Swedish graphic designer Oda Haugerud creates beautifully simple and carefully considered printed matter, combining analogue and digital techniques. Throughout her portfolio of self-initiated and academic projects, her subdued but potent style consistently shines through in lovely paper products. All of them results of thoughtful process and research, no doubt influenced by her multidisciplinary background in art history, film studies and art & publishing apart from graphic design. My personal favorite is the featured work Meteorit, a collection of illustrations and products inspired by the event on February 15th of this year, when a meteorite was 2 minutes from hitting Malmö, Sweden before landing in Tjeljabinsk, Russia.
Less is yes.
Systems is an exhibition of commissioned poster designs and ‘60s Braun products, presented in a single grid at the Walter Knoll London showroom from 25 Nov – 31 Dec 2013. The exhibition is curated by das programm and produced in association with Braun. An international group of graphic designers respond to the systematicity of Braun Design, each one of them notably minimalist, such as Experimental Jetset, Hey Studio, Ross Gunter, Antonio Carusone, Spin, Tomasz Berezowski, Spin and more. Featured here is Berlin–based studio Neubau‘s series of posters, exploring the concepts of Form, Typography and Colour. Find out more about each poster and the specific concept developed in each design. All the works are available for purchase as a limited edition of A1 prints, individually or as a cased set. I’d love one in my living room!
The Gentlewoman is a biannual magazine that celebrates modern women of style and purpose. From the same creators of men’s lifestyle and fashion magazine Fantastic Man, The Gentlewoman offers a fresh and intelligent perspective on fashion that’s focused on personal style – the way women actually look, think and dress. Known for its elegance and simplicity, issue no. 8 of the magazine brings a truly pared down front cover featuring French actress Léa Seydoux. The Autumn issue also brought the launch of the magazine’s new website, designed by Denny Backhaus, true to the minimalist set-up of its physical publication. Beautifully designed, with a fresh journalistic perspective and gorgeous photography. Be sure to also explore the website, a virtual place where real women, real events and real things are enjoyed.
My wire sculptures tell stories of simple human moments: a woman adjusting her hair, a face gazing from behind tightly wrapped arms, a mother gently cradling her baby. The honest, unguarded moments are the ones that I find to be the most beautiful. Simple human moments executed in a simple and poignant physical form, Zimbabwe-born Gavin Worth‘s wire sculptures are mesmerizing in their beautiful frugality. By bending black wire into free-standing life drawings, he creates sculptures that engage the viewer in their subtle changes – when the light in the room shifts, so does the mood of the piece. Worth is a self-taught artist, having cultivated a lifelong passion for drawing, painting, and sculpture. He worked for nearly a decade in San Francisco as an actor and musician before moving to Cairo, Egypt to teach at the American International School.
Some things are so ubiquitous around the internet that they just get taken for granted, even – or especially – in the design world, which is a small one indeed. So let’s set that aside for a moment and talk about Garance Doré‘s fashion illustrations. I’m not a fashionista particularly, but I do enjoy fashion design, and to me Ms. Doré’s work has always brought an extra dose of fun to that world. The line work is simple and direct, and the use of color is always limited, usually with a pop of bright tones, just enough to give it life and movement. The story of her persuit of illustration as a career is also an interesting read – her writing style is humorous, open and lighthearted, even when looking back at difficult patches, and that is always inspiring.
Inspired by Greek mythology and the god of sleep Hypnos, Italian industrial designer Alessandro Zambelli has created this cute new table clock with an almost hypnotic feature: an internal pendulum that, functioning as a balance, sways the case in perpetual motion and transforms aptly-named Ipno into a ‘rocking’ clock. It is like a contemporary evolution of the pendulum clock of past ages, but wry, dynamic and creative. Here at long last is a clock free to move in space and support its own harmonic motion. Designed for Diamantini & Domeniconi, the clock first went on show at Maison et Objet in Paris from 6–10 September. It can stand alone, dispensing wall-mounting, and is available in its natural birch case finish, painted in various colours, or alternatively in walnut or mahogany.
Cereal Magazine and Protein have recently launched Forest, a project to collect and curate woodland photography from around the world, creating a gallery of imagery filled with serene textures, moods and light. Both parties invited their readers to submit photos with a forest theme to be considered for inclusion in an exhibition that will take place at the end of September 2013 at 18 Hewett Street, Protein’s London Gallery space. The chosen images will be published as a photo essay in Cereal Volume 4, and prints of the final photography will be sold on the night of the event, with all proceeds being donated to the International Tree Foundation.
Based in New York City, artist and designer Doug Johnston has been focusing since 2010 on a process of coiling and stitching rope into a variety of functional and sculptural objects. From this new bag collection, photographed by Brook&Lyn, each piece is handmade and hand-formed one at a time in Johnston’s Brooklyn studio. The rope works are made from sewing thread and braided 100% cotton cord, stitched on my vintage industrial zig-zag sewing machines. The fabrication technique was learned from the crafting community and adapted for my sculptural and formal explorations. His work spans the disciplines of art, design, architecture and music – Johnston has conducted explorations in the varying worlds of installation, fiber art, sculpture, photography, collaborative performance and even architectural metal fabrication. Such a multidisciplinary background obviously informs everything he makes, helping him create thoughtful and functional pieces that have become widely sought after.
Devon-born and London-based fashion designer Charlie May (of the blog Girl a la Mode fame) launched her Autumn/Winter ’13 collection in the beginning of the year, giving continuity to her signature minimalist, androgynous style. The collection plays with solid, pure colors and instances of sheer transparency, gravitating stoically from pure white to pure oxblood, going through blacks and grays. In counterpart to the contained color palette, May plays with layering and materials, adding texture and depth to her pieces. The collection is bold and equally ethereal, two interesting contrasting sentiments. The collection’s styling and makeup, achieved with the strong red lip look, add an impeccable finish to the whole. I’m quite enamored with the featured long white dress myself!
Created by Portuguese and Milan-based product designer Tania da Cruz, this white flower-crowned head is actually an exuberantly fun and surprisingly simple ceramic vase. Tania’s work is influenced by a communicative approach aimed at uncovering the poetic aspects of a project, a philosophy that is very noticeable with the WIG vase. The WIG prototype has been exhibited at the Milan design week in the 2012 & 2013 editions. Objects and designs influenced by the concept of “play” often have such a strong, positive reaction from the audience – I’d love one of these in my home!
Designed by Japanese master Naoto Fukasawa, the ±0 (Plus Minus Zero) wire ware collection consists of beautifully simple black wire tableware objects (a bread basket, a toast stand, an egg cup and an egg carton) that you wish you’d thought of first. Plus Minus Zero seeks, essentially, balance as a leitmotif. With their brand and their ±0 symbol they want to communicate the concept of just right - be it in shape, in size, or in price. ±0 believes that designing things that coexist together is natural. It’s not just about matching colors or shapes; it’s about designing the harmony between these devices and life. Photography via designboom.
This light-filled apartment in the Bialik area of Tel Aviv was refurbished by Italian-born and London-based Chiara Ferrari Studio. The open-plan arrangement and the expansive surfaces with no visible joints allows for the original concept of seamlessness desired by the designer. The high-ceilinged space was split and used to create flexible and functional niches, and there is also a glazed extension, providing the master bedroom and bathroom with beautiful natural lighting. Set within a historic building, the project used locally sourced materials, keeping the design true to its surroundings. Images courtesy of Chiara Ferrari Studio.