Sarah Oppenheimer is challenging the distinction between art and architecture with a unique collection of windows and wall openings. Using wall incisions and glass as her mediums, Oppenheimer blurs the line between room and painting. From 2012 to present, Oppenheimer’s work has been featured in the PPOW Gallery in New York City, as well as in Kunsthaus Baselland and Von Bartha Garage in Switzerland.
While each piece is unique in its form and location, they all bear striking similarities. Glass and black aluminum jut from the walls in a playful geometry. Each opening looks different from various angles and distances. These pieces play with the mind as they distort the structural components of the room and challenge our perception of size and space.
The use of glass and cut-outs invites the user to interact with the work by looking out a window or passing through a doorway. In this sense Oppenheimer’s series is firmly rooted in architecture, as we rarely get the chance to interact with art in this way. Yet it is impossible not to relate the aesthetic of these pieces to the oversized cubist paintings of artists past and present.
These gorgeous designs are architecture, painting, and sculpture all at once; a combination that makes for a refreshingly original series.