The Mist Cabinet by Rachel Harding is a display cabinet that curates your view. The cabinet uses a minimalist construction to create a series of clear cast acrylic boxes that react to various viewing angles. Thanks to a special coating the opacity of each box flutters between transparent and translucent as you pass by, “creating an intriguing choreography of hidden and seen” as Harding describes. I wanted to re-invent the idea of the traditional display cabinet. Instead of simply falling into the background, this cabinet interacts with the objects inside, and encourages the user to take a second look. The advantages of acrylic glass is its capacity to refract and filter light and being light weight. Acrylic glass however can have a ‘cold’ appearance and will not fit in every interior. Rachel Harding works, in addition to her studio work as an in-house designer for Droog Design, creating in-house collections and design concepts. Harding seeks to surprise with her work drawing inspiration from unexpected materials and contexts.
Categorized “Furniture design”
When one thinks of incorporating nature into one’s home, that thought often involves trees. However, Amsterdam-based studio Formafantasma by Andrea Trimarchi and Simone Farresin has a different direction for that thought. Specializing in designs that fuse tradition and local culture, while regarding sustainability and the objects’ significance, their products incorporate the most unusual materials—such as the Fossilium series. Made from cooled lava rocks from the eruption of Mount Etna in November 2013, these volumetric sculptures are the work of a collaborative effort that involves special processes. While minimal in form, the porosity and grain of these products propose a complexity in material execution. The elegance of simple geometric silhouettes is highlighted with accents of brass against the monochromic base of the basalt colors. These tables and tools are a part of a greater collection that includes clocks, bowls, and mirrors that are available at Gallery Libby Sellers in London. I find a fascination in the loyalty of Formafantasma to their philosophy of locality. Not only they were able to produce an amazing array of minimal sculptural furnitures, the sustainability aspect of material transportation also speaks about the work ethics that created Fossilium.
UK-based Industrial Facility introduces the Branca Chair and its younger brother, the Branca Stool. Conceived together with the well-respected Italian Mattiazzi as their client, the brief was to design a chair that turned to nature, where complexity thrives on reason, where beauty is simply a reason for constant growth. Available in black, white, green and a natural ash, both pieces are a collaboration on dedication to craftsmanship. The stool features a low back, a subtle element, together with a metal footrest for durability. Industrial Facility is a firm that works with international companies of all sizes in a wide ranging set of industries. Their portfolio extends beyond the original plan of industrial design products, and now reaches to collaborations in interiors, public furniture, medical devices and exhibitions. Formed in 2002, their work is based on exploring the junction between industrial design and the world around us. The resulting pieces are beautiful, clean and express function but in a quiet unassuming way. I like this. Photography courtesy of Industrial Facility.
Swedish design studio, Form Us With Love, who’s incredible studio space in Stockholm we featured a few years ago, have recently designed this beautiful stool with clean-cut lines, interrupted by a recess that serves as a footrest, which brings to mind the cutting of a tree trunk, ‘fura’ in Swedish. Designed for Italian furniture and lighting brand, Plust, the Fura stool is matched with the Fura table, both of which express rational, clean and geometric forms. The Fura furniture, comprised of polyethylene, is available in a variety of colours that include white, rosemary, sandy, ashen, and pearl black. Brilliantly simple garden furniture.
From one of Japan’s luminaries of simplicity, Tokyo-based design studio Nendo, comes a delightfully ethereal furniture collection created for Italian company Desalto, known for their metal furniture. The wonder of the collection lies precisely in the fluid, light way the hard steel is worked, bent as naturally as if it were paper, as described by Nendo. By adding flipped, bent and wrapped details to metal sheets and rods, the ordinarily hard material gains new functionality and a light, flexible feel, as though the metal has become paper or cloth. The collection comprises three benches, a chair, a family of small tables, a coat rack and a family of wall shelves. Imagery courtesy of Desalto.
Prism mirror table is a remarkable project developed by the Tokyo based designer Tokujin Yoshioka for Glas Italia, a historic manufacturer of glass furniture with a long standing tradition. The table is comprised of thick high-transparency mirror glass, and it was made possible using innovative cutting techniques. Yoshioka explains: With the cut technique on glass surface, it gives off clear and miraculous sparkling expressed by the refraction of light like a prism. This piece is a table like a shimmering sculpture reflecting the view of surroundings as if water surface be. This simple and poetic result was presented during the last Salone del Mobile in Milan.
Zeren Saglamer’s Grill is a beautiful combination of lines. The materiality and the expression of its composition, is beautiful. Described as a half solid surface and half cage-like table, this piece is available in both a carrara marble and wooden surface. The metal bands that accompany the solid surface also act as a hanging surface for reading material. Saglamer is located in Istanbul and has a background in Industrial Design and Fine Arts. Her works are a combination of furniture, industrial design products, interiors and lighting. She heads up XS Design studio with an ethos to create products and interiors that integrate form and function in harmony. Grill is available through Selectivism. Photography courtesy of XS Design.
Danish furniture manufacturer Askman, successfully collaborate with some of Denmark’s best contemporary designers. Along with their 100 years experience in woodworking — which offers the base foundation for all their products — Askman have produced these wonderfully minimal furniture pieces; Square, designed by Jørgen Møller. Having been designing for Askman for more than 25 years, Jørgen Møller has created a remarkable collection of elegant, functional and minimalistic products. His Square series is a brilliant example of his work, which includes a magazine holder, box, and a nest of tables. It’s the quiet simplicity and the one primary shape (square) used throughout these pieces that has the minimalist in me appreciating everything about Møller’s designs.
HALE is a part-design, part-production firm, founded by American industrial designer Jonathan Nesci. Having been previously featured on Minimalissimo back in 2010, you may already be familiar with the work of Nesci and HALE. If not, I am delighted to share this remarkable industrial furniture with you. Designs of pure simplicity and functionalism, each of these pieces are robust, and also appear to have a certain unfinished or unrefined appearance, which I personally find incredibly beautiful. From the honest, simple structures of the wall and floor shelves, to the superbly sleek bar stools, to the straight-edged form of the hall chair, each of these aluminium and steel pieces integrate the fundamental principles of good design reminiscent of Dieter Rams and Naoto Fukasawa’s work. I really admire HALE’s entire furniture collection and as I continue to design my own interior space, hopefully there will one day be one or two Nesci designs in there.
Macedonian design duo Natali Ristovska and Miki Stefanoski recently collaborated to produce Stripe — a multifunctional box that allows for a wide variety of configurations and forms. A single modular element is the essence of this lightweight storage and shelving box making it incredibly simple for you to design your own compositions. The designers write: Stripe boxes connect together to create customisable cube furniture. You can get even more creative by giving the Stripe a new function. An individual element can be perfectly suited as a storage box, table, transport box or seating at the same time. Perfect for people who move a lot! Stripe can also be installed and reconfigured in just a minute, with any number of units, anywhere. From rows of stacked shelving blocks to a simple little side table, I could certainly make great use of a white collection of these beautiful boxes throughout my home. Photography by Ani & Dimi.
Fade is a collection of vessels and furniture for the bathroom, created by Stockholm based designers John Astbury and Kyuhyung Cho. It consists of 13 pieces: a low ash table, ash and copper mirror, and a collection of ceramic trays and vessels in parian clay. Designers explain: Beginning with a period of research on the subject of bathing we began to view it as both ritual and a metaphor for the work. To see ritual and water as both a transforming element and a moment of reflection. This is the foundation for the collection. The aim was the representation of the invisible, of transformation within the objects. I like the geometry within the objects, the subtle contrast between relaxed and constricted shapes in each volume. Designers say, that the shifting tones of the collection represent the view on bathing as a ceremony and nature as a transformative element. Photography by Stephanie Wiegner
Berlin based design studio New Tendency is an outstanding interdisciplinary endeavour following a deeply holistic approach towards furniture and accessories. The collection is a mix of original products and collaborations with selected designers. It is united by clear aesthetics and functional form as well as a consistent production strategy: Every product is crafted regionally. Most of our products are modular and/or stackable, therefore enabling efficiency in wrapping, storage, and transport. We also really care about the production of our products. We consider our products carriers of these values and believe that they also transmit these ideas. — (FvF Interview 13.01.2014) I love the conceptual context in which Sebastian Schönheit and Manuel Goller manage to combine super normal design with a very sensual impression. It is a great pleasure to touch and work with objects like the floor lamp December or the side table Meta.