the end user can influence the design intent, purely through engagement with a piece. The emerging designer’s current focus is on building her portfolio, and with a precedent like this, Caoimhe Mac Neice is one to...
Faye Toogood’s Spade Chair is a perfect accompaniment to any considered space. Her work is a celebration of the material itself, and the craftsmanship behind each piece is testament to this. Available in both the chair and a backless stool, this piece helps redefine how we use elements in our environments to enable our use of said environments. Toogood is a British designer, specializing in furniture design, with an emphasis on her furniture and objects, demonstrating a preoccupation with materiality and experimentation. The Spade Chair is evidence of this. The minimal detailing and seamless composition are to be admired. There is an honesty to the rawness and irregularity of the chosen material. Her background in fine arts, and involvement in the magazine industry has meant a pre-existing exposure to product design, differentiating her from other industrial designers. The Spade Chair and its expression of textured materiality is beautiful; considered and demanding of a worthy audience. Photography courtesy of Rory van Millingen.
The OLED Desk Lamp is one of sleek formal function. Its lines are clean and minimal while illuminating the work surface seamlessly. Long gone are the days of an obtrusive lighting element, taking over the desk and its surface. As we become more remote and agile in our working styles and approach, this lamp beautifully emanates this philosophy. It supports this functionality, instead of being loud. The piece itself is made from brushed stainless steel, and its components are all carefully considerate and intentional. Designed by Russian-based Olga Kalungina, who has a background in Art History and Industrial Design, this piece is purposefully quiet. I like this. Photography courtesy of Olka Design.
Rad Hourani’s latest Unisex Ready to Wear collection captures and entices a sense of curiosity and yet embodies pragmatism. The pieces are a curation of beautiful craftsmanship and are born through an avocation of non-conformity, as the essence of individualism. Hourani himself sees modernity as an odyssey free of rules, gender, age, seasons, boundaries and conditions. This collection is incredibly befitting. Born in Jordan, Hourani himself wears a plethora of hats; designer, photographer, filmmaker, and artist. His work is an attentive study of the human body that celebrates neutrality as a defining human trait. This RTW Collection, and his overall ethos is grounded on this principle. The resulting forms and silhouettes are bold, minimal and timeless. There is an obvious effort to allow the wearer to a freer way to live and through his mindset and that of his label, his passion is obvious. He doesn’t name his collections, he numbers them, so as to attest to not following trends. The palette, the shapes, the fit and the movement of his pieces are incredibly transcendent and of-any-time. I like this. Photography courtesy of the exquisite Rad Hourani.
Q Designs streamlined solution to charging smart phones has arrived. The Q Bracelet is now available for order. Initially conceived as a solution to the ever growing issue of decreasing battery life as smart phones are becoming more technologically capable. The solution is one that is about bringing technology and beauty together in a way that challenges the status quo and embraces the bold. Based in New York City, this ingenious product is one that allows technology to be supported by a form-meets-function device. Lightweight, this piece is available in brushed and matt black (for the gents) and polished and matte silver and polished gold (for the ladies). The resulting product aims to deliver on an ever growing problem, and was born out of a frustration of the designers of other available products on the market. Said to bring simplicity and creativity, the Q Bracelet aims to aid an over-sighted element of our tech-savvy lives and can recharge up to approximately 60% of battery life. Cords are now dismissed. Photography courtesy of Q Design.
Belle Langford — @hellablissed — is an Australian writer and illustrator based in Sydney. Her Instagram collection Hellablissed is a refined stripped back collection of minimalist illustrations and vignettes. We caught up with Belle to discuss her work. What is your muse for creating minimalist work? I’m fascinated by the beauty in things that are pared back, simple and understated. I’m always drawn to the incomplete or the undone; when you have to look closely to find the beauty in something — there’s no feeling like the surprise of discovering it unexpectedly. What is the inspiration behind your minimalist illustrated work? I’m an intensely nostalgic person and memory is probably the biggest source of inspiration for me. I’m not really concerned with recreating the most realistic or accurate depiction of something, but rather a feeling of that thing; its essence. And I put that solely down to the fuzzy pictures you get when reminiscing – intense sensation and an impression of what was, but no real particulars. How do your surroundings impact your creativity? The Australian landscape really can be quite harsh, rugged and weathered but whenever I’m away from it, I can’t really function. I’ve always felt a connectedness...
UK-based Industrial Facility introduces the Branca Chair and its younger brother, the Branca Stool. Conceived together with the well-respected Italian Mattiazzi as their client, the brief was to design a chair that turned to nature, where complexity thrives on reason, where beauty is simply a reason for constant growth. Available in black, white, green and a natural ash, both pieces are a collaboration on dedication to craftsmanship. The stool features a low back, a subtle element, together with a metal footrest for durability. Industrial Facility is a firm that works with international companies of all sizes in a wide ranging set of industries. Their portfolio extends beyond the original plan of industrial design products, and now reaches to collaborations in interiors, public furniture, medical devices and exhibitions. Formed in 2002, their work is based on exploring the junction between industrial design and the world around us. The resulting pieces are beautiful, clean and express function but in a quiet unassuming way. I like this. Photography courtesy of Industrial Facility.
Ari Kanerva’s Tiuku Clock is a subtle and minimal take on the traditional grandfather style. His work is a dedication to minimalist details and to tirelessly researching functionality and ergonomics. His ethos is to make my design simple and functional, yet play with forms. There is a clear delineation from the formal and a strong divergence into design that emanates clarity of purposeful design. Function being key. Measuring 190cms in height, the Tiuku Clock transforms the conventional structure of the grandfather clock into the ideal urban representation of utility and consistency. Comprised of powder-coated sheet steel, it is available in four colour variations where the piece requires that it is mounted to the wall, but still remains in a subtle leaning-type stance. Born in Finland, with a background in Spatial and Furniture Design from the University of Art and Design Helsinki, Kanerva established his own design studio in 2010. His main focus is furniture and product design and he also assists companies with product design. The Tiuku Clock is just one of his many beautiful love children. Photography courtesy of Ari Kanerva and available through Covo and Luminaire.
Tony Smith’s current exhibition Forms through Matthew Marks Gallery is a testament to his life’s work. The series of space-enveloping forms are striking, bold and minimal. Tony’s iconic, geometric metal forms actual emerged in tandem with the burgeoning minimalist scene, and this exhibition is a nod to this dedication. Responsible for more than fifty large-scale sculptures in the final two decades of this life, his work as a contemporary of American art still stands relevant and as beautiful as ever. His works, in particular, the curation of Forms, highlights how art can have a transformative ability; that through art and sculpture, spaces and architectures can be created and changed. Smith’s work is described as contributing to the idea of reductionism that lies at the heart of minimalism. And that contribution is to be celebrated. His estate is handled through Matthew Marks Gallery.
Dedicated, disciplined and ridiculously handsome menswear label, SCTT BNDCTN is being released for order September 2014. The label has existed as an enigma in the fashion world since 2012 and had existed purely as a brand. Through various social media outlets to the tune of Tumblr, Facebook and Soundcloud; SCTT BNDCTN has been an encompassment of sensory intrigue. That is until now. The intensely strong brand and clear dedication to adorning men is the work of its inceptionist and Master Tailor, Warren Harrison. Based in Melbourne, the pieces are a result of tireless precision. The influence of Japanese patternmaking, traditional tailoring and experimental design is obvious and fiercely beautiful. SCTT BNDCTN celebrates the male form through a methodical use of linen, wool, leather and cotton. The designer’s passion is clear. Although a rarity, this handcrafted menswear line for discerning, stoic types, is undoubtedly one to watch. And listen to. And be inspired by the mood it instills. There is a clarity and stillness to SCTT BNDCTN that should be celebrated. Photography by Jem Taylor and make-up by Nadja Mott.