Simon Legald’s Pocket for Normann Copenhagen adds a niche, literally, to any space. Made from Polypropylene, available in six colours, these pockets add an element of storage that goes beyond the traditional. Purposely designed to not add any unnecessary details, these are Scandinavian chic. There is an over emphasis on the function, with a streamlined and uncluttered aesthetic. Designed to be dishwasher safe, the mounting bracket is completely hidden once the Pocket organiser has been mounted. At Normann Copenhagen, they love to challenge the design rules and find traditional materials put into untraditional use. The Pocket is no exception; it is a celebration of these values. Photography courtesy of Normann Copenhagen.
Undo one thing.
Merryn Kelly has leaped out on her own to create fashion child, Third Form. The collection is one of overt sophistication, minimalism and once that embraces fresh cuts and understated tailoring. The nuances in detailing and designed accessories are a nice touch. The palette is one of crisp and bold definition; one that is strictly monochromatic. There is an obvious intentionality with the versatility of the pieces with a focus on fit, form and functionality. Heralding from Sydney, Kelly’s portfolio consists of working alongside some of Australia’s fashion finest. Labels such as Zimmerman and Lee Jeans have been the foundations from which her label grew. Her dedication to her brand is strengthened through her blog, Zine, which draws on her inspiration and musings. There seems to be a perfect balance between street style and femininity, which is beautifully curated. Photography courtesy of Jake Terrey.
The Zorro by Stephanie Knust, brings new meaning to linear illumination. This piece is a beautiful composition of bent metal and the latest in illumination technology combined. The lines, or one line, of this piece are just exquisite. Seamlessly bringing together the function and form of the industrial piece, this would be a very welcome piece in any living space, adding to and creating a space. Stephanie Knust is based in Germany and her work is a collection of industrial design pieces, ranging from seating, lighting and other tabletop accessories. He work is both typically German and bolt of nature and this piece, the Zorro seems to fit within this portfolio and also show a growth in her design aesthetic in a direction of a more refined form work. Zorro is reliant on its environment to interact with. It isn’t a self-standing object, which in a way is a creative way of engaging the objects that light the space, with the actual space. I appreciate the creativity. Photography courtesy of Stephanie Knust.
Poetic Lab’s Shadow Clock is an opposing composition of contractions. Subtle in size, when illuminated and in use, it transforms into a bold installation element. The Shadow Clock indicates the changing of time, through the use of light and reflection and refraction on the environmental issues to which it is installed; namely the wall. The pre-existing lighting therefore also plays a role in this expression of its function. London-based studio Poetic Lab, headed by Hanhsi Chen and Shikai Tseng, the collaboration has seen the joining of design philosophies, whereby the central spine of their design is that of poetry of objects and materials. Initially designed in 2012, this piece is 520mm high and 400mm in depth from the fixed surface, the Shadow Clock is made from Aluminium Alloy and stainless steel. Its interaction and dependency on its environment is particularly engaging. While the nod to the traditional sundial clock is obvious, this interpretation is very much welcomed. Photography courtesy of Poetic Lab.
VOWEL‘s new Octa collection is one that interweaves found materials, whereby a new value becomes redefined. VOWEL is a collaborative effort of duo Beau Bertens and Eline Ceelen where their design philosophy is based on creating an archive of projects that balance on the border between art and design. Based in the Netherlands, their work is founded on archaeological, scientific and philosophical discoveries, together with reimagining their next lives. Octa is primarily a jewelry collection, which an overt emphasis on neck adornment. The series sees the repurposing of existing used materials, and thus infuse a new meaning to their function, through form expression. The palette is minimal and the resulting forms are streamlined and beautiful. This is a limited collection, and is available through their site. Photography courtesy of Benjamin van Witsen.
Fran Corvi’s suitably names Corvi Wine Cooler takes cool to another level. Made from concrete, and moulded in a geometric form-mould, the result is one to match the most deserving of palettes. Each cooler can be stacked in an infinite array of designs to create a personalized wine cellar, and therefore pushes the boundaries of the expected formwork of the utilitarian object. Based on Argentina, Corvi’s inspiration is deriven from this background, where the wine cooler is a piece of me, my roots and my life where it also stands as a status symbol. His material choice seems to match said intent of stature. The geometric form of the Wine Cooler is said to comprise a series of sharp planes that offer a refined interpretation of the facets of a gem which also functionally double as the connecting platform element also. Photography courtesy of and available through Intoconcrete.
Normann Copenhagen’s Bell Lamp is a luminous nod to industrial design. Available in four sizes and two color combinations, the lamp is both a sculpturally beautiful and functionally present piece. At the core of its design, is its simplicity. Made from aluminium and hanging from a 4m textile cord, the Bell Lamp is encompassing of the designer’s passion, to challenge the conventional design rules. Designers Andreas Lund and Jacob Rudbeck believe their designs should be based on passing on the Scandinavian design tradition and create everyday objects that have personality without being loud. A statement that speaks worlds. Based in Copenhagen, the duo are responsible for envisioning carefully articulated designs that add character and emphasize quality and stripped back minimalist thinking. The Bell Lamp is testament to that. Photography courtesy of Normann Copenhagen.
Czech duo Vrtiska Zak introduces their interpretation of minimal children’s toys, in the shape of their WOO Collection. The series represents transportation, on a very basic level, which is manifested in the resulting minimal forms. The simplicity of the materiality and its composition is both beautiful and streamlined for ease of use also. Made from bent veneer and varnished wood, there is an emphasis on symbolizing three natural elements (water — the sailboat, air — the airplane and ground — the bulldozer). WOO itself is intended to represent an injection of motion, interjection of amazement while also being a nod to the wood that comprises the pieces also. Vrtiska Zak is the combined brainchild of Roman Vrtiska and Vladimir Zak, who met during their studies and later formed a partnership during their internships at Alvar Alto University in Helsinki, Finland. Their work is an encompassment of product design, architecture and graphic design disciplines. With resulting forms such as WOO, they are a solid contender in the design realm. Photography courtesy of Vrtiska Zak.
Annaleena’s Clothing Rails collection is beautiful and unassuming. Their boldness sits almost idle while the scale and breadth are the focus. Manufactured by hand-forging Iron, these geometric forms become suspended sculptures. Their presence prevails its functional pragmatism and they become an invited addition to the architecture of a space. Annaleena’s vision is based on the idea that her work is a collection of things where uniqueness and handcraft meet and create. Based in Svartsjo in Sweden, her body of work is mainly sculptural, but at a scale that engages the user and creates an immediate element of interaction. Available in circular, square and rectangular shapes, these pieces embody Annaleena’s vision to live in free creativity and personal expression. Photography courtesy of Annaleena.
Yield Design’s Geo Stand Set adds an elements of quirk. This trio of sculptural anecdotes can be used as paperweights, name cards, photo holders, business card holders or sculptural elements. Made from brushed brass, these geometric pieces are beautifully executed. Yield’s emphasis on no need for compromise sees this series produced with an attention to detail, where sustainability and ethical production are not at odds. This is great to see. Their claim that the buyer should buy for keeps or please do not buy at all is one of boldness and a refreshing response to an ever increasing consumerist culture. Based in St Augustine, and conceived in San Francisco, Yield is a duo to watch. Photography courtesy of Yield.
Stevan Djurovic’s Luna Lamp is a bold and beautiful statement in lighting. Standing, literally, as a beacon of illumination, it also has its own sculptural presence. This piece sees a minimal powder-coated matte finish metal frame, supporting an almost floating bulb-type piece. The bulb itself is also moveable, and its movement is the method by which the light is switched on (demonstrated here). There is an almost weightless quality to the lamp, creating the illusion of it floating. The resulting form is gallant but somehow subtle. Born in Kraljevo, Serbia, Djurovic’s has seen a number of creative collaborations, international design awards and publications. He is currently studying Interior Architecture at the Faculty of Philosophy and Arts in Kragujevac. The Luna Lamp is available through Monoqi.
Filippo Protasoni’s Platone wall light perfectly combines illumination void of distraction. The piece is comprised of a thermoplastic moulded shell which is painted and then attached with aluminium metal wall supports. The slow arcing bend of the mould seems to create a sweeping affect, while indirectly lighting the vertical surface. Protasoni, having studied in both Italy and Norway, and now based on Milan, Italy, has a background in a combination of product and interior design. He has exhibited and won appraise in a number of international design forums, and continues to develop his strong design philosophy. The Platone is a curated piece of form and function intertwining effortlessly. The resulting addition it adds to the space, is secondary, leaving room, space and noise for the life to occur. Photography courtesy of Filippo Protasoni.