Everyone loves animals and it’s great to know that they can receive the best care in such beautiful places. CRAM Foundation is an organization for the rehabilitation and conservation of marine animals in El Prat de Llobregat, Catalonia. Built in 2010 by Hidalgo Hartmann Arquitectura, a Spanish/German studio based in Barcelona, it is located in the old golf course of the Catalan town in an area of 18,000 square meters and develops the three basic guidelines of the foundation. It includes a recovery clinic, an administration building, a space for postmortem studies and several pools and tanks needed for the treatment of the specimens arriving at the center, and their reintroduction into the sea in the shortest time possible. The project seeks to balance the clinical program of research and public program with minimum possible means to ensure that the conditions of the activity become the key factors in defining the architectural features and volume as a whole. A beautiful place close to the sea, amazing buildings and above all, great work.
Categorized “Architecture & Interior design”
Home 11 is an elegant dwelling in Amsterdam. The structure was previously a large garage. i29 Interior Architects renovated the garage into a modern apartment for two people. The color palette is defined by three materials: white sheetrock, natural oak, and gleaming black surfaces. The elevated kitchen is composed of wooden cabinets and a black island. Step down into the living room and you’ll find an oak wall with black shelving and a small fireplace. The doors to the bedroom and bathroom blend with the wood-clad walls. Skylights run across the ceiling and provide a plethora of natural light. To connect the home with the outdoors, i29 Interior Architects included a small outdoor patio and designed the living room carpet in a green mossy pattern. Home 11 is an incredibly posh dwelling. The materials and furnishings combine to give the home a luxury feel. The skylights are a wonderful addition. Never underestimate the power of simple materials, natural light, and great design. Photography by Ewout Huibers.
Sushi Azuma is a Japanese restaurant designed by the Osaka-based architecture practice Stile led by Ietsugu Ohara. The concept for the architecture is conceived with the traditional Japanese Tea Ceremony in mind, where the activity revolves around the preparation and presentation of the tea. The interior spaces and the materials are kept to a strict minimalist architecture, allowing the colors and lighting to present and highlight the preparation and dining of sushi. Everything has been meticulously designed in this space, from the proportion of the furniture to the sizes of the paneling, to a visual play on the architecture such as on the inside of the private dining niches where the cantilevered table appears to subtly ‘lift’ itself from the bench seating, which is such a clever, minimalist detail. Accent walls are dipped in a contrasting darker wood while curved walls are only highlighted by the cove lighting, allowing the public and private spaces to coexist as an integral part of the architectural procession. While Ohara’s intention was to focus on the food, one cannot help but appreciate the calm and peaceful aesthetic of Sushi Azuma’s minimalism. Construction: Ida Home. / Jiro Ida Lighting: MAXRAY. / Hiroyuki Nagatomi Decorative lighting: flame. / Kenichi...
Located in the landscape of the island of Hirvensalo, Finland, the exterior of the St. Henry’s Ecumenical Art Chapel stands out for its copper surface, that will be weathered green with time to be in harmony with the sorrounding trees and nature. After a small entrance foyer, there is the grand hall, shaped like a fish’s stomach, symbol of first Christians, with the altar at the end of the axis, illuminated through windows with artworks by artist Hannu Konola. There is also a gallery in the rear of the space, so the exhibitions and the ceremonies coexist in the same space, much like in the Renaissance churches. The chapel, a project by Sanaksenaho Architects, has a loadbearing structure of curved ribs of laminated pine and walls covered with untreated wooden lining, where there is an emphasized contrast between light and shadow. The architects explain: The most important building material besides wood and copper is natural light. It gets the forms, spaces and surfaces live all day long. The idea is to walk through shadowy spaces towards altar and the light, the source of which is hidden.
Copenhagen-based Norm Architects designed this remarkable townhouse inside a deceptively rustic exterior; beyond the structure itself, the minimalist sensibility springs from elegant hand-picked furnishings. The project in hand can be considered an all-around marvel, it delivers on all fronts easily. The structure showcases assorted features; ranging from high ceilings adorned with a skylight, a transparent staircase, numerous wide windows to shower the interior with natural light and, finally, beautiful wood beams (painted in white, of course). The coup de coeur to take this exquisite residence to the next level is the well curated interior design. The white canvas accommodates the black and white objects effortlessly, bringing out the best of them for each room. This project really shows off its strength when familiar, and often overused design pieces gain new life and freshness — such as the various chairs, lamps and tables carefully placed throughout each room. All of the elements and insights above are frequently listed as essential trends on several publications, it speaks volume on the quality and success of the architect’s endeavor.
Based in Maastricht, the Netherlands, Studio Niels was founded under Niels Maier with a focus on interior design and its effects on the built environments. Varied in size, the studio’s approach depends on its philosophy about clarity, simplicity, and contextualization; this is apparent through the Authentic Mansion 2, completed in 2011. Also located in Maastricht, this apartment was designed to be monochromic with stark white interiors, highlighting the wooden floor and contrasting home furnishes. Behind the television is a hidden shelf that is utilized to both cover the technical system and provide a place for storage, which is a clever spatial move. I especially appreciate the negative space produced from the continuously white interior, appearing under the sink, between the bed, through the key hole, and many more instances. This shows an articulation in details that Studio Niels was able to achieve through envisioning a bigger picture, then narrowing down in scale—an important quality of designers alike. The minimalism in Authentic Mansion 2 is strongly apparent, emitting an elegance and sophistication. What else can a client ask for? A space of minimal design, maximal effect.
The French branch of the Italian company Marchesini, a leader in packaging applications, was built in 2008 by architects Benoit Jallon and Umberto Napolitano of LAN Architecture in Saint Mesmes — a small town about 40 kilometers east of Paris. Aseptic yet elegant, formal yet cozy, flexible yet defined, are only apparent contradictions that define the ispirational principles that guided LAN Architecture to achieve the design of this 1,000 square meter building, which extends over 6,000 square meters of land. Its face is oriented with the wide glass wall in the direction of Paris, the marketplace of the office. The main interest of the site lies in its morphology and in its orientation. The level of the soil follows a slope of 3 feet above sea level, and the west side provides an exceptional view of the surrounding hills. In the planning phase we examined the relation between the building and the landscape, and between users of the building and the landscape. Strong, iconic and hotly black.
Plywood House is a distinct home refurbishment tucked among London’s traditional Victorian row homes. The exterior is comprised of brick and concrete punctured by single framed windows. These materials are splashed throughout the interior as well. Concrete and brick are wonderful raw materials that add visual interest inside and out. However, the most distinguishing feature of this home is its namesake: plywood. Plywood is one of the simplest yet most versatile construction materials. In Plywood House, it is used instead of sheetrock to form the walls and ceilings. The soft wood casts a warm light throughout the minimal interior. Designed by Simon Astridge Architecture Workshop, the living spaces of Plywood House are distributed across two stories. The first floor holds a cast concrete kitchen, dining, and living rooms. The master suite, structured entirely with plywood, fills the second story. I love when modest materials are allowed to take center stage. Plywood House creates a beautiful aesthetic from an often overlooked construction material. Perfect!
Aroeira III is an elegant dwelling located on a sunny, arid hilltop in Portugal. The home is designed by ColectivArquitectura, a small architectural office located in Lisbon, Portugal. The thoughtful design seeks to maximize sun exposure and work with the sloped landscape. The structure is u-shaped and divided among two low-lying levels. This building is refreshingly honest about its structure both inside and out. The reinforced concrete foundation is visible throughout the exterior, while steel support beams puncture the wood and glass facade. These classic materials continue on the interior. Exposed concrete walls and floors are juxtaposed with wood panelling and stairs. The floor to ceiling windows keep everything bright and airy. Aroeira III embraces a design that is as beautiful as it is timeless. This is surely a home that will be admired for years to come. Photography by FG+SG Architectural Photography.
Shot by Flemish photographer Frederik Vercruysse, this temple of modernism was built in the 1950s by Andre Wogenscky, a renowned architect who worked with Le Corbusier for a long time. Although it was built about 60 years ago, it seems to belong to a current concept. All the furniture is custom-made in a clever contrast between materials and forms, while remaining in absolute rigour. The modernist spirit plays with the position in the middle of the countryside and the view from the interior give a timeless touch to the house. Located just outside of Paris, House Saint-Forget was designed according to the golden section of Le Corbusier and the measure of a man, known as modular. A staircase leads to an exquisite black and white living and dining room, which is open to the outside, and features a corner fireplace in the original steel roof. Remarkable.
A gorgeous white form is located in a hilly, rural area of Luxembourg. Simply called Luxembourg House, this structure is designed to create dynamic spaces inside and out. The home was designed by the infamous Richard Meier, an architect who has received worldwide recognition for his minimal buildings. Long walls of white tile and full length windows form the exterior structure. This layout anchors the home to its site and creates panoramic views of the environment. On the interior, the layout defines the public and private spaces. A large staircase rests inside a light-filled atrium; this staircase is the main mode of circulation throughout the home. The lower level of the house is mostly utilitarian: it contains parking and a fitness center. The living and dining rooms are nestled along a wall of windows on the ground floor, and the kitchen and playroom sit on the north side of this level. The uppermost story contains the bedrooms and study. Terraces on all floors embrace the light from the large windows and balconies. I love the thoughtful design of Luxembourg House. Every space in this structure was deliberately designed by Richard Meier and his team. The result is a house where every corner is full...
The new headquarters of the Benéfico Social Padre Rubinos Institution is an impressive building financed by the Amancio Ortega Foundation and developed by Elsa Urquijo Architects. Opened last week and located in A Coruña, Spain, the building features the following facilities for people in a social emergency situation: hostel/refuge for transient people with no resources or home; redidence for the elderly and day centre with charitable nature; infants’ school for children born in families in a precarious financial situation; and the Padre Rubinos social headquarters. In total, a size of more than 15.000m2, the architects explain: It is a building that renounces the academic composition of the facade and turns it in a front porch that surrounds and defines the square. This invites us to move in that protected porch, discovering the different spaces that are linked to it, creating a frame in which life can flow and develop. A truly wonderful project with a predominantly white colour palette, where luminosity and horizontal lines produce a stable, calm and relaxing environment, and every detail is carefully considered.