Xirel Segard’s Galalux Lamp is a floating sphere of concrete lux and a creative approach to illumination. Made from concrete and available in two varying sizes, the magical orb of light is both a sculptural and functional addition to space. The thin sliver of exposed light that seeps from the center of the sphere acts as the functional injection into an otherwise geometric form. Although it seems to levitate with this streak of light passing through it, the materiality itself helps ground the object to the space. Based in Paris, Segard has been involved in numerous exhibitions and the recipient of many awards. Weighing in around 3kgs, the Galalux is one of many of her experimentations with concrete. Her work is articulated form-wise with a somewhat lightness, somehow due to the aeration of the concrete itself, but there also exists this a duality and juxtaposition, through the material’s strength. This experimentation and playfulness has given birth to this beautiful piece of industrial design that subtly illuminates and just as subtly adds a sense of curiosity. Photography courtesy of Xirel Segard.
Categorized “Table lamp”
The Brick Lamp by HCWD Studio is a minimalist lamp that works very intuitively with a hand gesture. A warm toned light is activated when the lamp is raised and deactivated when laid flat. This clever switching mechanism is designed to work on all kinds of firm and horizontal surfaces. The side facets function as a natural handle and also direct the light when the lamp stands on its side. The lamps weight is engineered to make it stand stabilised. The objective is to capture the moment of light — being concealed and revealed. This unique lighting design would turn a quotidian routine into an enriching experience, providing an unexpected, fun quality to a daily object. The Brick Lamp is multi-functional and one can use the lamp wirelessly. A built-in battery allows the lamp to glow for up to five hours with a single charge. The housing of the Brick Lamp comes in three styles: concrete (light and dark), wood and metal (silver and black). My personal favorite is the metal (silver) edition with the matte finish on the facets and brush texture on the top surface.
I met Studio Vit for the first time two years ago at Fuorisalone in Milan. I was affected by their radical minimalistic design, even through their business card and website. The studio, founded in 2010 by Helena Jonasson and Veronica Dagnert in London, design and create well made products, lighting and furniture with great attention to detail. After Globe and Marble Lights, Cone lights is a collection which is about opposites. It consists of two elementary forms, the cone and the sphere, that are combined in different ways. Spheres in handblown glass and cones in matt white or mirror polished metal make up lights that cast light from the ceiling, wall or floor. The materials are hollow or solid, matt or reflective. The pieces are sold as numbered editions from Etage Projects and each item is handmade in London. Light, materials and volume are key elements of Studio Vit production in relationship to the space. The objects should coexist harmoniously and at the same time create a tension in relation to each other. Cone Lights are not just simple lamps. They are beautifully geometric.
Arnhem based Dutch designer Jet de Bruijn creates beautiful interior products with clean lines manufactured from pure materials, under the label jet. Her latest design is the minimal, modular and elegant lamp, Tammel, comprised of a slim stainless steel frame and oak/walnut socket. The Tammel lighting range is a reference to her childhood — Tammel being the name of the farm where she grew up. This is where her predilection for craftsmanship and the application of wood and steel originates. The lamp, which can can used as a table or wall lamp, is available in a variety cable colours, including white, red, yellow, and black. An incredibly simple concept, but beautifully executed. Photography courtesy of Joyce Croonen.
The Tumble Lamp or Tuimelled is another remarkable table and floor lamp design by renowned Dutch industrial designer Aldo van den Nieuwelaar. Originally designed in 1968 and re-produced by Dutch lighting brand Boops, in his honour, the tumble lamp is comprised of powder coated aluminium, an LED warm white lamp, featuring dimmer control, and is available in black and white. On his design work, Aldo van den Nieuwelaar wrote: My challenge is the experimentation with geometrical forms, which can be traced back to the work of modern visual artists such as Donald Judd and Jan Schoonhoven. It is precisely this successful experimentation with geometry that makes Aldo’s work so wonderfully appealing to those of us who appreciate minimalism, leaving an everlasting legacy of geometric abstraction and simplicity in design.
Viabizzuno founded in 1994 this year celebrates 20 years of life. Via Bizzuno is the name of the main road of the small village Bizzuno located in the province of Ravenna, Italy, where Mario Nanni — the founder — was born. In 2014 Viabizzuno continues the series Roy (Parete, Tavolo, Terra) — born two years ago — with Parete, a floor light fitting for indoor use in steel and aluminium painted nero royal or made in copper bronze brass. Roy Parete is made up of a head containing the light source, assembled on a metal arm with 8mm diameter that can rotate around the longitudinal axis by 180°, inserted on bracket size 120x60x20mm that is, in turn, fitted to a 240x120x10mm size steel plate. The head is wired with 6W 3000K diffused led light or with 3W 3000K led for the spot light, adjustable on two axes with a special brass hinge and a thin rod that allows easy and precise adjustment. The bracket fitted to the base houses a touch control switch to turn the light fitting on and off.
Barcelona based designer Adolfo Abejon created this simple and witty lamp, aptly called Slim. Constructed from an iron pipe, the piece resembles the shape of the traditional post-and-shade lamp. The familiar form is stripped down to its mere outline, making Slim a minimalist version of the timeless classic. Abejon explains: The lamps play a joke on themselves. This collection reminds the archetype of lamps composed of a lampshade, a central body and the base. The design keeps this idea by breaking the parts and keeping the important things: a pipe is enough to hold the bulb and the lampshade is used just to protect the bulb in case of falling down. The lamp comes in floor and table versions and in three colors: black, white and turquoise.
It is now our third feature of the work by Takuro Yamamoto Architects. However this time, it is not an architectural structure, but rather a complement to the living space. With an eye and a mind for minimal designs, the firm recently launched a series of lamps under the name of Minimal Green, consisting of Twig, Blossom, Bud and Flower. While the former two elegantly stand tall with their elongated thin bodies, Bud and Flower are more modest, acting as the younger siblings of this collection. It is in the details that one can differentiate the four from one another: on the trunk of these lamps, branches sprout out of the body to imitate the rustic feeling of plants, as the designer put. Not only do they act as an aesthetic communicator, but they can also be functional — used as a hanger for lightweight accessories and outerwear. I especially find Blossom the most provocative. Its straight body extends up to then flourish into a white mass, supported by a bent brach that plays with the eyes. The structure’s offset is what makes it interesting and intriguing, while its simplicity helps put it on the top of my wish-list.
Federico Floriani’s 123 Lamp is a kit of minimalist parts. The sinuous composition of these elements is just the gravy. Italian industrial and graphic designer Floriani has conceived this source of illumination through a want of pushing structure abstraction to explore new aesthetics and leave behind the classic bulb. The result sees a solid oak wood body that uses two metal legs as a stand. Intended as a focused desk light that is consciously designed with minimalist lines and a simplified form. The 123 Lamp encourages a sense of interaction and engagement with the user, as well as being beautifully executed. Photography courtesy of Federico Floriani.
Magneto is a minimalist table lamp created by French studio Hekla. The piece is comprised of two parts – a metal base and an autonomous lighting source, made out of wood and fitted with an LED strip. Thanks to the magnetic component inside the wooden part, you can freely move the light, attach it at any angle and easily customize the direction of the light. I love how versatile the piece is. You can put it together in many different ways as a table lamp. You can also take it completely apart and attach the lighting component to any metal surface around the house. Very clever.
Roll is a recent minimalist creation of French designer Ferréol Babin. The T-shaped object combines in itself a well thought-out functional idea with visual simplicity. The piece is composed of two independent yet complementary elements. The tube with the lighting source fits on the base. Thanks to the rotational motion, you can adjust the light, going from an indirect and soft one, to a direct light perfect for reading or working. I also love how portable Roll is. You can easily take it apart for storage and transportation. The transformer is hidden inside the hollow body of the lamp, which is another beautiful touch.
Cords and cables are notorious destroyers of visual peace and laconic beauty in minimalist designs. That is why it is so unusual to see a minimalist idea sprang from a humble cord and not much else. Petrus Palmér Jonas Pettersson and John Löfgren of Swedish studio Form Us With Love created the Cord Lamp for the brand Design House Stockholm. A textile cord is merged with a steel tube, holding aloft an oversized globe bulb. Here is how designers describe the concept: You can let it irritate you, break your neck tripping over it, or you can surrender, hide it behind the skirting board or press it into a groove. But it’s smarter to make friends with the enemy. Cord Lamp turns the cursed flex into a simple eye-catcher. If there’s any message to a lamp, just for the fun of it, what about ‘make peace not war’. I love how delicate the piece looks. A simple cord and a simple bulb, just by being made a focal point, appear quite exquisite.