The latest work of Australian fashion designer Josh Goot is an intriguing lesson in what happens when someone who usually experiments with rich floral prints and bright color blocking, breaks his design down to a reduced palette of mainly black and white. It results in a timeless, calm collection with an interesting androgynous appeal. And as we are talking about a skilled designer with a strong handwriting, it is still very recognizably a Josh Goot collection:
I would describe our aesthetic as optimistic, minimal, urban, confident. Generally what we do is very high saturating, very high contrast. But then sometimes we’d do the opposite. So we would go to more ordinary true tones and do things that are more subtle. I think by that we are inspired by our experience here in Sydney. It does set us apart from the others. (Transcribed from David Jones)
One reason why the subtle color palette in Goot’s latest Winter collection works so well is his general sense for sharp, tailored silhouettes, implemented in luxurious high tech fabrics. I always appreciate a look which focuses on the outline of an outfit, rather than merely decorating the body. It is this true attention to form that elevates his work above that of many others.