Cologne based design studio Kaschkasch created a slim wallmounted, foldable desk named Fju. Folded down you have a small workspace with a smooth writing surface. When you are done you just place your belongings in the storage pockets under the desk and fold up. Now the storage pockets are revealed and the desk has transformed into a shelf. Within seconds you create some extra space when needed. Fju consists of two main components: a steel bracket, mounted to the wall, and the wooden body made of 8mm thick veneered oak plywood. Fju comes naturally finished or dyed with charcoal. Like Fju the products of design studio Kaschkasch, founded Florian Kallus and Sebastian Schneider, are characterized by precise lines and geometric shapes.
Beller’s Equal seating ensemble personifies minimalism, emphasizing a sense of delicate sensibility. The collection is a set of chairs and stools all made from retracting wood in a tight grip of a single, seamless piece of cast metal. The philosophy of the strength between the relationships between objects, and people, is the basis for material selection and composition. The ash wood and the cast aluminum stand as these opposites, united in the Equal chair. Norway-based Lars Beller Fjetland studied at the Bergen National Academy of the Arts focusing on furniture, interiors and lighting, and his Norwegian coastal roots are clearly overt in his work. It is typical of the beautiful Scandinavian tone of combined considered tradition, restrained form and impeccable and seamless detailing. Equal is the spawn of this fascination with detail and a timeless aesthetic. Photography courtesy of Magne Sandnes.
Shiro Studio is a London based design practice established by Andrea Morgante, committed to the creation of unique architecture and objects. Shiro means ‘white’ in Japanese, but here it implies a philosophical translation where white is perceived as the purest creative approach. An approach which has seen the design of the award winning Nivis — a strikingly sleek and minimalistic bathroom sink for Italian manufacturer Agape. Nivis pays homage to the most intimate and fragile sculptural qualities of snow, its unblemished whiteness and deep blanket fallen on everyday objects. Comprised of white cristalplant, Nivis’s surface becomes a soft, fluid mass where water can seamlessly flow, from the main to the secondary basin by rotating the overflow hole on the horizontal plane.
Exhibited at this year’s Milan Design week this beautiful and minimalist collection of shelves and tables is designed by Japanese studio Nendo for Glas Italia. Slide is a collection that includes two shelving units, a counter unit and a pair of small side tables that express a “slide” of position by focusing on the technology that bonds glass to glass. One black sheet of glass is bonded in a way that it has slid from its original position. Nendo comments: The shelves are particularly challenging to develop, since the black glass that is sticking out has to be attached to a transparent glass using an extremely small area of the cross-section. The same materials are used for the cuboid tables, which have tops shifted away from their dark bases in a similar way. The tables look as though the surface on top of the black box has been opened in a slightly slid position. Extremely simple. I love the glass, which is a radical and pure material and the Slide collection interprets these characteristics perfectly. Photography by Kenichi Sonehara.
Milan Design Week is an interesting stage for cutting-edge innovations by newcomers, as well as a place for veterans to showcase their expectedly praise-worthy material. Although the press excitement is often directed for explicit solution-seeking projects; that would be ill-advised, because there is much to celebrate in new twists of traditional objects. Norm Architects unveils their new collaboration with Italian design brand Ex.t, stamping their usual world-class concepts and trustworthy minimalist sensibilities for a bathroom collection. It boils down to a simple metal structure, taking cues from the modernist style of the 1920’s and 30’s, the project reduces it all to very few geometric lines. The end-result is light and elegant looking, both unusual qualities for bathroom furnishings. The Stand bathtub and washbasin are impressive — they would fit perfectly as part of a Mies van der Rohe geometric house, a small and lean urban apartment or even a bucolic house in the country looking for a contemporary twist. The Felt modular wall unit plays off the eclectic potential for daily use in the bathroom, or throughout the house. Last but not least, the Hat lamp exposes the raw wood proudly. The new collection is yet another great addition to...
The Italian furniture company, Kristalia, fast becoming a Minimalissimo favourite, recently introduced to us the beautiful OXO family of chairs, designed by Xavier Lust, which will be on display at Milan Design Week later this month. Oxo is the outcome of both ongoing research by Kristalia to find new production technologies and Xavier Lust’s in-depth knowledge of aluminium. In this design project, the designer highlights the hallmarks that have made him famous: curves created by his innovative process of bending metal surfaces. A long time admirer of Lust’s work, this is Kristalia first collaboration with the designer, which has resulted in an exquisite and minimalistic collection of outdoor stackable chairs where the beauty lies in the details, such as the twist that is seen on the base, the torsion of the aluminium tube. Wonderful.
Japanese design firm Nendo is not only brilliant at creating beautiful products in any medium, but they are also good at getting featured on Minimalissimo. As a collaboration with Italian furniture maker Glas Italia, Nendo has created a series of three frosted glass tables for this year’s furniture fair in Milan. Although the description might sound simple, the overall aesthetic is much more complex due to the gradient hues of these tables’ edges. During the process of making these sculptural objects, bright strips of colors were applied onto the outer rims of each frosted panel, giving a visuality of neon tubes running along the seams of the cubes. Nendo lets us know: What is more, the reverse side of the frosted glass was printed with a pattern to make it look as though the same colors were blurred on the glass surface. That explains the name Soft. The dialogue between the pattern and the edge’s gradient is cleverly tailored to illusorily imply that these tables are glowing softly from the inside. One of the things that I absolutely love about Nendo is their design philosophy which challenges the way that we understand materials. By minimally designing and tweaking small elements...
Kristalia, an Italian furniture design studio, has designed a new version of the stunning Thin-K table, introducing the minimalistic Thin-K Longo Outdoor table. It features a top that is not only very thin but also considerably long: almost 3 metres. Kristalia wanted to create an extremely long top reaching a truly impressive length while maintaining perfect linearity and sturdiness. To achieve this result, the legs and the under-top frame have been strengthened, but these details have been concealed. In order to perfectly finish tops of 120cm x 295cm dimensions, an ad hoc procedure has been developed, in which the under-top frame acts as a support during the lacquering stage — this is carried out using epoxy powders that are UV-ray resistant and weatherproof. The aluminium top is available in a choice of coloured lacquers, or in European oak or black oak wood veneer with a brushed finish that highlights its natural grain. Thin-K Longo is almost entirely made of aluminium, with the addition of a few steel components. Remarkable work.
Fifti-Fifti’s Spring coat rack brings light to an innovative means to hang adornments. Inspired by a traditional spring, the structure of this piece comprises a combination of white steel wire, a rod of beech wood and mounting mechanisms. The idea is that the piece hangs unobtrusively from any vertical plane. Due to the construction, the wardrobe appears obviously easy and is simultaneously very stable. Spring is available in various lengths with the option to adjust the length also. The structure of the hanging piece is based on a bar made from beech wood which is then pushed through the still open spring turn. The result is a subtle and beautiful accent to a usually unwieldy mechanism. Photography courtesy of Fifti-Fifti.
IKEA has recently launched Sinnerlig, a collaboration with London designer Ilse Crawford from Studioilse, on a range of cork and natural-fibre homeware products prominently featuring neutral colours that were chosen to fit into any home. In Crawford’s words: It’s supposed to work in a bathroom in Mumbai as well as a kitchen in Neasden, it has to fit into people’s lives. It is quite low key but we deliberately designed it like that, we see it as background, it’s not trying to compete with these fantastic icons of design — it’s a different thing. Set against the beautiful backdrop of Ett Hem hotel, also designed by Studioilse, the collection contains a range of around 30 products, from larger furniture pieces such as cork-covered tables and a daybed down to hand-blown glass bottles. The collection was unveiled during Stockholm Design Week and will be available in stores in August.
Gerard de Hoop, designer and interior architect from The Netherlands, has created a beautiful, minimalist, free standing bookshelf named Frames 2.0. My ambition is to make unique designs that carry the elements simplicity, surprise and versatility in them. Simplicity is mainly brought about by the use of basic geometric shapes. The bookshelf is a grid made of 12 wooden rectangle frames. De Hoop makes use of oak or American ash. When de frames are assembled the shelf has an inconsistent composition creating an interesting play of graphical lines. I love the negative space! The inset tracks give the opportunity to store books but you can also place a hanging planter and use Frames 2.0 as a room divider. Thanks to its clever design one can easily dissamble the bookshelf and store it into a pair of flat boxes. Ideal for transport.
Moving Mountains is an interdisciplinary studio founded by Syrette Lew, who was born and raised in Hawaii. With a sustainable solution of producing and realizing her designs within the United States, she focuses on making utilitarian objects through whimsical simplicity. Confetti Credenza is one of the children from that playful minimalism that the designer explores in her work. Standing on four thin legs made of blackened steel, the credenza has a clean contour with an opaque color of maple wood. Its illusion / reality of a mass relying on such thin supports is a wonderful work of balancing. The symmetrical design is then broken by the randomized confetti pattern that subtly adds a quirk to the product. Thoughtfully, the thin steel lines complements the black segments of confetti, or vice versa. Lew’s design of the credenza speaks about the many sides of minimalism. On one hand, there is the familiar sleek look with clean executions. On the other, a whole horizon of possible interpretations. Photography courtesy of Moving Mountains with Ceramic Sculptures by Keiko Narahashi.