It has been quite some time since we last featured some beautiful minimalist art pieces on Minimalissimo, so today I would like to introduce you to the remarkable painted works of New York based abstract artist, Augustus Nazzaro. Nazzaro’s work over recent years predominantly features dark, minimalist, abstract forms, a number of which are inspired by military campaigns. His most recent project titled, In Pursuit of Shadows, is particularly striking. For me however, his Rifle Locker series from 2011 stands out as some of his strongest work due to the intricate texture of the black surfaces and the repetition of subtle silhouettes. More of this series along with other examples of his paintings can be found on Nazzaro’s website. Photography courtesy of Saatchi Online.
Categorized “Art & Illustration”
Miso’s latest exhibition Everywhere I Have Ever Been is testament to the propel-able artistic force she is. Every once in a while you’re introduced to an artist who really has a curious dexterity. Miso is that. Her work is reminiscent of an otherness; another reality. It seems to have both an ethereal lightness and a depth of skill and technique that both employ an incited curiosity. Miso herself finds herself between the worlds of her two current homes; Melbourne and Tokyo, although originally from Ukraine. The exhibition Everywhere I Have Ever Been is an exploration of this. She decided to make a drawing for every city and every memory for these last few years while travelling between the cities, dreaming and mapping – hammering memory clusters as holes into paper, like strands of constellation maps. Each piece involves the insertion of tiny pins to create perforations into the medium. These openings, creating opportunities for engagement with light, then evolve into the finished piece. They create shadow and somehow also a sense of tactility that wants of its own dialogue. Essentially, she was playing with all these ephemeral things and making them into something tangible. Her work has recently been purchased...
Last year we featured the wonderful minimalist stainless steel sculptures of Australian visual artist, George Papadimas. His latest works are the products of his ongoing fascination with numerical sequences and the inherent relationships that occur within mathematical algorithms. The sculptural work, Untitled Paired Quarter Sequence, utilises Papadimas’s adaptation of the Fibonacci sequence, in which the resulting multi-digit numbers are reduced to their single digit sum. The imagery, Untitled Paired Digits, is a beautiful series of highly saturated hues, of which the base format is the elementary representation of two paired numbers in written form. At the heart of each work, mathematical premise reigns. One fully embodies the harmonic relationship between line and form, and the other does its best to conceal. I like the concept behind these pieces, but particularly the clean connections of the skeletal structures. These are currently being exhibited at Ho Chi Minh City, Vietnam until 8th December 2013.
Sculptor Richard Serra’s latest exhibition New Sculpture is currently being featured at both Chelsea Gagosian Galleries in New York. Described as one of America’s greatest modern sculptors, the exhibition is set to run from October through January 2014 and plays a pivotal role in being an extension and progression of his work to date. The pieces comprise a series of large waterproof steel members engulfing the two gallery spaces. The play on scale and the stripped back minimalism of the raw but exquisitely articulated materiality is both powerful and overwhelming. These giants seem to have a luminescence and their interaction with the adjacent pieces is almost harmonic and creates nuances of quietness. This exhibition through its grandeur and discipline instills reflectivity. Richard Serra’s work is consistently well considered and important. This latest New Sculpture exhibition is one to see and immerse oneself in fully. Photography courtesy of both Gagosian Gallery.
My wire sculptures tell stories of simple human moments: a woman adjusting her hair, a face gazing from behind tightly wrapped arms, a mother gently cradling her baby. The honest, unguarded moments are the ones that I find to be the most beautiful. Simple human moments executed in a simple and poignant physical form, Zimbabwe-born Gavin Worth‘s wire sculptures are mesmerizing in their beautiful frugality. By bending black wire into free-standing life drawings, he creates sculptures that engage the viewer in their subtle changes – when the light in the room shifts, so does the mood of the piece. Worth is a self-taught artist, having cultivated a lifelong passion for drawing, painting, and sculpture. He worked for nearly a decade in San Francisco as an actor and musician before moving to Cairo, Egypt to teach at the American International School.
Edition One is a series of minimalist pastel toned linework on rich metallic paper. The pastel colors, printed with matte ink, give a nice contrast with the background and throughout the day the appearance will change by the light. Like the name says Edition One is the first edition of metallic prints by Yield. The series is produced in a limited edition of 100 pieces. Yield was founded in 2012 by Rachel Gant and Andrew Deming. The co-founders met at California College of the Arts, where Gant studied Industrial Design and Deming studied Design Strategy.
Established and evolving artist, Dion Hortsmans is continuing to make leaps and bounds in the world of contemporary sculpture. After a veritable amount of time in the sun; sailing and searching, his feet firmly landed firmly back on soil, before plunging into his sculptural artistic pursuits. With a recent exhibition, Night Rider under his belt, his work has graced audiences in galleries and publications since 1996 across Australia. He notes that to be able to ask, and then to listen and believing in your passion are two of the prized earnings from his process. An idea is a nano-second, the journey is in making the idea, formulating it, working out how to do it, mostly when you’re on that trip you have a gazillion other ideas. Hortsmans has an extensive CV of work, spanning commissions and galleries in Melbourne and Sydney. His work is a combination of lines, embodying movement in still objects and responding to notions of want; a dynamic want. The line work is a geometric explosion of shapes resulting from lines, extrusions and playing with elements of scale. I am biased, but not blindly so, in saying that Hortsmans is a genius and his work a manifestation...
Some things are so ubiquitous around the internet that they just get taken for granted, even – or especially – in the design world, which is a small one indeed. So let’s set that aside for a moment and talk about Garance Doré‘s fashion illustrations. I’m not a fashionista particularly, but I do enjoy fashion design, and to me Ms. Doré’s work has always brought an extra dose of fun to that world. The line work is simple and direct, and the use of color is always limited, usually with a pop of bright tones, just enough to give it life and movement. The story of her persuit of illustration as a career is also an interesting read – her writing style is humorous, open and lighthearted, even when looking back at difficult patches, and that is always inspiring.
Australian artist Matthew Allen, currently based in Sydney, is a colour based painter. His work, which has been consistently exhibited at Sydney’s Sullivan+Strumpf gallery since 2008, consists of a beautiful collection of minimalist colour combinations. Allen’s paintings are absent of any formal composition and physical elements of the artist’s hand to present an ongoing enquiry into the pure materiality of paint upon canvas and the fundamental structure of painting itself: colour, medium and process. The painting is delicately handled to produce soft gradients of tone that in turn creates an atmospheric, sensory and emotional experience for the viewer. Some of the gradients Allen has created, particularly in his 2010 works, look absolutely superb.
Danish electronics giant Bang & Olufsen need little introduction. Consistently producing timeless design with high quality materials, B&O have recently released these incredibly beautiful BeoPlay H6 headphones. A pair I have been fortunate enough to test hours on end over the past week. Firstly, the design of the BeoPlay H6 is hugely impressive, striking the right balance of classic and modern design influences, resulting in a simple, elegant, and extremely comfortable pair of headphones. The design itself was conceived by Jakob Wagner, and with a choice of black or natural leather, it is a perfect match for the style-conscious consumer who refuses to compromise quality in sound, design or craftsmanship. The natural, stitched cow leather cover and soft lambskin ear pads, which I am currently using, should age gracefully with use. My favourite design features however, (aside from being the most comfortable headphones I have ever worn) are the detachable audio cable and the ports in both speakers. This not only allows you to decide which side to insert the cable, it also allows you to share your audio with others. For such high-end headphones, there is high expectations for the BeoPlay H6 when it comes to sound quality. Perhaps...
Based in Canberra, Australia, Brian Corr is a sculptor and artist who’s pure and aesthetically simple works I would like to highlight today. Working primarily with glass and the elements of light and shadow, volume and void, he creates architectonic sculpture and large-scale installations, which serve as reflections and interpretations of his own experience. Corr writes: My hope is that these works provide an opportunity for contemplation or meditation; a moment of heightened awareness of the nature and wonder of ourselves and the world in which we exist. It is Brian Corr’s Constructions and Architectural Installation works that have impressed me most, with their simple forms and manipulation of light and shadow. Wonderful. Images by Rob Little.
Amsterdam based artist Berndnaut Smilde is known for his cloud installations. After the TIME magazine listed them as one of the Top 10 inventions of 2012, people’s fascination with Smilde’s work became widespread. The latest cloud installation, called Nimbus Green Room, took place this summer at the Veterans Building in downtown San Francisco. Here is how artist comments on this project: It’s not so much about the shape of the cloud but about placing it out of its natural context. It brings duality, because you can’t really grasp how to interpret the situation you are viewing. People have always had strong metaphysical connections to clouds as they symbolize the ominous. Even though the clouds look spontaneous, each takes meticulous preparation. The room has to have the right temperature and humidity for the effect to last several seconds. Probably the most fleeting installation in history, Numbus creates a profound impact. And each chosen room adds new context and atmosphere. Watch the film about the Nimbus project to see it in the making.