Halo is a hanging lamp designed by the Spanish designer Martín Azúa for the also Spanish lighting manufacturer Vibia. There are two versions of the ceiling lamp available — with circular or straight pieces, that create a subtle and magical lighting effect, seemingly floating in the open space with its great formal lightness, due to the designer’s use of LED technology and PMMA plastic. The result is stunning. Halo is available in matt white lacquer, and much like other recent Vibia products, it has been developed with a variety of configurations in mind, depending on the needs of each space. I like this.
Categorized “Ceiling lamp/Pendant”
Canadian designer, Lukas Peet brings us his effortlessly beautiful pendant lamp. Everyone, meet Rudi. The lamp fixture is a combination of brass tubing bent to an extruded-oblong shape, together with a moulded cathode lamp. The pendant is then suspended from its own cord, which is knotted around the brass, at its top pivot equilibrium point. Peet’s portfolio consists of a combination of lighting, furniture, objects, graphic design, installations and photography. His work has a contemporary edge and a minimalist feel. Conceived in 2013, the structural halo that Rudi creates both a geometric and a streamlined nod to illuminating the space. Rudi is available in single, large or double loops and currently available through Roll & Hill. I have a feeling Rudi is destined to make quite a few new friends. Photography courtesy of Joseph De Leo.
Ninebyfour is a minimalist LED ceiling lamp by the Amsterdam based studio Waarmakers. The LED light tubes do not generate any heat during use, allowing the creators to use atypical materials for the fixture: wood and cork. Every year thousands of trees are felled in the Amsterdam area. Usually the city trees disappear from root to branch in a shredder. The wood for the Ninebyfour fixture however comes from these salvaged trees. The former location of the ‘unfortunate’ trees are stamped on the cork. Simply enter the coordinates in Google maps and find out the trees’ origins. A first batch, from the Albert Neuhuysstraat, is now available.
These beautiful semi-wrinkle washi lamps have been designed by the famed Nendo for Taniguchi Aoya Washi, a traditional Japanese paper company. It is known for creating seamless washi paper, that looks and feels like plastic or glass. For this particular project, however, the technique has been modified in order to create a wrinkle effect. The designers explain: Adding devils tongue (konnyaku) to the mixture creates wrinkles that bring out the special characteristics of paper, but this process also conceals the fact that the forms are made with the traditional technique. After running into this problem, we decided to take the best of both worlds: to create lighting fixtures that are only half-formed with the wrinkle process. The wrinkles can be applied gradually so that the two different effects come together seamlessly. I love the delicate, almost fragile feel of these designs. The wrinkles look unintentional, as if they have happened by chance. A visual simplicity that took a lot of calculating and craftsmanship to achieve.
Young Canadian designer Mark Parsons is the creative force behind this beautiful light object. Aptly called Silhouette, the piece repeats Edison’s classic in shape, but surpasses it greatly in function. Designer explains: The objective was to create a lamp that can adapt from wall, ceiling, floor or task lighting, while being manufactured to be as inexpensive & environmentally friendly as possible. The name Silhouette sprung from a literal nod at the traditional form of the incandescent light bulb whose basic design and form had remained unchanged for over 100 years. If you want to hang it from the ceiling (my favorite option), you can use a special adaptor that comes with the lamp. Silhouette is a concept piece so far, and I really hope it sees the light of production.
Developed by LED Enterprise of Japan, Huug is a unique lighting fixture in the shape of an oval with LED illuminants which are only a few millimeters wide so they can be tucked away from the surface of the light, hidden from sight. Currently available in the Sky (ceiling recessed) and Air (ceiling suspended) models, Huug emphasizes the flexibility and potential of using LED in lighting design to illuminate interior spaces. Light source of Huug001 is set at the center of the fixture upwards so that the light is reflected from the oval shaped dish giving the effect of indirect lighting. This is exactly the balance of light and shadow that the Japanese have cherished. What I love about Huug other than its minimal, inconspicuous design, is that the light is developed around the technology to achieve the softness in lighting and shadows for illuminating interior spaces. And that you will not have to change a lightbulb for a really long time. You can follow Huug’s updates on their Facebook page.
Shade is a new lamp launched by Flos during this year’s Salone del Mobile in Milan. It is a design conceived by Paul Cocksedge Studio and produces a wonderful effect because Shade is just what its name indicates, a shade. It has no bulb, mechanisms or any attached light sourse, and it is suspended with very thin wires, appearing almost as if it is floating in the air. And what is the trick? The power derives from an LED floor fitting, shining an uplight into the shade. That is great! Shade started as a purely practical problem, how to rid ourselves the clutter usually connected to light fittings. The solution actually turned out quite mysterious, almost dream-like. It utilises both floor and ceiling, but appears unconnected to either…!
Donna Bates’ rural Irish background has highly influenced her first lighting collection, Parlour Lighting. The series was inspired by her early years growing up on a farmyard where the lighting vessels themselves echo glass vats found in a milking parlour. Launched at the Clerkenwell Design Week in May 2013 in London, the collection is a series of six differing shapes and lighting sizes. The Parlour Lighting collection of vessels takes inspiration from the milking parlour and the receiving, which were used to collect the milk from the cows. The collection comprises options of colours and finishes; black, green or blue frames and oak or walnut-turned bases. Bates has made a considered effort to engage local craftspeople, where the pieces are hand-blown by the same manufacturers that used to create the jars for the dairy industry. The designer feels passionate about design, but equally so about supporting local hand skilled makers. The reference is one of considered nostalgia, trending with current design and the consideration of re-use. While referencing local ways of life, past and present, the aesthetic has a warmth and familiarity. The combination of clear and frosted glass elements, together with the discreet bulb selection, all enhance the warmth...
The String Lights installation, created by London based designer Michael Anastassiades for Italian brand Flos, was presented during Euroluche 2013 in Milan. Thin electrical cords, arranged into laconic shapes, held pendants, fitted with LED light sources. Here is how the designer describes his inspiration: Every time I take the train, I sit by the window and watch the series of perfectly parallel strings connecting the pylons, as we move at high speed. I love the way they divide the landscape and how spheres are occasionally beaded through the wires at random intervals. I also love how, in Mediterranean cultures, strings of lights are stretched between posts to mark an outdoor space for an evening party in a village square. And finally, I love how human ingenuity works around problems created by everyday things in the house (like switches and power points) that others have chosen to position where we don’t want them. I love how these delicate pensil-thin lines create the shapes our mind finishes and makes three-dimensional. Who ever said that the electrical cord is not a beautiful thing?
London based team Studio Vit most recently exhibited their collection Globe Lights at the Milan Furniture Fair 2013. It consists of matt ceramic sphere reflectors and small globe pendants that can serve independently or together to cast light. The designers note: The collection explores how geometric volumes relate to each other and the juxtaposition of materials and light. I love the fact that with these Globe Lights, light can be adjusted and manipulated in however the user chooses to illuminate the space in a rather unique method. Its design and form is almost poetic in the contrast and the relationship, and the experience of it as revealed in these images really makes me wish I had the chance to see them in person. Images via Studio Vit.
Segment Shade is a slip-cast ceramic pendant lampshade designed by Philip Cuttance, originally from New Zealand and now based in London. Each shade is cast from 11 individual wedge segments and each segment is cut at a unique angle. As the designer describes it: When reassembled each face now intersects at a different angle to the adjacent wedge creating an irregular, asymmetric inner cavity where the Segment shade is slip-cast in ceramic. Each casting inherits the texture of the bandsaw cuts on the wedge faces. I love the unique idea and method of how the Segment Shade is made, making each one feel special and still carries that quality whether on its own or displayed in a group. Its volume and proportion makes it so clean and pleasing to the eye while its light and airy minimalist appearance is complimented by the solidness of the ceramic. It was displayed at the MOST Salone Milan Furniture Fair most recently and is available through the New Zealand manufacturer Resident.
Can is an excellent lamp collection designed by the Stockholm based architecture and design studio, TAF, for the Swedish lighting company Zero. The lamp works as a can filled with light. By keeping the light inside the lampshade the border between light and darkness appears much clearer. Can is made of cast steel which is lacquered in a bright yellow colour at the inside and available as pendant, table and floor lamp. In a low tech way the yellow colour also makes the lamp look lit even though it is off. I really enjoy the touch of yellow colour on the inside, which demonstrates how a great design can be achieved with a simple detail like this, resulting in added personality to the final product.