The monolithic architecture of the Ooike House by Matsuyama Architect and Associates creates the living experience around the views. While heavy at first glance, the imposing structure of this residence located in Fukuoka, Japan, is juxtaposed by the sleek slivers of window openings, delicate walls of glass and a skeleton-like staircase. Intersecting planes define the unique, assymetrical volumes of the interiors while the wide spacing of the joint lines of the concrete walls and floor tiles emphasize the scale of the space, making it feel more expansive than it already is. It is a different sort of comfort that I find appealing about this project. The house seems to exude the calm and cleanliness that one seeks in meditation. From the furniture to the fixtures and finishings, the details are kept to an extreme minimal. The spaces are serene and peaceful, making the view of the city and the landscape beyond an integral part of the architecture, making the architecture about rest. Images courtesy of Matsuyama Architect and Associates.
Categorized “Architecture & Interior design”
If you find that the Ginan house appears to emerge from the surface of the earth, its because its made of earth: the facade is coated in a layer of gravel. Designed by Keitaro Muto Architects, this Japanese home is composed of two blocks of different size and shape. The blocks are separated on the outside by a small swimming pool, and connected on the inside by metal bridges. One block contains the bedrooms and the other houses the living and dining rooms. From the outside, the structure is mostly opaque, exuding a guarded feeling. On the interior, however, the home is open and airy. The outward sloping walls and high ceilings allow the home to feel much larger than it actually is. The built in furniture and monochromatic color scheme also contribute to lightness of the interior. The unique shape and material of Ginan House forces you to look twice. And there is nothing more pleasing than architecture that draws the viewer in, prompts questions, and leaves us with a lingering fascination. Photography by Apertozero.
Nameless Architecture’s Concrete Church in Seoul, South Korea is a monolithic dance of concrete forms. The exposed and beautifully articulate concrete create architectural forms that intersect and envelop one another to bring the volumes together. Based on New York and Seoul, Nameless Architecture collaborated with local architecture JSpace firm, to create the structure that covers just over 3,000sqm. Intended to embody religious values, the series of spaces, much akin to many temples and spiritual spaces, have an open-body stillness to them. The materiality and adhesion to a minimalist palette helps aid this uncluttered nature. Formally, the analogy of the cross was utilized as a launching pad for the design and layout. The cross as a religious symbol substitutes for an enormous bell tower and is integrated with the physical property of the building whereby the minimized symbol implies the internal tension of the space. Nameless Architecture has really embodied their simple and stripped back formality through a reflective spiritual space. The use of simple volumes and a single material adapted to the site only helps reinforce this. The use and celebration of concrete as a material and structural element is the icing to these spaces. Photography courtesy of Rohspace and...
A rugged house in a rugged environment, House at Camusdarach Sands is uniquely shaped to maximize the views of the sunrise and sunset. Designed by London based Raw Architecture Workshop, this home takes advantage of its picturesque location in Scotland by orienting towards the east and west horizons. The three story home is composed of a dark timber facade atop an exposed concrete base. The interior features bright white walls accented with light wood. The main living spaces are placed on the uppermost floor, so as to take full advantage of the spectacular views. The more private and less used spaces are located on the lower two levels. I love the unique form of this home. The angled structure is a wonderful design technique. House at Camusdarach Sands takes advantage of its full environment, from the ground to the sky. Photography by David Barbour.
This residence on an irregular site located in Islington, London is designed by Atelier ChanChan. The complete demolition of the previous building allowed the designer to instill her own design language into the facade of the house, a Herringbone brick pattern. Brick, being the material that is familiar to the context yet in a pattern that is seldom used on the exteriors. The warmth from the materials used both inside and out of this house exudes the comfort in its minimalism. The stunning detail of the floating staircase brings much light through the interiors; the sliding doors that provide a frameless opening to the courtyard; the walls in the bedroom that extends to the pitch of the roof – the architecture connects the spaces in an elegant and subtle manner that exemplifies understated, minimalist design. Photos via Atelier ChanChan and Dezeen.
Contrasted against the sunny, arid landscape in Portugal is the House in Quinta Do Carvalheiro. The home is designed by Italian based firm Giorgio Santagostino and Monica Margarido, also known as GSMM Architects. The form of the residence is directly related to the topography of the site. The structure is kept small so as to limit human intervention in the landscape. All of the rooms are arranged around a central patio. This patio connects the home to the outdoors without expanding the structure’s rectangular footprint. Large windows embrace the exterior while opaque walls protect the home from overheating at the sunniest points. I love how the house sits low on the horizon. At certain angles the landscape appears about to engulf the residence and pull it back into the ground. House in Quinta Do Carvalheiro achieves a perfect balance of man and nature. Photographs by FG + SG Fotografia de Arquitectura.
MiniMod takes pre-fab living to the next level! Designed by MAPA Architects, this intelligent structure is a lovely solution for alternative and sustainable living. The prefabricated modules are completely customizable, allowing the user to design a dwelling focused on their needs and preferences. After construction, the modules are transported via truck to their final destination. MiniMod is composed of a steel frame with natural recycled pine on the interior contrasted with painted pine on the facade. Several green technologies are featured in the dwelling; among them is a rainwater filter, ventilated facade, green roof, and LED lighting. The single module in the photographs is located in Brazil. Off-site and no waste construction allow the home to leave a minuscule environmental footprint. The 26 square meter floor plan includes a bedroom, living and dining rooms, and a kitchen and bathroom. Floor to ceiling windows and a covered patio connect the home with the outdoors. MiniMod has it all: the elegant design proves that prefabricated living can be beautiful and good for the environment. Minimal in aesthetic and minimal environmental impact, MiniMod is truly a win for contemporary living.
Hideg House is a sculptural form emerging from the rocky landscape. Located on the site of a former quarry in Koszeg, Hungary, this wooden structure is the first realized project of the young firm Béres Architects. After three long years of construction, Hideg House is a modern vacation home which merges the natural and built environments. The single story design features a dark timber frame punctured with windows and natural wood cladding. The rooms are placed to the far sides of the home, while the voided center is a covered patio. The interior is bright, white, and simple. It is a welcome contrast to the dark exterior and busy terrain. All of the rooms are arranged to maximize the views of nature. The cabin overlooks the best of both worlds: one side faces the exposed rock face of the former quarry, while the south side offers a panorama of the forest. I love the juxtaposition of this design. Pairing nature and man-made structures side by side results in a captivating aesthetic.
Aires Mateus & Sia Arquitectura’s House Melides on the Grandola Crest in Portugal takes the palette back to the basic elements. Situated amongst undulated terrain, overlooking the valley below, it acts as a portal to the vistas of natural elements that exist around it. In this sense, the importance of its quiet minimalism roars loudly. Comprised of unobtrusively, unusual main volumes that overlap in the shape of a cross, the resulting architecture sit both monolithically and subtly amongst its landscape. The interior is comprised of strict whites that seem to imbue its own softness through its interaction with the entering light. The otherwise metered corners throughout the interior are softened through the play on the other lines throughout the architecture. The stillness of space through finishes and articulation of lines is beautiful. The collaboration resulting in House Melides by Aires Mateus & Sia Arquitectura is to be commended. Photography courtesy of Fernando Guerra.
Look carefully or you might miss the tiny Yokaya restaurant and residence in Fukuoka, Japan. This humble white rectangle is nestled on a busy street between several tall condo buildings. Designed by rhythmdesign, the structure is a mere 135 square meters and houses a restaurant on the ground floor with an apartment above. The front facade is entirely opaque on the upper stories, while a cutout on the ground floor invites passerby into the restaurant. Wood and concrete are the main materials used in the interior. In the restaurant, the simple design allows the food to take center stage. The apartment above is arranged with a similar aesthetic: built in storage keeps the space uncluttered and the furnishings are limited to essentials. I love the modest design of this duplex building. The clean lines of the architecture and precise use of materials come together quite elegantly. Yokaya is quiet and reserved, but it is its little form that stands dignified on this bustling street.
The program guidelines for the Pocinho Centre for High Performance Rowing was to design a complex that not only facilitated training and preparation for the Olympics, but also to provide residential quarters and social interaction areas. Architect Álvaro Fernandes Andrade had the task of delivering the 8,000m2 project with a possible subsequent expansion phase of the housing area, without a significant impact on size and the landscape. Divided into 3 zones: Social, Housing and Training, the complex is built mostly into the terrain of Douro Valley in Portugal. I really appreciate how the structure echoes the undulating geography with deep respect to the context of the low buildings and slopes around it. The minimalist building of angled roofs and wave-like volumes blend in seamlessly with the terraces while the pristine white dry-stone walls give the Pocinho Centre an identity that is modern and chic yet functional at the same time. Photography by Fernando Guerra.
For the fashion house Rubens Luciano, Italian architect Simone Micheli has designed this spectacular office and showroomm inside a 19th century building near Venice, Italy. Its main feature is perhaps the careful use of light and glass, emphasized by the large open working spaces, the white furniture and walls, and the rounded edges and organic shapes along all elements of the building. On the other hand, the integration of these contemporary elements with the antique building is perfect, achieving a balance in some rooms and contrasting in others — yet always in harmony and very meticulous with each detail and finish. All previous elements of the building give to the project a great personality that makes it unique and distinguished. I like this.