Categorized “Floor lamp”

The late Dutch industrial designer and sculptor, Aldo van den Nieuwelaar, characterised by geometric abstraction, a systematic approach and a minimal use of image resources — consistently represents simplicity and clarity of form in his work, reducing the design of all his products to their very essence. When I discovered the quite wonderful and minimalistic Cirkellamp by Aldo van den Nieuwelaar, I was surprised it hadn’t already been featured here on Minimalissimo. Originally designed in 1968 and consisting of a perfectly proportioned circle and square, Cirkellamp was produced in 2010 in honour of the great designer by Dutch lighting brand, Boops. The lamp has been updated with modern technology and makes use of a stepless dim button by a pulse dimmer. Beautiful, elegant and masterfully minimalist. Expect to see a few more Aldo van den Nieuwelaar designs celebrated in the future.

The Japanese architect Shigeru Ban created an innovative, minimalist and elegant floor lamp for FontanaArte, named Yumi. In Japanese, Yumi means “bow” and that is exactly what this floor lamp looks like. Delicate, the stem is only 10mm thick, and strong. A clean design and simple shape that blends into a lightweight structure. The slim shape was made possible by the use of LED lights, integrated in the black composite and carbon fibre coated structure. The base is made of black lacquered metal. All wiring is hidden within. I love that. I think a lamp with such a minimalist appearance fits in any environment. Would it fit in your interior? It is said Shigeru Ban is not interested in the newest materials and techniques in designsbut he is definitely innovative and need the newest tools to make his ideas come alive. The fact Ban was the first architect in Japan to construct a building out of paper illustrates his innovative thinking.

Barcelona based designer Adolfo Abejon created this simple and witty lamp, aptly called Slim. Constructed from an iron pipe, the piece resembles the shape of the traditional post-and-shade lamp. The familiar form is stripped down to its mere outline, making Slim a minimalist version of the timeless classic. Abejon explains: The lamps play a joke on themselves. This collection reminds the archetype of lamps composed of a lampshade, a central body and the base. The design keeps this idea by breaking the parts and keeping the important things: a pipe is enough to hold the bulb and the lampshade is used just to protect the bulb in case of falling down. The lamp comes in floor and table versions and in three colors: black, white and turquoise.

This minimalist lamp is a recent creation of the Japanese studio YOY, who’s work we previously featured. The piece, laconically titled Light, is a modern take on an old concept. It breathes new life into a familiar lampshade idea. Thanks to the cleverly shaped LED fixture, the lamp produces a lampshade-like projection on the wall. I love the humor of this lamp. The poll is shaped like a socket, creating an illusion of the invisible lightbulb. The piece comes in two forms, as a table and floor lamp. It has debuted at the 2014 Milano Salone.

It is now our third feature of the work by Takuro Yamamoto Architects. However this time, it is not an architectural structure, but rather a complement to the living space. With an eye and a mind for minimal designs, the firm recently launched a series of lamps under the name of Minimal Green, consisting of Twig, Blossom, Bud and Flower. While the former two elegantly stand tall with their elongated thin bodies, Bud and Flower are more modest, acting as the younger siblings of this collection. It is in the details that one can differentiate the four from one another: on the trunk of these lamps, branches sprout out of the body to imitate the rustic feeling of plants, as the designer put. Not only do they act as an aesthetic communicator, but they can also be functional — used as a hanger for lightweight accessories and outerwear. I especially find Blossom the most provocative. Its straight body extends up to then flourish into a white mass, supported by a bent brach that plays with the eyes. The structure’s offset is what makes it interesting and intriguing, while its simplicity helps put it on the top of my wish-list.

Cords and cables are notorious destroyers of visual peace and laconic beauty in minimalist designs. That is why it is so unusual to see a minimalist idea sprang from a humble cord and not much else. Petrus Palmér Jonas Pettersson and John Löfgren of Swedish studio Form Us With Love created the Cord Lamp for the brand Design House Stockholm. A textile cord is merged with a steel tube, holding aloft an oversized globe bulb. Here is how designers describe the concept: You can let it irritate you, break your neck tripping over it, or you can surrender, hide it behind the skirting board or press it into a groove. But it’s smarter to make friends with the enemy. Cord Lamp turns the cursed flex into a simple eye-catcher. If there’s any message to a lamp, just for the fun of it, what about ‘make peace not war’. I love how delicate the piece looks. A simple cord and a simple bulb, just by being made a focal point, appear quite exquisite.

I really do enjoy the work of the Swedish studio Claesson Koivisto Rune and the w126 lamp is one of their latest product designs for the fellow Swedish company Wästberg. Explaining the inspiration behind the lamp’s design, CKR writes: Historic industrial design icons such as the Starship Enterprise or the Citroën’s steering wheel were inspirational when designing the w126 uplighter. Admittedly two quite technical examples, but this is a lamp that demanded both highly advanced engineering and a bit of iconicity. It is available in a variety of colours, including white, grey and orange, and it has two different LED light sources, one up and one down, to create your desired ambience for each moment. Excellent!

Belgian interior architect Luc Ramael, who’s no frills design work of furniture and lighting objects spans over thirty years. He designed this wonderful Biluna floor lamp in 2008 for Italian interior lighting brand, Prandina. The lamp, which has been produced in three versions – F5, F7 and F9 – all of varying sizes, comprises painted polypropylene outer diffuser, opal white thermoformed methacrylate inner diffuser, electronic ballast, and a transparent methacrylate support ring. The smooth, simple form, appearing almost as if it were hovering above the floor, along with the size options to accommodate different spaces, makes Ramael’s design an incredibly attractive interior feature. Biluna is available in matt sand, matt or glossy white and matt or glossy black. It is also available with a foot controlled power cord dimmer. Stunning.

Joren Naerebout, a young and talented interior designer for the Amsterdam based Studio Bakker, recently shared with me his exquisitely handcrafted lighting fixture, .02 Luminaire. The frame is bent by hand in a steel mould. The luminaire carefully balances between the floor and the wall. The shape of the frame is designed to elevate and embrace the bulb and guide the wire. The material used for the slim, minimal frame is a blackened steel. This is a frame design that carefully considers the aesthetic impact of the wire, which results in the wire appearing as a seamless extension or continuation of the frame itself – an aspect of this floor lamp I really enjoy. It is available for purchase, however Naerebout must be currently contacted personally.

Inspired by the art of the traditional Japanese form of archery, Kyudo is a minimalist floor lamp by German designers Hansandfranz for Italian furniture manufacturer Kundalini who interpreted its philosophy of focusing on the ceremonial aspect of the discipline rather than the targeted goal into its design. With its frame made of aluminum, LED lights run along the profile of the arc that resembles the bow. The arc is adjustable on a sliding track, allowing the direction of the light to move along the frame. So elegant in its form and proportions, it has been a favorite fixture of mine simply because it challenges how a traditional floor lamp is typically lit. It practices both in form and concept the state of shin-zen-bi, which means “truth-goodness-beauty”, the philosophy carried in the art of Kyudo.

The Tilta Lamp is a charming light fixture designed by Scoope Design. As the name suggests, Tilta Lamp can tilt back and forth on its concrete base. The concrete is molded so as to allow the lamp to rotate at almost 360 degrees. The metal piece at the top of the lamp acts as a handle for which to move the light, and gravity does the rest of the work! Tilt it left, tilt it right, tilt it any way you like! This lamp is just so fun! Light fixtures are rarely this exciting! Most lamps just go on or off, but Tilta Light allows the user a whole new way to interact with lamps. The lamp’s range of motion is not just for fun, it is functional in that it allows the user an easy way to direct artificial light. The lamp is available as either a floor lamp or reading lamp. I am personally a huge fan of the smaller reading lamp: I know I would be wobbling it back and forth on my desk all day!

The Hello floor lamp by Swedish architect Jonas Wagell, designed for the brand Normann Copenhagen, is laconic and precise. The idea of the piece came about when Wagell needed a large lamp for an architect project. He experimented with several aluminium shades attached to a piece of wood. This planted the seed for creating Hello. Jonas Wagell explains: Many existing lamps either have a very technological appearance or look quite basic and cheap. Floor lamps – and lamps in general – which have a simple design but also a strong character and a high quality and finish are difficult to come by. Hello is an attempt to fill that gap. I really like the scale of the piece. The oversized elements make it appear as an unusually big desk lamp, which is a fun and refreshing idea. I also love the acrylic inner shade, making harsh stainless steel look soft and approachable.