These nice, typographic, minimalist calendar posters are lithographs printed in two colors on 170gsm Cyclus offset with a 60% cyan shiner to achieve an extra rich black. Each poster is hand numbered and signed by the designer.

The calendar is available for purchase at Counter-Objects.

To celebrate the start of this new venture, Luka Or designed these colourful minimalist posters.

I love how they do away with the popular notion that minimalism has something to do with the absence of colour, which is completely wrong of course (it’s merely the number of colours).

So: hooray for colour, and welcome WE!

Regardless of whether you can read Polish or not, the designers’ portrayal of the events in question, particularly the Hollywood movie references, gives you good idea about what is being advertised with minimal effort.

Actually, there’s a game in this: visit Homework’s website and see how many events you can guess the relevant posters are for. Unless you understand Polish of course, in which case you’d be cheating.

An exhibition of the studio’s work at London’s Kemistry Gallery begins on March 5th.

Inspired by Albert Exergian’s set, Brazilian graphic designer Eduardo Prox made his own alternatives. One shape, two colours – that’s all, folks.

So far, he’s only made three, but maybe we can expect some more… Eduardo?

There’s not much more to say that hasn’t already said, expect that The Great Dictator, Die Hard, Indiana Jones and the Last Crusade and The Deer Hunter are my favourites. The artwork speaks more than a 1000 words if not minutes. Consequentially, like all film preview trailers, they probably give away too much of what happens.

UK-based Bolton tried to capture the essence of movies like Back to the Future, Blade Runner, The Shining and Jurassic Park into a single image.

I love how he even ceated extended concepts for the Star Wars series and the Back to the Future sequels. Very smart!

Bolton sells prints of the posters (A3/11.7*16.5 in.) via his webshop. Price per piece: £10.00 (about $16).

Although the official London 2012 identity, created by Wolff Olins, caused a huge stir on its release (no doubt the desired effect), opinions of the concept are very much polarised; and ever since the unveiling in 2007 there have been notable attempts to offer something more akin to Olt Aicher’s meisterwerk.

Clarke’s idea, linking particular Olympic events with nearby tube stations, was enough to scoop ‘best in show’ at last year’s D&AD new blood exhibition.

What with the impending ubiquity of the official branding, plastered on everything from cereal boxes to Adidas merchandise, these concepts are a tantalising insight into what could have been.

Her work shows a great eye for typography, composition and the power of colour.

As a means of promoting himself, Page created this gorgeous poster series around the International Year of Astronomy – which was this year.

I love the retro feel of the designs. As Page points out himself, I could easily see these in on an old astronomy book back in the 60s and 70s.

And hear this: The International Year of Astronomy organisation picked up on this, and are now going to use these posters in their promotional work! What a great and well-deserved compliment.

Apart from his commercial work, he often takes on personal, non commercial projects, such as this one. It is really impressive how Exergian has the ability to determine the characterizing image of something so visually complex as a tv series.

Add a great use of colour and typography, and you have a winner.

Update: Albert sent us an email; his posters are now available for sale at Blanka.