
This swimming center by Eddea Arquitectos is located on the outskirts of Barbate in Spain. The design of the center seeks to provide an impressive health experience through a relationship with the natural landscape. The sports pavilion is housed around an interior courtyard and hall, which incorporates filtered sunlight into the center. Situated around this space are changing rooms, a fitness center, and the swimming pools. The swimming pools bask in a warm light from radiant ceiling fixtures.
The entrances, private spaces, and relationship to the outside set this center apart from the majority of sports pavilions. Eddea challenged the traditional characteristics of these centers with a design that advances the space from mere utility to a unique aesthetic experience.
One enters the center through the neighborhood to emerge in an area of soft sand dunes. One then moves through the interior void and finally into the private and swimming areas. The relationship between nature and swimming pool brings part of the surrounding environment into the interior spaces. The building is non-obtrusive overall, allowing it to blend seamlessly into its setting and give the user a tranquil health experience. This swimming center brings a new style of sophistication and quality to sports center design.

Introducing Catskill Mountain House in Catskill Mountains, New York by Audrey Matlock. Built based on simple forms and applying fluidity within spaces, the home becomes a retreat where architecture and nature become one.
Some of the interesting architectural features are the white framework and a large cast concrete wall that protects the terrace, pool, and outdoor fireplace from a rocky slope. Full height windows allow for maximum light and expanding views of the Catskill Mountains. Interiors consists mostly of a monochromatic palette of black, white, and gray with the addition of blue and green coming in from the outside in a form of skies and nature. It would be difficult to compete with such beautiful views, don’t you think? Other features include heated and polished concrete floors, slate accent walls and ebony stained ash cabinetry.

My friends, hold on to your hats because today I am taking you to a breathtaking villa in Le Marche, to what seems to be a hidden jewel in Italy.
Converted into a vacation home with a guest house, Casa Olivi is located on a hill in Treia and is a result of a 4-year renovation process by Swiss architects Markus Wespi and Jerome de Meuron. The 300-year old villa was destroyed by fire in 1995 but the architects revived it with keen eye for modern lines while being respectful of the original charm. The result is a stunning home that is elegant, minimal and oh so delightful for the eyes!
If this is a “farmhouse”, we all might as well become weekend farmers, don’t you think?

Vincent Van Duysen is a Belgium architect whose work I’ve been drawn to for quite a while. It was almost too difficult to select only one of his projects to be featured here today and therefore here is a selection of my favorite spaces he designed.
The use of singular element, frequently in a large scale, typically either defines the interiors or directs viewers’ attention to that particular element. I’m a big fan of the beautiful white space, panelled walls and strong geometrical shapes re-appearing in his designs. Hope you enjoy.
A sunken area was situated on top of a hill on Antiparos, in the Cycladic islands, Greece. Deca Architecture conceptualized the challenge of filling in this crater with a primitive inspired dwelling that was both wind protected from the Aegean Sea and modestly out of view from the village below. The vast areas of the house lies underground, with straight lined boxes jutting out of the hillside constructed out of stone that fits seamlessly into the rugged landscape.
Deca Architecture really concentrated on tying the idea together with a strong concept. They explored the flow and the interweaving of the four basic ingredients of the dwelling: Stone, ‘lava flow’, ‘the alien’ and water. Here is an excerpt from the architects explaining the 4 areas.
Stone: stone surfaces define the borders of the Krater. On the North side, a double height stone volume protects the Krater from the wind and houses multiple sleeping rooms and public gathering spaces. On the East, stone angled walls surround the Krater and form the entrance ramp. The South side features a stone volume, with a metal structure that supports a bamboo roof. Finally the West is open to sea views.
‘Lava Flow’: A path flows under the lap pool, like lava overflowing from the Krater. It is directed towards the guest house. Stone walls form its boundaries, folding back to let a small garden come to life. The guest house consists of two sheltered spaces and one roofless room (courtyard), in between them. One room is visible, the other is buried into the landscape.
‘Alien’: A long rectangular white volume is placed inside the Krater. It houses activities linked to the preparation and the consumption of food. Large glass sliding doors blur the boundaries between the interior space and the exterior courtyard. The kitchen windows frame specific views of the pool and the surrounding small islands.
Water: A 25 meter long lap pool marks the Krater’s Western boundary, in axis with a small rocky island north of Antiparos. The swimmer experiences a visual unification of the pool water surface and the sea, through the overflow on the western edge of the pool, right at the moment when turning for a breath. The lap pool becomes deeper and wider as it enters the Krater’s main courtyard.
What a clever concept that only accentuates such a beautiful and environmentally sensitive design.

Isn’t this the most beautiful swimming pool you’ve ever seen?
It’s called Les Bains des Docks (‘Baths of the Docks’), and is located in Le Havre, France. Visitors can enjoy no less than 12 pools, a sauna, a hammam, a spa and fitness room. It was designed by French architect Jean Nouvel and opened in July 2008.
The entire interior is covered in white tiles, except for the children’s play area, which is formed by brightly-coloured foam blocks. Lovely contrast!
One more subtle detail is in the signage: rather than hanging up signs, letters were drawn in the spaces between the tiles. How minimalist!
Photography by Clément Guillaume.