Australian born visual artist, George Papadimas, currently based in Ho Chi Minh City, Vietnam, has a staggeringly impressive body of work including geometric forms and colour, and so today I am featuring a collection of his enamel on stainless steel minimalist sculptures. Each sculpture is a distortion of a cube comprised of stainless steel rods coated in black enamel. These art works, created in 2010, are perhaps Papadimas’s most striking sculptures, though many of them could certainly be defined as deceptively minimalist. I’ll undoubtedly be keeping an eye out for future exhibitions. Wonderful work.
Richard Long (b. 1945) is an English artist working in the mediums of painting, photography and sculpture. He is perhaps best known as a land artist, and the works featured here derive from this genre. Beautiful installations of natural material, including rock and bark, arranged in meticulous geometric forms. Whether situated in modern or old buildings, outdoors or near the sea, they never cease to juxtapose their surroundings exquisitely. Having seen some of this work in person at AGNSW recently, I was particularly impressed by their scale and struck with a feeling of awe. Can anyone else relay an encounter of Long’s work?
Until September 9, photographer Jacky Redgate is exhibiting a collection of work at the Art Gallery of New South Wales under the title, The Logic of Vision. My favourite piece from the show is Untitled, vase shape #1-#5 from 1986-1989, where black objects are placed on black backgrounds (wooden stands which act as both plinths and infinity screens). Viewing them from the front, it is easy to miss the existence of the objects completely, but once we navigate through the space and view them from the side, they come fully into our consciousness. I think this is a marvellous exploration of the potential for the monochrome to render, “three-dimensional ‘things in the world’ into two dimensional images”, and the way colour and space form a relationship in our perception of the world. Writing of the work in 1993, Ross Gibson says: The object itself can not be represented and can only be experienced by the viewer seeing it directly, reinstating an elusive aura of the original which photography has largely replaced, but one which can only be fleetingly grasped. These images do the work no justice, so if you get a chance to see it in person, I’d highly recommend that...
As a fan of New York-based practice Snarkitecture ever since their collaboration with fashion designer Richard Chai, I have been looking forward to their new installation in Chicago’s Volume Gallery, a series of everyday objects ‘confused’ in their original function, typical context and familiar materials, producing a collection of Fun. A lamp whose globe melts away from leaning onto another lamp. A coffee table frozen in collapse under the weight of a marble that ‘pours’ its heaviness out. These objects are kept in minimal colors and forms to convey the artists’ intention. Funiture reconsiders our reality, often centering on creating confusion – whether with familiar objects in unexpected contexts, or the dissolution of recognizable volumes into irrational forms. Snarkitecture, comprising of Alex Mustonen and Daniel Asham, has often brought the fields of topography and geography into a smaller, human scale. Shelves, smooth on the top surface to function as, well, shelves, are made out of fiberglass and wood while they resemble rock excavations on the underside. Consistent in their philosophy of making architectural sense in their work, what I like most about the collection is that it serves its purpose by reminding us that sometimes it is ok not to take architecture...
Richard Serra is an American minimalist sculptor. Considered one of the best living sculptors, Serra and abstraction have always been associated and he is well known for his minimalist large-scale works of sheet metal. His outdoor sculptures have an initial process of oxidation and the color remains more or less stable over time. One of his more notable works is this mammoth sculpture, Snake, a trio of steel blades that create a curved path. It is permanently located in the largest gallery of the Guggenheim Museum Bilbao. In 2005, the museum mounted eight of Serra’s sculptures to create a collection entitled The Matter of Time, and Snake has now become an addition to that collection. I had never previously written about sculptures before, but I find Richard Serra’s work really inspiring and powerful. And if you enjoy this you can also check another of Serra’s posts.
Composition Light is a project recently completed by Canadian born designer Miya Kondo. The collection is comprised of a series of light sculptures that vary in size and colour. Used in combination, the objects can create different effects. Depending on the position of the elements and their relation to each other, the quality of light is modified and the ambiance of the space altered. Miya Kondo explains: Light acts as an interpreter for how we experience space – our emotional experience of space, time and place. We can be captivated by the influence of light on the shape of objects, on the atmosphere around us and the feeling of our surroundings. The installation of the Composition Light project recently took place during the Dutch Design Week 2011.
The Swiss artist Zimoun is currently exhibiting his latest installation at the Ringling Museum of Art in Sarasota, Florida (USA), which runs until January 08 2012. Zimoun, previously featured on Minimalissimo, builds architecturally-minded platforms of sound using simple and functional components, which result in unique and quite beautiful soundscapes. The Sculpting Sound installation, curated by Matthew McLendon is an example of structural simplicity in an industrial-like setting, which reveals an intricate relationship between the artificial and the organic. Zimoun’s creations often use multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns. If I was in the vicinity, this would be a must-see. Fantastic. → Watch the Sculpting Sound video
These minimalist wall sculptures by Cecilia Vissers are made from steel and aluminium and inspired by the Scottish and Irish landscapes. The pieces are characterized by simple compositions, powerful lines and laconic shapes. The surfaces retain the natural texture of the material, creating inspiring visual effects. I want my sculptures to be entirely simple, to be viewed quickly, the focus is on the smooth and flat surface, my abstractions are grounded in the landscapes of Scotland and Ireland, the remoteness and silence. Cecilia Vissers’ work will be displayed as part of a group show at Acquire Space in London from November 13-27, 2011 and in a solo exhibition at Masters & Pelavin Gallery in New York, February 23 to April 5, 2012.
Luisa Chillida is a Spain-based artist full of creativity and imagination. I really like her stunning and minimalist sculptures, mostly made of letters and lines.
Swiss artist Zimoun uses sound in order to create magic. His work is very minimal, based on reductive methods, aesthetics and simplicity, Zimoun creates artificial simple systems, which generate very complex and somehow living structures in sound and motion. He has received the 2010 Prix Ars Electronica: The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well conceived mechanical systems, Zimouns‘s work transforms and activates the space. I simply love it. See Zimoun works.
Memes is a series of sculptures by British-sculptor Antony Gormley, recently exhibited at Anna Schwartz Gallery in Melbourne, Australia. According to the publication on the work released by Anna Schwartz in conjunction to the exhibition, Gormley states that the project started as an investigation into scale and modular construction. Of the work, Anna Schwartz Gallery says: A Meme is a cultural analogue to a gene. Forms that are transmitted in thought or behaviour from one body to another, responding to conditional environments, self-replicating and capable of mutation. The miniature or the model allows the totality of a body to be seen at once. These small solid iron works use the formal language of architecture to replace anatomy and construct volumes to articulate a range of 32 body postures. The ambition is to make intelligible forms that form an abstract lexicon of body-posture but which nevertheless carry the invitation of empathy and the transmission of states of mind. Displayed widely spaced within the architecture of Anna Schwartz Gallery in Melbourne, the works interface with the architecture of the gallery. Placed directly on the floor they become acupuncture points within the volume of the space, allowing the viewer to become conscious, through...
England-based artist Ben Long has been making a series of work called Spirit Structures, which are geometric sculptures made out of spirt levels. His website explains: The Minimalists employed manufacturing processes as a rejection of expression, as a way to avoid what they viewed as self-referential complacency in their work. Long adopts this approach, not necessarily to mirror this detached austerity, but as a way to relate his own sculptures to the techniques of replication that enable goods like the spirit level to be widely available for domestic consumption. I find Ben Long’s dealings with Minimalism in this work fascinating. Pictured here are Modular Spirit Structure (Fisco L52 series) and Two Part Modular Spirit Structure (Fisco L25 series) both from 2010, and an isometric projection for a new Spirit Structure, which is currently in the works. The new Spirit Structure is the first of the large scale Spirit Structures. This particular one encompasses the phenomenon known as “strange loops”, which you might be familiar with from the graphic works of Escher.