Norway based designer and artist, Daniel Rybakken, has an outstanding portfolio of work that spreads installation, lighting and illumination creations. His latest — Compendium — a lamp family designed for Italian lighting company, Luceplan. Rybakken asked the question: How would you best illuminate a room with only one light source? To begin with, you would need a very strong light source, and secondly you would like to have it to come from the side, in the same manner as a window with natural light coming into the space. Thirdly, since you have this strong light source, you need to avoid glare, so you should try to diffuse and soften the light. These three aspects were the primary focus of the Compendium project. The lamp, made from extruded anodised aluminium, features a very strong LED light source directed towards the wall, and by doing this, a soft light reflects into the open space, creating a beautifully balanced illumination. The compendium family consists of a floor version with a freely rotatable stem and a suspended version, mountable either as an up or downward light. Photography by Kalle Sanner & Daniel Rybakken.
Categorized “Ceiling lamp/Pendant”
Most minimalist lighting projects shun wires, treat them like an eyesore that should be hidden from view. Paris based designer Arik Levi embraced the enemy and made it a focal point of his pendant light collection Wireflow for the Spanish brand Vibia. These lights consist of thin extra long metal rods with the LED fixtures on its ends. These long wires can create various two- and three-dimensional geometric shapes. I love how sculpturesque these lamps are. Who would have thought that a simple thread of metal and a light could create such powerful presence in a room. The Wireflow collection has won the Wallpaper Design Award 2014 as the Best Line Work.
Arkki lamp collection was designed by the Swedish product and interior designer Johan Kauppi, and was recently produced by BLOND Belysning. The name Arkki, Finnish for ark, derives from the fixtures ability to balance technique with soft shapes while somewhat resembling a craft or a capsule. The shapes are also an expression of a moderate tradition in the north. Each LED lamp is made with either a single or two joined shells of pressed felt. The family consists of ceiling fixtures and pendants, with a direct or indirect light distribution. Standard colours available are black, grey and white. I would consider the ceiling lamp a particularly strong design because of the perfect integration on the ceiling.
Halo is a hanging lamp designed by the Spanish designer Martín Azúa for the also Spanish lighting manufacturer Vibia. There are two versions of the ceiling lamp available — with circular or straight pieces, that create a subtle and magical lighting effect, seemingly floating in the open space with its great formal lightness, due to the designer’s use of LED technology and PMMA plastic. The result is stunning. Halo is available in matt white lacquer, and much like other recent Vibia products, it has been developed with a variety of configurations in mind, depending on the needs of each space. I like this.
Canadian designer, Lukas Peet brings us his effortlessly beautiful pendant lamp. Everyone, meet Rudi. The lamp fixture is a combination of brass tubing bent to an extruded-oblong shape, together with a moulded cathode lamp. The pendant is then suspended from its own cord, which is knotted around the brass, at its top pivot equilibrium point. Peet’s portfolio consists of a combination of lighting, furniture, objects, graphic design, installations and photography. His work has a contemporary edge and a minimalist feel. Conceived in 2013, the structural halo that Rudi creates both a geometric and a streamlined nod to illuminating the space. Rudi is available in single, large or double loops and currently available through Roll & Hill. I have a feeling Rudi is destined to make quite a few new friends. Photography courtesy of Joseph De Leo.
Ninebyfour is a minimalist LED ceiling lamp by the Amsterdam based studio Waarmakers. The LED light tubes do not generate any heat during use, allowing the creators to use atypical materials for the fixture: wood and cork. Every year thousands of trees are felled in the Amsterdam area. Usually the city trees disappear from root to branch in a shredder. The wood for the Ninebyfour fixture however comes from these salvaged trees. The former location of the ‘unfortunate’ trees are stamped on the cork. Simply enter the coordinates in Google maps and find out the trees’ origins. A first batch, from the Albert Neuhuysstraat, is now available.
These beautiful semi-wrinkle washi lamps have been designed by the famed Nendo for Taniguchi Aoya Washi, a traditional Japanese paper company. It is known for creating seamless washi paper, that looks and feels like plastic or glass. For this particular project, however, the technique has been modified in order to create a wrinkle effect. The designers explain: Adding devils tongue (konnyaku) to the mixture creates wrinkles that bring out the special characteristics of paper, but this process also conceals the fact that the forms are made with the traditional technique. After running into this problem, we decided to take the best of both worlds: to create lighting fixtures that are only half-formed with the wrinkle process. The wrinkles can be applied gradually so that the two different effects come together seamlessly. I love the delicate, almost fragile feel of these designs. The wrinkles look unintentional, as if they have happened by chance. A visual simplicity that took a lot of calculating and craftsmanship to achieve.
Young Canadian designer Mark Parsons is the creative force behind this beautiful light object. Aptly called Silhouette, the piece repeats Edison’s classic in shape, but surpasses it greatly in function. Designer explains: The objective was to create a lamp that can adapt from wall, ceiling, floor or task lighting, while being manufactured to be as inexpensive & environmentally friendly as possible. The name Silhouette sprung from a literal nod at the traditional form of the incandescent light bulb whose basic design and form had remained unchanged for over 100 years. If you want to hang it from the ceiling (my favorite option), you can use a special adaptor that comes with the lamp. Silhouette is a concept piece so far, and I really hope it sees the light of production.
Developed by LED Enterprise of Japan, Huug is a unique lighting fixture in the shape of an oval with LED illuminants which are only a few millimeters wide so they can be tucked away from the surface of the light, hidden from sight. Currently available in the Sky (ceiling recessed) and Air (ceiling suspended) models, Huug emphasizes the flexibility and potential of using LED in lighting design to illuminate interior spaces. Light source of Huug001 is set at the center of the fixture upwards so that the light is reflected from the oval shaped dish giving the effect of indirect lighting. This is exactly the balance of light and shadow that the Japanese have cherished. What I love about Huug other than its minimal, inconspicuous design, is that the light is developed around the technology to achieve the softness in lighting and shadows for illuminating interior spaces. And that you will not have to change a lightbulb for a really long time. You can follow Huug’s updates on their Facebook page.
Shade is a new lamp launched by Flos during this year’s Salone del Mobile in Milan. It is a design conceived by Paul Cocksedge Studio and produces a wonderful effect because Shade is just what its name indicates, a shade. It has no bulb, mechanisms or any attached light sourse, and it is suspended with very thin wires, appearing almost as if it is floating in the air. And what is the trick? The power derives from an LED floor fitting, shining an uplight into the shade. That is great! Shade started as a purely practical problem, how to rid ourselves the clutter usually connected to light fittings. The solution actually turned out quite mysterious, almost dream-like. It utilises both floor and ceiling, but appears unconnected to either…!
Donna Bates’ rural Irish background has highly influenced her first lighting collection, Parlour Lighting. The series was inspired by her early years growing up on a farmyard where the lighting vessels themselves echo glass vats found in a milking parlour. Launched at the Clerkenwell Design Week in May 2013 in London, the collection is a series of six differing shapes and lighting sizes. The Parlour Lighting collection of vessels takes inspiration from the milking parlour and the receiving, which were used to collect the milk from the cows. The collection comprises options of colours and finishes; black, green or blue frames and oak or walnut-turned bases. Bates has made a considered effort to engage local craftspeople, where the pieces are hand-blown by the same manufacturers that used to create the jars for the dairy industry. The designer feels passionate about design, but equally so about supporting local hand skilled makers. The reference is one of considered nostalgia, trending with current design and the consideration of re-use. While referencing local ways of life, past and present, the aesthetic has a warmth and familiarity. The combination of clear and frosted glass elements, together with the discreet bulb selection, all enhance the warmth...
The String Lights installation, created by London based designer Michael Anastassiades for Italian brand Flos, was presented during Euroluche 2013 in Milan. Thin electrical cords, arranged into laconic shapes, held pendants, fitted with LED light sources. Here is how the designer describes his inspiration: Every time I take the train, I sit by the window and watch the series of perfectly parallel strings connecting the pylons, as we move at high speed. I love the way they divide the landscape and how spheres are occasionally beaded through the wires at random intervals. I also love how, in Mediterranean cultures, strings of lights are stretched between posts to mark an outdoor space for an evening party in a village square. And finally, I love how human ingenuity works around problems created by everyday things in the house (like switches and power points) that others have chosen to position where we don’t want them. I love how these delicate pensil-thin lines create the shapes our mind finishes and makes three-dimensional. Who ever said that the electrical cord is not a beautiful thing?