Belgium based studio Five AM completed the interior of the new bedroom suite at a house in Bellegem, west Belgium, initially designed by studio Arch-id. The space was transformed by lifting the attic roof, which allowed to locate a bathroom isle inside the big open room. Arch-id explain the design: As the owner wanted an open and airy feeling, we designed a monolithic white box that doesn’t reach the ceiling. The height delivers the privacy when needed, but makes it still possible to interact with each other. The entire bathroom was produced in ‘solid surface’, which ensures seamless surfaces. The sidewall can unfold which makes interaction between sleeping and bathing possible. I love the delicate staircase leading to the bedroom and the sense of secluded space inside the all-white bathroom cube. The low bench that wraps around the room conceals ample storage, a nice touch, contributing to the clean and uncluttered state of the space. Photography by Thomas De Bruyne/Cafeine
Koya No Sumika is an extension to a traditional home in Yaizu, Japan. The extension was designed for a young couple by mA-style Architects. The Japanese firm came up with a modern design with space saving solutions. The result is a refreshing juxtaposition to the traditional architecture of the original home. The exterior is a balance between white cement board and natural wood. The mix of crisp white and warm wood continues on the interior. The lofted ceiling features triangles of unfinished wood. White walls frame the lower portion of the home, sprinkled on both sides with built-in furniture. The decor is bare, just a few plants and lightbulbs strung from the ceilings. A simple courtyard garden adds a touch of green and connects the expansion with the original building. Koya No Sumika is a gorgeous structure inside and out. The materials are arranged so as to add character to the space, without losing its minimal appeal. Overall, this is a charming home expansion that the residents will enjoy for years to come.
This florist’s home in Japan’s Mie prefecture was designed to inspire the resident’s craft. The dwelling was completed by Japanese firm Shinichi Ogawa & Associates in May of this year. Florist Studio utilizes a refreshing simple design to offer seamless views for a creative live/work space. The most stunning feature of the home is the glass walls that span the entire length of the building. The glass is held in place by the floor and roof slabs; this structure eliminates the need for view-impeding columns. The long stretch of windows is reminiscent of a painting in a gallery. The gallery aesthetic continues throughout the home. A cantilevered counter runs the full length of the structure, forming a bed headboard and bathroom vanity on one end, and an office desk on the other. Carefully chosen furniture is placed in the other rooms. The attention paid to each detail makes the whole home feel like a work of art. Florist Studio a perfect dwelling for its resident and its environment.
Alain Carle Architecte is a Québecois architecture firm whose style is self-described as modest. Led by Alain Carle himself, who graduated from the School of Architecture of University of Montréal, the firm has received a lot of recognition in the past few years by many publications. In 2013, the firm completed L’Écran, a home situated in Wenworth-Nord, Canada. Surrounded by nature, the house is a minimal sculpture that was raised from the ground with black brick claddings and wooden interiors. Situated on a site with slopes, the architecture was broken into fragments and connected through the use of materials. The use of a black exterior was to create a heat absorbent to then cut down the energy use of house in such a cold environment. Wooden panels also create a sense of warmth for the residents. The contrast of the white walls against the black bricks, one smooth and one rough, complemented with shades of brown from wooden panels, was what drawn me to this structure. The abruptness of its appearance on the site is not foreign, but rather like a response to its surroundings. Photography courtesy of Alain Carle Architecte.
Shirahama Roh Pinggu is a small seaside home designed by Okuwada Architects Office. Located in Wakayama, Japan, this single story home is structured to work with the island landscape. The sand and sea are on the southern side of the home, while mountains surround the other three sides. The southern wall of windows embraces the sea views. The kitchen and living room are situated in this part of the home. The mountain facing rooms contain more private areas, such as the bedrooms and bathrooms. Wooden floors connect the home with the forest behind it. A white and glass facade, and a galvanized steel roof, complete the home’s light and airy aesthetic. I love the simple design of this resort home. The soft colors and low lying structure minimize the visual impact the home has on the environment. The simple interior allows the residents to direct their focus out towards the landscape. Overall, Shirahama Roh Pinggu is a lovely vacation dwelling for a family. Photography by Tada Yuko / Yuko Tada Photography.
House for Mother is a simple home on a rural plot of land in Linköping, Sweden. Designed by FAF Architects, the home is composed of three staggered volumes. The foremost volume holds the entrance of the home and the kitchen, dining, and living rooms. The bedrooms and studio are located in the second volume. The third is a bathroom and laundry room. The rooms are sparse in material and furnishings. The interior features timber ceilings, plywood walls, and a polished concrete floor. These raw materials allow the home to feel modest, but not under-designed. Built in furniture completes the minimal aesthetic. The facade is covered in corrugated aluminum, lending the exterior an industrial chic look. I love how FAF Architects plays with the traditional house archetype. While the shape of House for Mother is classic, the materials and window placement are unexpected. All in all, House for Mother is an no-fuss design that doesn’t fail to captivate its viewer’s interest.
UID Architects is a Japanese architecture firm that’s based in Hiroshima, Japan. In 2009, the firm has completed a house and atelier for a doll artist in Minoh city near Osaka. Upon the first glance at this structure, one would only see hovering white facades. The raised structures open up an opportunity for openings at the top and bottom, complemented with glass enclosure. Calling these rectangular boundaries as belts, architect Keisuke Maeda said: A simple operation of overlapping belts obscures site boundaries and formulates a relationship to the site and the neighborhood. Greenscaping the interior of the house to weave in the green space of the exterior further highlights the seemingly expanding footprint, which is smaller than expected. Walls were replaced by built-in furnitures to minimize spatial usage, as well as to connect interior spaces. The minimal yet complex design is what makes this house stand out. I adore the functional and effective moves that the architect used to modify such a small site. Even the white path leading from the outside to the inside, adorn with pebbles and green, is a simple decision that helps lighten up this atelier. Photography by Hiroshi Ueda
The House of the Infinite, recently completed by Spanish architect Alberto Campo Baeza, is more than a dwelling, it also an impressive piece of landscape architecture. Erected on the seashore, the building features a long horizontal plane, that merges with the sea view, appearing almost as a continuation of the horizon. The architect gives his poetic description of the concept: On a marvelous place like a piece of earthly paradise, at Cádiz, we have built an infinite plane facing the infinite sea, the most radical house we have ever made. At the very edge of the waters of the Atlantic Ocean, where the sea unites the new and the old continent, emerges a stone platform. At the place where all the ships from the Mediterranean used to pass and still pass by as they head off into the Atlantic. To accentuate this dramatic idea, all the terrain has been moved as far back as the entrance wall separating the building from the street. Because the main entrance to the house is located on the roof platform, all public areas are concentrated on the upper level. It houses the living room, dining area, kitchen and a massive balcony. Bedroom suits are located on...
Situated on the Sado River in Portugal is a remarkably simple dwelling known as Cabanas no Rio. Designed by Manuel Aires Mateus, this home is split between two cabin structures. The private and public spaces are divided between the two forms: one holds the kitchen and living room, and the other contains the bedroom. The rooms are small and furnished only with necessities: a few sitting pieces and a bed. Benches and storage are built into the structure of the cabins. An outdoor shower rests along the side of the home. The facade is covered in raw wood, an incredibly elegant yet unfussy material. The wood connects the home with its river landscape. A small jetty reaches out from the entrance of the structure. The cabins are only accessible by boat, a feature which adds to the modesty of life on the Sado River. There is nothing more pleasing than simple elegance. This home is void of any fancy or unneeded elements, yet it still feels luxurious. I wouldn’t want anything more.
Nestled in a suburban neighborhood in Toronto, Canada is the delightfully modern Blantyre House. Completed in 2011 by Williamson Chong Architects, this house was designed with a focus on incorporating light into long and narrow spaces. Tall windows cover both ends of the thin house. Using windows of this height brings light deeper into the dwelling. The interior features a great room with an impressive kitchen unit. Floor to ceiling cabinetry provides storage and a clean, bright aesthetic. The dining table is incorporated with the kitchen island to save space in the shallow room. The second floor also features large windows which illuminate a small living area. The uppermost level of the home holds the master bedroom. Smaller windows and white walls provide a quiet sanctuary for sleeping. My favorite feature of Blantyre House are the windows. I love how every window is unique to the wall and room it hangs. The windows provide the home with a plethora of natural light and are also angled so as to provide the best views of the trees and sky. Photography by Bob Gundu.
Cliff House is a simple yet stunning residence on the Isle of Skye in Scotland. Scotland’s own Dualchas Architects designed the structure to maximize the breathtaking views of the surrounding landscape. The home is a single story with two bedrooms, two baths, and a great room for the kitchen and living areas. Every room, even the bathrooms, feature floor to ceiling windows. The windows flood the home with natural light and gorgeous views. Cliff House’s facade is clad in a silvery-brown lumber and warm gray stone, both of which were sourced locally. The low-lying structure, as well as the use of natural materials, allows Cliff House to integrate seamlessly into its environment. I love the view of the home from afar, it almost looks like it grew from the earth itself! Photography by Andrew Lee and Alistair Nicholls.
The Farnsworth House is a modern icon and a personal favorite of mine. Designed by the legendary Ludwig Mies van der Rohe (1886-1969), this timeless structure was completed for Dr. Edith Farnsworth in 1951. The home is a small, one room retreat that hovers just above the ground in a rural Illinois setting. Floor to ceiling windows cover every inch of the exterior walls, punctuated by structural I-beams. The only opaque walls exist in a central core containing the bathroom, kitchen, and utilities closet. The furnishings are minimal and are mostly designed by Mies van der Rohe himself. The Farnsworth House’s clean lines, structural purity, and simple form are all classic features of mid-century modernism. At this time, removing the traditional clutter of walls, doors, and decoration was entirely unprecedented. As a result, Farnsworth House was famous even before its completion. A model of the home was first exhibited in New York City’s Museum of Modern Art in 1947, four years before the building’s completion. The Farnsworth House has been in countless publications and exhibits since then. Unfortunately, the home has had several structural problems over the years, most notably its susceptibility to flooding. However, restoration effects are constantly in place, ensuring that the Farnsworth House...