Mariana Fernandes’ Blot collection celebrates the painting process through technique. This Italian-based designer has created a series of useable objects creating a sense of texture through application. The idea of a stain as an artistic symbol, that is absorbed by the cushion as a domestic canvas is the basis for the design. The intent is for the pair of true black and white cushions to artistically accentuate a space. Available through Fabrica, the square pillow is 400mm x 400mm, the rectangle is 500mm x 260mm and they are made of 100% cotton. Fabrica is a global communications research center, studio and school that are an integral part of the Benetton Group, and are based out of Treviso Italy. They are a conduit for showcasing and teaching design and are open to new collaborations that are pushing boundaries. Fernandes, through technique and application, has created a beautiful collection and is one whose dedication to craftsmanship and detail, is one to watch. Photography courtesy of Fabrica.
Categorized “Art & Illustration”
French born designer and illustrator Thomas Danthony who is currently based in London, has designed N — a 42 page black & white book featuring a collection of graphite and ink drawings. Self-published, N is available in two versions, one of which is a luxury book with a hand made cover. The project was an experimentation by Danthony, differing from his commercial work, which allowed him the freedom to create a simple aesthetic. He explains: My goal was to take a bit of time off the computer to create something by hand, I was looking for a way to keep my commercial style, which is digital and to translate it on paper. To make it possible, it had to be simple, so I only worked with a pencil, a brush and some black ink. I then decided to design a small book to collect the series. I really enjoy the strong and simple compositions throughout. From the concept of the book, to the illustrations themselves, this is a superbly executed self-initiated project. There’s also a short video about N, which is directed by Tom van Schelven.
South Korean artist Yoon Sol has produced a wonderful ceramic series titled From the Archetype, which involves layering porcelain in thin sheets to create different shapes. He writes: I work from a sphere to produce thin layers of bowl shaped elements with different diameters and heights. If these layers are placed one by one, small and big bowls can form an installation piece. From the Archetype tells a story of building up imperfection status through decomposition of a typical and perfect image, and of seeking the right pieces to complete my own pictorial puzzle. Here, Yoon Sol beautifully demonstrates the limitless of variation spawned from a single shape, resulting in a flawless collection of simple white ceramics that go beyond the aesthetics.
Recently opened to the public is the Infinity Bamboo Forest, a spectacular passage in a public annex building located in Wuxi, China. The installation is a reference to the traditional Japanese culture with its characteristic bamboo forests, and from the beginning experienced limitations of space, time and budget. So the result cannot be more magnificent, developing a passage of twenty meters as an infinity bamboo forest essentially using a combination of light and mirrors. The design of the installation was conceived by Prism Design, a Shanghai-based architecture and design studio, founded in 2009 by Tomohiro Katsuki.
Australian Bianca Chang is holding her first solo show Light Maps at A-M Gallery, Sydney. Bianca Chang is a self-taught designer and artist living and working in Sydney and has participated in numerous group exhibitions. Her work embodies a play of lines, through motions of movement and engagement with light. Light Maps is an exhibition comprised of a muted palette and restrained minimalist material composition. The way in which light is portrayed through her work and the approach by which light interacts with the pieces is where the subtle nuances emerge. I find these voids and subtleties are beautiful. Bianca is currently developing a body of work in ceramics and teaches design at the University of Technology, Sydney. She is one to watch, with no doubt numerous future solo shows to follow this one. Photography courtesy of Jacob Ring.
It has been quite some time since we last featured some beautiful minimalist art pieces on Minimalissimo, so today I would like to introduce you to the remarkable painted works of New York based abstract artist, Augustus Nazzaro. Nazzaro’s work over recent years predominantly features dark, minimalist, abstract forms, a number of which are inspired by military campaigns. His most recent project titled, In Pursuit of Shadows, is particularly striking. For me however, his Rifle Locker series from 2011 stands out as some of his strongest work due to the intricate texture of the black surfaces and the repetition of subtle silhouettes. More of this series along with other examples of his paintings can be found on Nazzaro’s website. Photography courtesy of Saatchi Online.
Miso’s latest exhibition Everywhere I Have Ever Been is testament to the propel-able artistic force she is. Every once in a while you’re introduced to an artist who really has a curious dexterity. Miso is that. Her work is reminiscent of an otherness; another reality. It seems to have both an ethereal lightness and a depth of skill and technique that both employ an incited curiosity. Miso herself finds herself between the worlds of her two current homes; Melbourne and Tokyo, although originally from Ukraine. The exhibition Everywhere I Have Ever Been is an exploration of this. She decided to make a drawing for every city and every memory for these last few years while travelling between the cities, dreaming and mapping – hammering memory clusters as holes into paper, like strands of constellation maps. Each piece involves the insertion of tiny pins to create perforations into the medium. These openings, creating opportunities for engagement with light, then evolve into the finished piece. They create shadow and somehow also a sense of tactility that wants of its own dialogue. Essentially, she was playing with all these ephemeral things and making them into something tangible. Her work has recently been purchased...
Last year we featured the wonderful minimalist stainless steel sculptures of Australian visual artist, George Papadimas. His latest works are the products of his ongoing fascination with numerical sequences and the inherent relationships that occur within mathematical algorithms. The sculptural work, Untitled Paired Quarter Sequence, utilises Papadimas’s adaptation of the Fibonacci sequence, in which the resulting multi-digit numbers are reduced to their single digit sum. The imagery, Untitled Paired Digits, is a beautiful series of highly saturated hues, of which the base format is the elementary representation of two paired numbers in written form. At the heart of each work, mathematical premise reigns. One fully embodies the harmonic relationship between line and form, and the other does its best to conceal. I like the concept behind these pieces, but particularly the clean connections of the skeletal structures. These are currently being exhibited at Ho Chi Minh City, Vietnam until 8th December 2013.
Sculptor Richard Serra’s latest exhibition New Sculpture is currently being featured at both Chelsea Gagosian Galleries in New York. Described as one of America’s greatest modern sculptors, the exhibition is set to run from October through January 2014 and plays a pivotal role in being an extension and progression of his work to date. The pieces comprise a series of large waterproof steel members engulfing the two gallery spaces. The play on scale and the stripped back minimalism of the raw but exquisitely articulated materiality is both powerful and overwhelming. These giants seem to have a luminescence and their interaction with the adjacent pieces is almost harmonic and creates nuances of quietness. This exhibition through its grandeur and discipline instills reflectivity. Richard Serra’s work is consistently well considered and important. This latest New Sculpture exhibition is one to see and immerse oneself in fully. Photography courtesy of both Gagosian Gallery.
My wire sculptures tell stories of simple human moments: a woman adjusting her hair, a face gazing from behind tightly wrapped arms, a mother gently cradling her baby. The honest, unguarded moments are the ones that I find to be the most beautiful. Simple human moments executed in a simple and poignant physical form, Zimbabwe-born Gavin Worth‘s wire sculptures are mesmerizing in their beautiful frugality. By bending black wire into free-standing life drawings, he creates sculptures that engage the viewer in their subtle changes – when the light in the room shifts, so does the mood of the piece. Worth is a self-taught artist, having cultivated a lifelong passion for drawing, painting, and sculpture. He worked for nearly a decade in San Francisco as an actor and musician before moving to Cairo, Egypt to teach at the American International School.
Edition One is a series of minimalist pastel toned linework on rich metallic paper. The pastel colors, printed with matte ink, give a nice contrast with the background and throughout the day the appearance will change by the light. Like the name says Edition One is the first edition of metallic prints by Yield. The series is produced in a limited edition of 100 pieces. Yield was founded in 2012 by Rachel Gant and Andrew Deming. The co-founders met at California College of the Arts, where Gant studied Industrial Design and Deming studied Design Strategy.
Established and evolving artist, Dion Hortsmans is continuing to make leaps and bounds in the world of contemporary sculpture. After a veritable amount of time in the sun; sailing and searching, his feet firmly landed firmly back on soil, before plunging into his sculptural artistic pursuits. With a recent exhibition, Night Rider under his belt, his work has graced audiences in galleries and publications since 1996 across Australia. He notes that to be able to ask, and then to listen and believing in your passion are two of the prized earnings from his process. An idea is a nano-second, the journey is in making the idea, formulating it, working out how to do it, mostly when you’re on that trip you have a gazillion other ideas. Hortsmans has an extensive CV of work, spanning commissions and galleries in Melbourne and Sydney. His work is a combination of lines, embodying movement in still objects and responding to notions of want; a dynamic want. The line work is a geometric explosion of shapes resulting from lines, extrusions and playing with elements of scale. I am biased, but not blindly so, in saying that Hortsmans is a genius and his work a manifestation...