Australian artist and designer Belinda Winkler has produced yet another series to the evolution of her beautiful voluptuous forms, respectively named Gravity + Align + Brink. The collections evoke connections, sensually, emotionally and imaginatively, all embodying a recurring theme of light and shadow while playing on a sense of tension between the objects.
Finished from a combination of porcelain and bronze, this minimalist artist describes the process as soft, dove grey dewy forms emerging from their moulds. Winkler has contributed to both solo and group exhibitions, having won awards internationally and within Australia, where she studied. She is based in Hobart, Tasmania where she creates her sculptures and public art. Self described as a maker by nature, her work is represented by the Bett Gallery in Hobart, Tasmania.
Described as biotic minimalism, I find her work to be extremely beautiful, intriguing and playful. The performance that each piece plays on gravity, and the traditional expectations of form is incredible and challenges the imagination. Gravity + Align + Brink all tempt touch, be that with the eyes, the hands, the memory or the imagination where the relationship between forms, where curve almost meets curve, nearly, but not quite touching, creating a spatial tension, charged with anticipation.
Photography courtesy of Peter Whyte.