Minimalissimo


Bronwyn Marshall

Undo one thing.

Swedish designer Malin Henningsson brings a minimal curation of brass lines, marble and perspex. Founded in 2013, Henningsson’s jewelry collection brings together a curiosity in form, through materiality and line work. The combination of the natural, untamed and unaltered marble pieces with the smooth lines of the gold-plated brass elements, sees a collection of necklaces, bracelets and rings that adorn with an inquisitiveness. Described as wearable sculpture, the basis of this Collection is to express a devotion to craftsmanship with a renewal as key. The basis of the design is shaped around utilizing and pushing boundaries with regard to shape and the way in which materials are incorporated and combined. Hand-crafted in Stockholm, this collection is an ode to traditional formwork, but contrasts with the composition of its elements. Henningsson is one to watch. Photography courtesy of Malin Henningsson.


Josh Goot’s AW 2015 Collection is a synchronized follow on from his minimalist aesthetic. The collection is mused by his trademark clean, crisp lines, bold color blocking and overall accessibility. There is a timelessness that he exudes through his work, through his pieces that make them classic, fused with edgy tailoring. This collection is the epitome of this, playing with texture, tailored shapes, cutouts and silhouettes. Based in Sydney, with boutiques in both Melbourne and Sydney, Goot is known for this contemporary fresh aesthetic, minimal palette and as someone who is pushing boundaries with shapes, in subtle ways. Heavily influenced by his upbringing surrounded by film, music and fashion, his work as a designer became his way to talk to people. He has won numerous awards, nationally and internationally and is growing in exposure as a result. His work is on the rise, and rightly so. Photography courtesy of Josh Goot.


Elise Rijnberg’s Piattona sees a seamless curated culinary assemblage brought to life. Originally designed as a prototype, this beautifully minimalist set is a response to the hurried thoughtless consumption of our frazzled times and seeks to get people to relax and take time to enjoy their food. The streamlined silverware set has a series of strong lines that simplify and force the user to engage in another way, to the act of using the items; and consequently to the act of eating itself. Based in Eindhoven in the Netherlands, Rijnberg is a freelance photographer, food stylist and designer. Her work is inspired out of her travels and engagement with culinary diversity. The name Piattona was originally introduced by Pellegrino referring to cutting the food without haste and chewing it slowly. This prototype collection challenges the user and changes the experience. Photography courtesy of Elise Rijnberg.


Dish 60 by Minimalux is a seductive and sophisticated gesture to the professional desktop. Amid the gadgets of interconnectedness, this piece sits as a sculptural nuance. Made with a stainless steel base and from solid brass, mirror polished by hand and electroplated in black nickel, this bowl is beautifully crafted. Also available in a plain, non-plated brass finish, this 60mm x 30mm piece is available through Leibal. The Liebal Store is a place of curated items focused on quality, minimalism and functionality. Dish 60 is no exception. Photography courtesy of Liebal Store.


Fifti-Fifti’s Spring coat rack brings light to an innovative means to hang adornments. Inspired by a traditional spring, the structure of this piece comprises a combination of white steel wire, a rod of beech wood and mounting mechanisms. The idea is that the piece hangs unobtrusively from any vertical plane. Due to the construction, the wardrobe appears obviously easy and is simultaneously very stable. Spring is available in various lengths with the option to adjust the length also. The structure of the hanging piece is based on a bar made from beech wood which is then pushed through the still open spring turn. The result is a subtle and beautiful accent to a usually unwieldy mechanism. Photography courtesy of Fifti-Fifti.


The Protagonist’s latest, Collection No.4, is a crisp and clean addition to the portfolio. Based in New York City, the label is mused by the ideal to elevate the modern wardrobe. There are nuances of traditional tailoring and subtleties of form, fit and fabrication that add depth beyond form to each of the pieces. The collection sees a line of monochromatic shapes for women, emphasizing minimally-shaped profiles. There is an obvious and overt emphasis on the classic and structured, which is brought forward through tapping into current shapes. This unique balance of restraint and distinction results in refined silhouettes that evolve from season to season. The Protagonist is a creative, with determination, to watch. Photography courtesy of Matthew Sprout.


L & G Studio’s sculptural salt and pepper Cylinder Shakers are outstanding. Formally and functionally, they are a streamlined, sleek and glistening beacon to what they essentially stand to represent, the adding of a nuance to a situation; the culinary situation. Seattle-based Ladies & Gentlemen Studio is founded by Dylan Davis and Jean Lee and explores playful explorations in materiality where they blend their resourceful curiosity with the desire to find unexpected pairings. Available in Brass, Copper and Aluminum, these stealth pieces are 1.25” diameter and 3.25” tall. Since L & G Studio’s inception in 2010, their curated collection is one to watch. These pieces, being no exception. Their ever-evolving set of ideas and experiments collected from their everyday discoveries, explorations and surroundings should inspire and excite. Photography courtesy of L & G Studio.


Eunhyuk Choi’s Deconstruction series of hand pieces are minimalist adornment at its best. Based in London, Choi is a jeweler, maker, designer and artist. His work is an intriguing portfolio of silversmithing at its best, and his techniques are most explorative. His pieces include rings, neckpieces, bracelets and tableware. Originally from Korea, his background and reference to rituals and traditions is clear and beautifully executed. Deconstruction sees a series of simplified lines brought together with the cleanest and well-articulated goldsmithing techniques. The seams are ironically, seamless. This is beautiful. These pieces add an element of sophistication to the wearer; a sculptural and understated statement. Eunhyuk Choi is emerging, and definitely worth following. Photography courtesy of Eunhyuk Choi.


Simon Legald’s Pocket for Normann Copenhagen adds a niche, literally, to any space. Made from Polypropylene, available in six colours, these pockets add an element of storage that goes beyond the traditional. Purposely designed to not add any unnecessary details, these are Scandinavian chic. There is an over emphasis on the function, with a streamlined and uncluttered aesthetic. Designed to be dishwasher safe, the mounting bracket is completely hidden once the Pocket organiser has been mounted. At Normann Copenhagen, they love to challenge the design rules and find traditional materials put into untraditional use. The Pocket is no exception; it is a celebration of these values. Photography courtesy of Normann Copenhagen.


Merryn Kelly has leaped out on her own to create fashion child, Third Form. The collection is one of overt sophistication, minimalism and once that embraces fresh cuts and understated tailoring. The nuances in detailing and designed accessories are a nice touch. The palette is one of crisp and bold definition; one that is strictly monochromatic. There is an obvious intentionality with the versatility of the pieces with a focus on fit, form and functionality. Heralding from Sydney, Kelly’s portfolio consists of working alongside some of Australia’s fashion finest. Labels such as Zimmerman and Lee Jeans have been the foundations from which her label grew. Her dedication to her brand is strengthened through her blog, Zine, which draws on her inspiration and musings. There seems to be a perfect balance between street style and femininity, which is beautifully curated. Photography courtesy of Jake Terrey.


The Zorro by Stephanie Knust, brings new meaning to linear illumination. This piece is a beautiful composition of bent metal and the latest in illumination technology combined. The lines, or one line, of this piece are just exquisite. Seamlessly bringing together the function and form of the industrial piece, this would be a very welcome piece in any living space, adding to and creating a space. Stephanie Knust is based in Germany and her work is a collection of industrial design pieces, ranging from seating, lighting and other tabletop accessories. He work is both typically German and bolt of nature and this piece, the Zorro seems to fit within this portfolio and also show a growth in her design aesthetic in a direction of a more refined form work. Zorro is reliant on its environment to interact with. It isn’t a self-standing object, which in a way is a creative way of engaging the objects that light the space, with the actual space. I appreciate the creativity. Photography courtesy of Stephanie Knust.


Poetic Lab’s Shadow Clock is an opposing composition of contractions. Subtle in size, when illuminated and in use, it transforms into a bold installation element. The Shadow Clock indicates the changing of time, through the use of light and reflection and refraction on the environmental issues to which it is installed; namely the wall. The pre-existing lighting therefore also plays a role in this expression of its function. London-based studio Poetic Lab, headed by Hanhsi Chen and Shikai Tseng, the collaboration has seen the joining of design philosophies, whereby the central spine of their design is that of poetry of objects and materials. Initially designed in 2012, this piece is 520mm high and 400mm in depth from the fixed surface, the Shadow Clock is made from Aluminium Alloy and stainless steel. Its interaction and dependency on its environment is particularly engaging. While the nod to the traditional sundial clock is obvious, this interpretation is very much welcomed. Photography courtesy of Poetic Lab.